From c133da3cd52dcbd01773e4c81a17eb332a7bf8f9 Mon Sep 17 00:00:00 2001 From: pythonsemicolon Date: Fri, 4 Aug 2023 11:19:46 -0400 Subject: [PATCH 1/3] Adapt zotero script fixes from other static websites Code changes are nearly identical to DDMAL static website Zotero modifications, with names updated and accommodations for the pages needed (media, presentations, publications) --- activities/media/content.json | 29 + activities/media/index.html | 71 +- activities/presentations/content.json | 300 +++++++++ activities/presentations/index.html | 897 +------------------------- activities/publications/content.json | 172 +++++ activities/publications/index.html | 1 + activities/script.js | 50 ++ html_parser.py | 88 ++- 8 files changed, 598 insertions(+), 1010 deletions(-) create mode 100644 activities/media/content.json create mode 100644 activities/presentations/content.json create mode 100644 activities/publications/content.json create mode 100644 activities/script.js diff --git a/activities/media/content.json b/activities/media/content.json new file mode 100644 index 0000000..eff3b63 --- /dev/null +++ b/activities/media/content.json @@ -0,0 +1,29 @@ +{ + "2020": [ + "Brouillette, Louis. 2020. \u201cInterview with Ichiro Fujinaga: Projet SIMSSA (Interface Unique Pour La Recherche et l\u2019analyse de Partitions Musicales).\u201d Musique et Science on Radio VM. October 7. https://www.louisbrouillette.com/radio/.", + "Rodin, Jesse, and Cut Circle Ensemble. 2020. Sounds of Renaissance Florence. Stanford University. http://cutcircle.org/videos/sounds-of-renaissance-florence/." + ], + "2019": [ + "Chokroborty-Hoque, Aniruddho. 2019. \u201cWestern Music Professor Kate Helsen: Art Has No Enemy But Ignorance.\u201d Podcast. Professors Beyond Jobs. May. https://soundcloud.com/chrwradio/western-music-professor-kate-helsen-art-has-no-enemy-but-ignorance.", + "Cumming, Julie, and McGill student and staff choir. 2019. Saints Alive! Rediscovering Chant Manuscripts at McGill. Lecture Recital (McGill ROAAr Event). https://youtu.be/OVqs4Sq8DEE.", + "Darroch, Hannah. 2019. \u201cSinging on the Book: New Video Series Launched; Professors Peter Schubert and Julie Cumming Have Recently Released a Series of New Videos on Renaissance Vocal Improvisation.\u201d Schulich School of Music (blog). December 2019. https://www.mcgill.ca/music/article/blog-faculty-research/singing-book-new-video-series-launched.", + "Lagac\u00e9 Dowson, Anne. 2019. \u201cA 21st Century Premi\u00e8re for a 15th Century Music Manuscript: Music Inscribed in a Beautiful and Rare Choral Manuscript Will Be Performed for the First Time in Decades, If Not Centuries, on Thursday, February 21.\u201d McGill Reporter, February 2019. https://reporter.mcgill.ca/a-21st-century-premiere-for-a-15th-century-music-manuscript/.", + "Schubert, Peter, Julie Cumming, and George Massenburg. 2019. Singing on the Book. https://www.youtube.com/playlist?list=PLo6KfdKWjMnAdMUYmSv4LtZ_ypg9PJgve." + ], + "2018": [ + "Fujinaga, Ichiro (interviewed by ComputeCanada). 2018. \u201cCreating \u2018Google Scores\u2019 for the Masses.\u201d ComputeCanada Research Showcase (blog). June 7, 2018. https://www.computecanada.ca/research/creating-google-scores-for-the-masses/." + ], + "2017": [ + "Bain, Jennifer. 2017. \u201cInterview with Alexa MacLean about the Salzinnes Exhibit.\u201d Global Television News, May 4.", + "Kr\u00e4mer, Reiner. 2017. \u201cDog-Walking Algorithm.\u201d Podcast. Patch In (39). SoundNotion, June 6. http://www.soundnotion.tv/2017/06/pi-39/." + ], + "2016": [ + "Helsen, Kate. 2016a. \u201cThe Optical Neume Recognition Project.\u201d Interview with Bob Steele. Afternoon Drive. CBC Radio One, May 24.", + "Helsen, Kate. 2016b. \u201cThe Optical Neume Recognition Project.\u201d Interview. Up All Night. BBC 5, June 1.", + "Kr\u00e4mer, Reiner. 2016. \u201cThe Present Edge with Gary McBride.\u201d Radio Interview. Colorado, October 3." + ], + "2014": [ + "Bain, Jennifer. 2014a. \u201cThe Optical Neume Recognition Project.\u201d Main Street. CBC Radio One, March.", + "Bain, Jennifer. 2014b. \u201cThe Optical Neume Recognition Project.\u201d Global News, March." + ] +} \ No newline at end of file diff --git a/activities/media/index.html b/activities/media/index.html index edfb226..22b84cc 100644 --- a/activities/media/index.html +++ b/activities/media/index.html @@ -82,75 +82,7 @@

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+ \ No newline at end of file diff --git a/activities/presentations/content.json b/activities/presentations/content.json new file mode 100644 index 0000000..878a254 --- /dev/null +++ b/activities/presentations/content.json @@ -0,0 +1,300 @@ +{ + "2021": [ + "McKay, Cory, and Mar\u00eda Elena Cuenca. 2021. \u201cMusical Influences on the Masses and Motets of Crist\u00f3bal de Morales and Francisco Guerrero: A Statistical Approach.\u201d Presented at the 49th Medieval and Renaissance International Music Conference, Universidade NOVA de Lisboa, Portugal, July.", + "Rodr\u00edguez-Garc\u00eda, Esperanza, and Cory McKay. 2021. \u201cAve Festiva Ferculis: Exploring Attribution by Combining Manual and Computational Analysis.\u201d Presented at the 49th Medieval and Renaissance International Music Conference, Universidade NOVA de Lisboa, Portugal, July.", + "Thomae, Martha E. 2021a. \u201cEncoding Mensural Notation with MEI.\u201d Invited Lecture presented at the Paleography course, University of Freiburg, Freiburg, Germany, January 25.", + "Thomae, Martha E. 2021b. \u201cDigital Infrastructures for Mensural Music Using MEI.\u201d Invited Lecture presented at the Kolloquium Musikwissenschaft, Freiburger Forschungs- und Lehrzentrum Musik (FZM), Freiburg, Germany, January 26.", + "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2021. \u201cGuatemalan Cathedral Choirbook 1: From Manuscript to Digital Images to Digital Scores.\u201d Presented at the 49th Medieval and Renaissance International Music Conference, Universidade NOVA de Lisboa, Portugal, July." + ], + "2020": [ + "Cumming, Julie E. 2020. \u201cThoughts on Sustainability, 8 Years Later.\u201d Presented at the Round Four Digging into Data Conference, National Science Foundation, Alexandria, VA, January 29. https://diggingintodata.org/awards/news/round-4-conference-2020.", + "De Luca, Elsa, and Martha E. Thomae. 2020a. \u201cWorkshop I: Introduction to MEI.\u201d Invited Lecture. Prague, Czech Republic (online).", + "De Luca, Elsa, and Martha E. Thomae. 2020b. \u201cWorkshop II: Hands-on MEI Encoding.\u201d Invited Lecture presented at the Digital Humanities in Early Music Research I Series \u2013 Session II: Early Music Databases and Encoding, Prague, Czech Republic (online), June 30.", + "McKay, Cory, R\u00edan Adam\u00edan, Julie E. Cumming, and Ichiro Fujinaga. 2020. \u201cExploring Renaissance Music Using N-Gram Aggregates to Summarize Local Musical Content.\u201d Presented at the Medieval and Renaissance Music Conference, Edinburgh, Scotland, July 4.", + "Regimbal, Juliette, Gabriel Vigliensoni, Caitlin Hutnyk, and Ichiro Fujinaga. 2020. \u201cIIIF-Based Lyric and Neume Editor for Square-Notation Manuscripts.\u201d Presented at the Music Encoding Conference 2020, Tufts University, Boston, May 27. https://hcommons.org/deposits/item/hc:31975.", + "Thomae, Martha E. 2020. \u201cMEI for Encoding Mensural Music \u2013 A Survey.\u201d Invited Lecture presented at the Digital Humanities in Early Music Research I Series \u2013 Session II: Early Music Databases and Encoding, Prague, Czech Republic (online), June 22.", + "Thomae, Martha E., Antonio R\u00edos-Vila, Jorge Calvo-Zaragoza, David Rizo, and Jos\u00e9 M. I\u00f1esta. 2020. \u201cRetrieving Music Semantics from Optical Music Recognition by Machine Translation.\u201d Presented at the Music Encoding Conference, Tufts University, Boston, MA (online), May." + ], + "2019": [ + "Calvo-Zaragoza, Jorge. 2019. \u201cHolistic Methods for Optical Music Recognition.\u201d Presented at the Workshop on SIMSSA XVIII at the Music Encoding Conference, University of Vienna, Vienna, Austria, June 2.", + "Cuenca Rodr\u00edguez, Mar\u00eda Elena, and Cory McKay. 2019. \u201cExploring Musical Style in\u00a0 the Anonymous and Doubtfully Attributed Mass Movements of the Coimbra\u00a0 Manuscripts: A Statistical Approach.\u201d Presented at the Medieval and Renaissance Music Conference, Basel, Switzerland.", + "Cumming, Julie, and Zoey Cochran. 2019. \u201cThe Questione Della Musica: Revisiting the Origins of the Italian Madrigal.\u201d Presented at the Medieval and Renaissance Music Conference, Basel, Switzerland, July 4.", + "De Luca, Elsa, Jennifer Bain, Inga Behrendt, Kate Helsen, Alessandra Ignesti, Debra Lacoste, and Sarah Ann Long. 2019. \u201cCantus Ultimus\u2019 MEI Neume Module and Its Interoperability Across Chant Notation.\u201d Poster (refereed) presented at the Music Encoding Conference, University of Vienna, Vienna, Austria, May 31.", + "Fujinaga, Ichiro. 2019. \u201cSIMSSA Project & Linked Open Data.\u201d Presented at the Canadian Workshop on Linked Open Data for Cultural Scholarship, Banff, AB, September 13. https://www.birs.ca/events/2019/2-day-workshops/19w2276.", + "Hopkins, Emily, Yaolong Ju, Gustavo Polins Pedro, Cory McKay, Julie Cumming, and Ichiro Fujinaga. 2019. \u201cSIMSSA DB: Symbolic Music Discovery and Search.\u201d Poster (refereed) presented at the Digital Libraries for Musicology, The Hague, Netherlands, November.", + "Howes, Samuel, and Yaolong Ju. 2019. \u201cChord Progressions in Lutheran Chorales.\u201d Presented at the Workshop on SIMSSA (Single Interface for Music Score Searching and Analysis) XIX, Montreal, Canada, September 21. https://www.cirmmt.org/activities/workshops/research/workshop_on_SIMSSA_XIX.", + "Ju, Yaolong, Gustavo Polins Pedro, Cory McKay, Emily Ann Hopkins, and Julie Cumming. 2019. \u201cEnabling Music Search and Analysis: A Database for Symbolic Music Files.\u201d Poster (refereed) presented at the Music Encoding Conference 2019, University of Vienna, Austria, May 30.", + "Ju, Yaolong, Samuel Howes, Cory McKay, Nathaniel Condit-Schultz, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2019. \u201cAn Interactive Workflow for Generating Chord Labels for Homorhythmic Music in Symbolic Formats.\u201d Presented at the 20th annual conference of the International Society for Music Information Retrieval (ISMIR), Delft, Netherlands, November 8.", + "Ju, Yaolong. 2019. \u201cSearch and Analysis Tool for Use with the SIMSSA Database.\u201d Presented at the SIMSSA Workshop, Montr\u00e9al, QC, June 2.", + "Laplante, Audrey, and Jean-Sebastian Sauv\u00e9. 2019. \u201cThe Place of Digital Technologies in Musicology from the Perspective of Music Scholars.\u201d Presented at the Workshop on Requirements, Use Cases, and User Studies in Digital Music Libraries and Archives (RUCUS 2019)/ACM/IEEE-CS Joint Conference on Digital Libraries (JCDL), Urbana-Champaign, IL, USA, June 6.", + "Margot, Sylvain. 2019. \u201cL\u2019influence Des Espaces G\u00e9oculturels Sur La Structure et La Syntaxe Cadentielle Du Rondeau Entre 1250 et 1450.\u201d Presented at the 47th Medieval and Renaissance Music Conference, Schola Cantorum Basiliensis, Basel, Switzerland, July.", + "McKay, Cory, Emily Hopkins, Gustavo Polins Pedro, Yaolong Ju, Andrew Kam, Julie Cumming, and Ichiro Fujinaga. 2019. \u201cA Collaborative Symbolic Music Database for Computational Research on Music.\u201d Presented at the Medieval and Renaissance Music Conference, Basel, Switzerland.", + "McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2019. \u201cLessons Learned in a Large-Scale Project to Digitize and Computationally Analyze Musical Scores.\u201d Presented at the Digital Humanities Conference, Utrecht, NL, July.", + "N\u00e1poles L\u00f3pez, N\u00e9stor, Claire Arthur, and Ichiro Fujinaga. 2019. \u201cKey-Finding Based on a Hidden Markov Model and Key Profiles.\u201d Presented at the 6th International Conference on Digital Libraries for Musicology, The Hague, Netherlands, November 9.", + "N\u00e1poles L\u00f3pez, N\u00e9stor, Gabriel Vigliensoni, and Ichiro Fujinaga. 2019. \u201cThe Effects of Translation between Symbolic Music Formats:\u00a0A Case Study with Humdrum, Lilypond, MEI, and MusicXML.\u201d Presented at the Music Encoding Conference, University of Vienna, Vienna, Austria.", + "N\u00e1poles L\u00f3pez, N\u00e9stor. 2019. \u201cCantus Ultimus: Status Update.\u201d Presented at the Workshop on SIMSSA XIX, CIRMMT, McGill University, Montreal.", + "Pugin, Laurent. 2019. \u201cA Verovio JavaScript Application.\u201d Presented at the Workshop on SIMSSA XVIII at the Music Encoding Conference, University of Vienna, Vienna, Austria, June 2.", + "Regimbal, Juliette, Zo\u00e9 McLennan, Gabriel Vigliensoni, Andrew Tran, and Ichiro Fujinaga. 2019a. \u201cNeon2: A Verovio-Based Square-Notation Editor.\u201d Poster (refereed) presented at the Music Encoding Conference, University of Vienna, Vienna, Austria, May 31.", + "Regimbal, Juliette, Zo\u00e9 McLennan, Gabriel Vigliensoni, Andrew Tran, and Ichiro Fujinaga. 2019b. \u201cNeon.Js After v3: How to Move Forward with OMR Visualization and Correction of Full Manuscripts.\u201d Presented at the Workshop on SIMSSA XVIII at the Music Encoding Conference, University of Vienna, Vienna, Austria, June 2.", + "Regimbal, Juliette, and Caitlin Hutnyk. 2019. \u201cNeon: Full Manuscripts, Lyrics and Staves.\u201d Presented at the Workshop on SIMSSA XIX, CIRMMT, McGill University, Montreal, September 21.", + "Reuse, Timothy de, and Ichiro Fujinaga. 2019. \u201cPattern Clustering in Monophonic Music by Learning a Non-Linear Embedding from Human Annotations.\u201d Presented at the The 20th International Society for Music Information Retrieval Conference, Delft, Netherlands, November.", + "Savage, Evan. 2019. \u201cNeume Component Pitch and Type Classification.\u201d Presented at the Workshop on SIMSSA XIX, CIRMMT, McGill University, Montreal, September 21.", + "Shaw, Rebecca. 2019. \u201cThe Differentiae Database.\u201d Presented at the Workshop on SIMSSA XIX, CIRMMT, McGill University, Montreal, September 21.", + "Thomae, Martha E. 2019a. \u201cPreservation of the Colonial Musical Heritage of Guatemala Through Digitization and Music Encoding Technologies.\u201d Invited Talk presented at the Association of Canadian Archivists McGill Student Chapter\u2019s Annual Colloquium, Montreal, QC, March 18.", + "Thomae, Martha E. 2019b. \u201cGuatemalan Manuscripts: Digitization Issues and Forthcoming Challenges in the Adaptation of the OMR Workflow for Mensural Music.\u201d Presented at the Workshop on SIMSSA XVIII at the Music Encoding Conference, University of Vienna, Vienna, Austria, June 2.", + "Thomae, Martha E. 2019c. \u201cOMR for Mensural Notation: Looking at a Guatemalan Music Manuscript.\u201d Presented at the Workshop on SIMSSA XIX, CIRMMT, McGill University, Montreal, September 21.", + "Thomae, Martha E. 2019d. \u201cDigitization and Encoding of the Musical Contents of a Set of Guatemalan Choirbooks.\u201d Invited Lecture presented at the Multimedia Systems (GLIS 633) course, McGill University, Montreal, QC, November 27.", + "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2019a. \u201cApplication of Music-Encoding Technologies to Guatemalan Choirbooks, Facilitating Preservation and Musicological Studies of the Colonial Repertoire.\u201d Paper presentation presented at the Music Encoding Conference, University of Vienna, Vienna, Austria, May 31.", + "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2019b. \u201cTaking Digital Humanities to Guatemala, a Case Study in the Preservation of Colonial Musical Heritage.\u201d Presented at the Digital Humanities Conference, Utrecht, NL, July 10.", + "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2019c. \u201cThe Mensural Scoring-up Tool.\u201d Presented at the 6th International Conference on Digital Libraries for Musicology, The Hague, NL, November 9.", + "Upham, Finn. 2019. \u201cHuman Subtracted: Social Distortion of Music Technology.\u201d Presented at the 1 st Workshop on Designing Human-Centric Music\u00a0 Information Research Systems, Delft, Netherlands, November 2.", + "Vigliensoni, Gabriel, Alex Daigle, Eric Liu, Jorge Calvo-Zaragoza, Juliette Regimbal, Minh Anh Nguyen, Noah Baxter, Zo\u00e9 McLennan, and Ichiro Fujinaga. 2019a. \u201cFrom Image to Encoding: Full Optical Music Recognition of Medieval and Renaissance Music.\u201d Presented at the Music Encoding Conference, University of Vienna, Vienna, Austria, May.", + "Vigliensoni, Gabriel, Alex Daigle, Eric Liu, Jorge Calvo-Zaragoza, Juliette Regimbal, Minh Anh Nguyen, Noah Baxter, Zo\u00e9 McLennan, and Ichiro Fujinaga. 2019b. \u201cOvercoming the Challenges of Optical Music Recognition of Early Music with Machine Learning.\u201d Presented at the Digital Humanities Conference, Utrecht, NL, July.", + "Vigliensoni, Gabriel, Alex Daigle, Eric Liu, Jorge Calvo-Zaragoza, Juliette Regimbal, Minh Anh Nguyen, Noah Baxter, and Zo\u00e9 Mclennan. 2019. \u201cImage to Encoding: Full Optical Music Recognition of Medieval and Renaissance Music.\u201d Poster (refereed) presented at the Music Encoding Conference, University of Vienna, Vienna, Austria, May 31.", + "Vigliensoni, Gabriel. 2019. \u201cOMR after Document Segmentation: Classifying and Aligning Music Symbols and Lyrics to Generate MEI Neume Files.\u201d Presented at the Workshop on SIMSSA XVIII at the Music Encoding Conference, University of Vienna, Vienna, Austria, June 2." + ], + "2018": [ + "Arthur, Claire, Julie Cumming, and Peter Schubert. 2018a. \u201cComputer-Assisted Modal Identification.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 5.", + "Arthur, Claire, Julie Cumming, and Peter Schubert. 2018b. \u201cThe Role of Structural Tones in Establishing Mode in Renaissance Two-Part Counterpoint.\u201d Poster presented at the 15th International Conference on Music Perception and Cognition, Montreal, QC, July 26.", + "Calvo-Zaragoza, Jorge, K\u00e9 Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cHuman-Aided Automatic Music Document Analysis.\u201d Presented at the Music Encoding Conference, University of Maryland, College Park, MD, May 22.", + "Cumming, Julie E. 2018. \u201cThe Transformative Power of Digital Tools for Music Research.\u201d Keynote presented at the Joint meeting of the New York State-Ontario (NYS/O) and New England (NEMLA) Chapters of the Music Library Association, and the Quebec Chapter of the Canadian Association of Music Libraries, Archives and Documentation Centres (SQACBM), McGill University, Montreal, QC, November 8.", + "Cumming, Julie E., and Cory McKay. 2018. \u201cRevisiting the Origins of the Italian Madrigal.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 5. http://jmir.sourceforge.net/publications/cumming18revisiting.pdf.", + "Cumming, Julie, Peter Schubert, Cory McKay, Nathaniel Condit-Schultz, and Jonathan Stuchbery. 2018a. \u201cContrapuntal Style: Josquin Desprez vs. Pierre de La Rue.\u201d Presented at the Renaissance Society of America Annual Meeting, New Orleans, Louisiana, March 23.", + "Cumming, Julie, Peter Schubert, Cory McKay, Nathaniel Condit-Schultz, and Jonathan Stuchbery. 2018b. \u201cContrapuntal Style: Josquin Desprez vs. Pierre de La Rue.\u201d Presented at the Conference Pierre de la Rue (ca. 1452-1518), Mechelen, Belgium, November.", + "Cumming, Julie, and Zoey Cochran. 2018a. \u201cThe Questione Della Musica: Revisiting the Origins of the Italian Madrigal.\u201d Presented at the Third Annual Conference on the Italian Madrigal, Colgate University, Hamilton, NY, September.", + "Cumming, Julie, and Zoey Cochran. 2018b. \u201cThe Questione Della Musica: Revisiting the Origins of the Italian Madrigal.\u201d Presented at the American Musicological Society, San Antonio, Texas, November.", + "Garfinkle, David, and Peter Schubert. 2018. \u201cComputer-Assisted Corpus Analysis Finds a Signature Progression in Willaert and Palestrina.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 5.", + "Helsen, Kate, Inga Behrendt, Elsa De Luca, Ichiro Fujinaga, Alessandra Ignesti, Debra Lacoste, and Sarah Long. 2018. \u201c\u2018A Neume by Any Other Name...\u2019: Considering Neumes Described in MEI.\u201d Panel presented at the IMS Study Group Meeting for Cantus Planus, Linnaeus University, V\u00e4xj\u00f6, Sweden, August 7.", + "Helsen, Kate, and Mark Daley. 2018. \u201cMelody Models: Construction and Evolution in Office Chants.\u201d Presented at the IMS Study Group Meeting for Cantus Planus, Linnaeus University, V\u00e4xj\u00f6, Sweden, August 7.", + "Howes, Samuel. 2018. \u201cHarmonic Syntax in the Instrumental Music of Frescobaldi: A Probabilistic Model.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 5.", + "Ju, Yaolong, and Katharine Eve Helsen. 2018. \u201cThe LMLO Goes MEI: An Exercise in Melodic Encoding Translation.\u201d Presented at the Music Encoding Conference, University of Maryland, College Park, MD, May 22.", + "Laplante, Audrey, and Jean-Sebastian Sauv\u00e9. 2018. \u201cMusicologie Num\u00e9rique\u202f: D\u00e9veloppement d\u2019outils et de Services Centr\u00e9s Sur l\u2019utilisateur.\u201d Presented at the Joint meeting of the New York State-Ontario (NYS/O) and New England (NEMLA) Chapters of the Music Library Association, and the Quebec Chapter of the Canadian Association of Music Libraries, Archives and Documentation Centres (SQACBM), Montreal, QC, November 8.", + "Laplante, Audrey. 2018. \u201cMusicologie Num\u00e9rique\u202f: D\u00e9veloppement d\u2019outils et de Services Centr\u00e9s Sur l\u2019utilisateur.\u201d Presented at the Joint meeting of the New York State-Ontario (NYS/O) and New England (NEMLA) Chapters of the Music Library Association, and the Quebec Chapter of the Canadian Association of Music Libraries, Archives and Documentation Centres (SQACBM), McGill University, Montreal, QC, November 8.", + "Lorenz, Ian. 2018. \u201cCad\u00e9ac, Gombert, and CRIM: A New Approach to the Renaissance Imitation Mass.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 5.", + "McKay, Cory. 2018. \u201cPerforming Statistical Musicological Research Using JSymbolic and Machine Learning.\u201d Presented at the International Conference on the Anatomy of Polyphonic Music around 1500, Cascais, Portugal, June.", + "McLennan, Zo\u00e9, and Juliette Regimbal. 2018. \u201cNeon2: Redesigning a Web-Based MEI Neume Editor.\u201d Presented at the SIMSSA XVII Workshop, Montr\u00e9al, QC, December 1.", + "Nguyen, Minh Anh. 2018. \u201cUpdates to RODAN Gamera Interactive Classifier.\u201d Presented at the Workshop on SIMSSA XVII: Infrastructure for Music Discovery, McGill University, December 1.", + "N\u00e1poles L\u00f3pez, N\u00e9stor, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cEncoding Matters.\u201d Presented at the 5th International Conference on Digital Libraries for Musicology, Paris, France, September.", + "N\u00e1poles, N\u00e9stor, Claire Arthur, and Ichiro Fujinaga. 2018. \u201cSymbolic and Audio Key Detection Based on a Hidden Markov Model.\u201d Poster presented at the 19th International Society for Music Information Retrieval Conference, Paris, France, September 23.", + "Polins Pedro, Gustavo, and Yaolong Ju. 2018. \u201cSIMSSA DB Implementation.\u201d Presented at the Workshop on SIMSSA XVII: Infrastructure for Music Discovery, McGill University, December 1.", + "Rizo, David, Jorge Calvo-Zaragoza, and Jos\u00e9 M. I\u00f1esta. 2018. \u201cMuRET: A Music Recognition, Encoding, and Transcription Tool.\u201d Presented at the 5th International Conference on Digital Libraries for Musicology, Institut de Recherche et Coordination Acoustique/Musique (IRCAM), Paris, France, September 28.", + "Sailor, Malcolm. 2018. \u201cThe Insufficiently Stimulated Ear: A Corpus Study of Dissonance Treatment from Dufay to Victoria.\u201d Presented at the 45th Medieval and Renaissance Music Conference, Prague, Czech Republic, July 4.", + "Thomae, Martha E. 2018a. \u201cAutomatic Scoring up of Mensural Parts.\u201d Presented at the Workshop on Digital Musicology, McGill University, Montreal, QC, April 27.", + "Thomae, Martha E. 2018b. \u201cGuatemalan Manuscript Digitization Project.\u201d Presented at the Workshop on SIMSSA XVII: Infrastructure for Music Discovery, McGill University, Montreal, QC, December 1.", + "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2018a. \u201cAutomatic Scoring up of Music in Mensural Notation.\u201d Presented at the Music Encoding Conference, University of Maryland, College Park, MD, May 23.", + "Thomae, Martha E., Julie Cumming, and Ichiro Fujinaga. 2018b. \u201cAutomatic Scoring up of Parts in Mensural Notation.\u201d Presented at the Medieval and Renaissance Music Conference, Maynooth University, Maynooth, Ireland, July 6.", + "Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018. \u201cDeveloping an Environment for Teaching Computers to Read Music.\u201d Presented at the 1st International Workshop on Reading Music Systems (WoRMS), Conservatoire national des arts et m\u00e9tiers, Paris, France, September 20.", + "Vigliensoni, Gabriel. 2018. \u201cPixel.Js: A Web-Based Application for Pixel Classification and Correction.\u201d Presented at the Workshop on SIMSSA XVII: Infrastructure for Music Discovery, McGill University, December 1." + ], + "2017": [ + "Arthur, Claire. 2017a. \u201cMEI, Humdrum, and Music21: A Comparison of Music Encoding Systems and Toolkits.\u201d In Proceedings of the Music Encoding Conference (2015-2017). Tours, France.", + "Arthur, Claire. 2017b. \u201cRenaissance Counterpoint in Theory and Practise: A Case Study.\u201d Presented at the 45th Medieval and Renaissance Music Conference, Prague, Czech Republic, July 4.", + "Arthur, Claire. 2017c. \u201cPerceptual Constraints on Voice Leading Practises: A Corpus Investigation of the Direct Intervals Rule.\u201d Presented at the Society for Music Perception and Cognition Meeting, San Diego, CA, August 30.", + "Behrendt, Inga. 2017. \u201cReport on MEI Meeting in Graz.\u201d Presented at the Workshop on SIMSSA XIII, Art Gallery of Nova Scotia, Halifax, NS, September 22.", + "Calvo-Zaragoza, Jorge, David Rizo, Jose M. I\u00f1esta, and Ichiro Fujinaga. 2017. \u201cA Unified Approach towards Automatic Recognition of Heterogeneous Music Documents.\u201d Poster presented at the Music Encoding Conference, Tours, France, May 18.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017a. \u201cA Unified Approach towards Automatic Recognition of Heterogeneous Music Documents.\u201d Presented at the Music Encoding Conference, Tours, France, May 17.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017b. \u201cA Machine Learning Framework for the Categorization of Elements in Images of Musical Documents.\u201d Presented at the 3rd International Conference on Technologies for Music Notation and Representation, University of A Coru\u00f1a, A Coru\u00f1a, Spain, May 24.", + "Calvo-Zaragoza, Jorge, K\u00e9 Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. \u201cMusic Document Layout Analysis through Machine Learning and Human Feedback.\u201d Presented at the International Workshop on Graphic Recognition, Kyoto, Japan, November 10.", + "Calvo-Zaragoza, Jorge. 2017a. \u201cDocument Analysis for Music Scores with Deep Learning.\u201d Invited Talk, Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain, May 22.", + "Calvo-Zaragoza, Jorge. 2017b. \u201cPixelwise Classification for Music Document Analysis.\u201d Presented at the Workshop on SIMSSA XII, McGill University, Montreal, QC, August 7.", + "Desmond, Karen, and Martha E. Thomae. 2017. \u201cA Methodology for Encoding Mensural Music: Introducing the Mensural MEI Translator.\u201d Presented at the Music Encoding Conference, Tours, France, May 17.", + "Fujinaga, Ichiro, Julie Cumming, Andrew Hankinson, Reiner Kr\u00e4mer, Cory McKay, Peter Schubert, and Jon Wild. 2017. \u201cLarge-Corpus Music Research.\u201d Presented at the International Musicological Society Congress, Tokyo, Japan, March 19.", + "Garfinkle, David. 2017. \u201cPatternFinder: Content-Based Music Retrieval with Music21.\u201d Presented at the DLfM \u201917 4th International Workshop on Digital Libraries for Musicology, Shanghai, China, October 28.", + "Hankinson, Andrew, Jennifer Bain, Julie Cumming, Ichiro Fujinaga, Kate Helsen, and Debra Lacoste. 2017. \u201cThe Single Interface for Music Score Searching and Analysis Project.\u201d Presented at the 20th Congress of the International Musicological Society, Tokyo, Japan, March 19.", + "Hankinson, Andrew, and Ichiro Fujinaga. 2017. \u201cIntegrating the International Image Interoperability Framework (IIIF) with MEI.\u201d In . Tours, France.", + "Hopkins, Emily. 2017. \u201cThe SIMSSA Project: Search as Access to Digital Music Libraries.\u201d Presented at the Access Conference 2017, Saskatoon, SK, September 27.", + "Ju, Yaolong, Nathaniel Condit-Schultz, Claire Arthur, and Ichiro Fujinaga. 2017. \u201cNon-Chord Tone Identification Using Deep Neural Networks.\u201d Presented at the 18th International Society for Music Information Retrieval Conference (Late-Breaking), Suzhou, China.", + "Ju, Yaolong. 2017. \u201cNon-Chord Tone Identification.\u201d Presented at the Workshop on SIMSSA XII, McGill University, Montreal, QC, August 7.", + "Kr\u00e4mer, Reiner. 2017a. \u201cToward Procedural Literacy: Using JupyterHub as a Digital Humanities Sandbox.\u201d Presented at the Vitrine des humanit\u00e9s num\u00e9riques de Montr\u00e9al (5e \u00e9dition annuelle), Montreal, QC, January 26.", + "Kr\u00e4mer, Reiner. 2017b. \u201cComputationally Determining Mode in Renaissance Music.\u201d Presented at the International Musicological Society, 20th Quinquennial Congress, Tokyo, Japan, March 19.", + "Kr\u00e4mer, Reiner. 2017c. \u201cThe Supplementum in Motets: Evolution, Style, and Structure.\u201d Presented at the IXe congr\u00e8s europ\u00e9en d\u2019analyse musicale, Groupe de recherches exp\u00e9rimentales sur l\u2019acte musicale, University of Strasbourg, Strasbourg, France, July 28.", + "Lacoste, Debra (Session organizer). 2017. \u201cVirginity in Song: Digital Tools for the Liturgy.\u201d Presented at the Renaissance Society of America, Chicago, IL, March 30.", + "Lacoste, Debra, and Kate Helsen. 2017. \u201cCantus Hackathon: Create an Inventory with the Cantus Database in Real Time.\u201d Presented at the International Congress on Medieval Studies, Kalamazoo, MI, May 11.", + "Lacoste, Debra. 2017. \u201cMysterious Melodies? Searching for Chant Melodies in the Cantus Database.\u201d Presented at the \u201cNew Technologies and Renaissance Studies II: Emerging, Continuing Directions\u201d session at the meeting of the Renaissance Society of America, Chicago, IL, April 1.", + "L\u00e9veill\u00e9 Gauvin, Hubert, Nathaniel Condit-Schultz, and Claire Arthur. 2017. \u201cSupplementing Melody, Lyrics, and Acoustic Information to the McGill Billboard Database.\u201d Poster presented at the Digital Humanities, McGill University, Montreal, QC, August 8.", + "McKay, Cory, Andrew Hankinson, Julie Cumming, and Ichiro Fujinaga. 2017. \u201cA Database Model for Computational Music Research.\u201d Presented at the DLfM \u201917 4th International Workshop on Digital Libraries for Musicology, Shanghai, China, Shanghai, China.", + "McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2017. \u201cCharacterizing Composers Using JSymbolic2 Features.\u201d Presented at the 18th International Society for Music Information Retrieval Conference (Late-Breaking), Suzhou, China.", + "Morgan, Alexander. 2017. \u201cAutomated Contrapuntal Rhythm Detection and Reduction for Renaissance Music.\u201d Presented at the Society for Music Theory Annual Meeting, Arlington, VA, November 2.", + "Perry-Fagant, Sacha, and Alex Daigle. 2017. \u201cInteractive Classification of Connected Components in Web Applications Using the Gamera Framework.\u201d Presented at the Workshop on SIMSSA XII, McGill University, Montreal, QC, August 7.", + "Sailor, Malcolm, and Andie Sigler. 2017. \u201cDissonance Fingerprints: A Corpus Study of Dissonance Treatment from Dufay to Victoria.\u201d Presented at the Society for Music Theory 40th Annual Meeting, Arlington, VA, November 2.", + "Sapp, Craig. 2017. \u201cVerovio Humdrum Viewer: Online Music Notation Rendering and Analysis.\u201d Keynote presented at the Workshop on SIMSSA XII, McGill University, Montreal, QC, August 7.", + "Thomae, Martha E. 2017. \u201cAutomatic Scoring-up Tool for Mensural Music.\u201d Presented at the Workshop on SIMSSA XII, McGill University, Montreal, QC, August 7.", + "Thomae, Martha. 2017. \u201cA Methodology for Encoding Mensural Music: Introducing the Mensural MEI Translator.\u201d Invited Talk, Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain, May 22.", + "Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2017. \u201cReconnaissance Optique de La Musique Bas\u00e9e Sur l\u2019apprentissage Machine \u00e0 Grande \u00c9chelle Pour Des Donn\u00e9es de Partitions Musicales.\u201d Presented at the 85e Congr\u00e8s de l\u2019Association francophone pour le savoir, McGill University, Montreal, QC, May 8.", + "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2017. \u201cThe Music Listening Histories Dataset.\u201d Presented at the 18th International Society for Music Information Retrieval Conference, Suzhou, China, October 23. http://cloud.simssa.ca/index.php/s/HUvFrpFl0ErRVz9.", + "Vigliensoni, Gabriel. 2017. \u201cInfrastructure for Human-Aided Optical Music Recognition.\u201d Presented at the Workshop on SIMSSA XII, McGill University, Montreal, QC, August 7.", + "Zhang, K\u00e9, and Zeyad Saleh. 2017. \u201cPixel.Js: Web-Based Pixel Classification Correction Platform for Ground Truth Creation.\u201d Presented at the Workshop on SIMSSA XII, McGill University, Montreal, QC, August 7." + ], + "2016": [ + "Bain, Jennifer. 2016. \u201cCantus Ultimus Project.\u201d Presented at the Workshop on SIMSSA XI, AMS/SMT, Vancouver, BC, November 3.", + "Bannon, Ryan. 2016. \u201cRodan \u2014 A Workflow Engine to Facilitate Symbolic Music Recognition and Analysis.\u201d Presented at the Workshop on SIMSSA VII, McGill University, Montreal, QC, May 21.", + "Borsodi-Benson, Marina. 2016. \u201cRecent Updates and Future Changes to the VIS-Framework.\u201d Presented at the Workshop on SIMSSA VIII, McGill University, Montreal, QC, May 21.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2016. \u201cStaff-Line Detection on Greyscale Images with Pixel Classification.\u201d Poster at late-breaking session presented at the 17th International Society for Music Information Retrieval Conference, New York, August 7.", + "Calvo-Zaragoza, Jorge. 2016. \u201cDocument Processing for OMR via Machine Learning.\u201d Presented at the Workshop on SIMSSA VIII, McGill University, Montreal, QC, May 21.", + "Cumming, Julie. 2016. \u201cSIMSSA, Search and Analysis Axis, Fall 2016.\u201d Presented at the Workshop on SIMSSA XI, AMS/SMT, Vancouver, BC, November 3.", + "De Luca, Elsa. 2016. \u201cEncoding Old Hispanic Neumes.\u201d Presented at the Music Encoding Conference, McGill University, Montreal, QC, May 18.", + "Desmond, Karen, and Emily Hopkins. 2016. \u201cMeasuring Polyphony: Analysing Stylistic Change in the French Motet Repertory, C1300-1350.\u201d Presented at the Workshop on SIMSSA VIII, McGill University, Montreal, QC, May 21.", + "Desmond, Karen, and Peter Schubert. 2016. \u201c2000 Years of Seeing Sounds: The Story of Music Notation.\u201d Lecture Recital presented at the Music Encoding Conference, McGill University, Montreal, QC, May 20. https://www.youtube.com/watch?v=2GqtCqnC8SI.", + "Desmond, Karen. 2016a. \u201cCircles, Dots, and Lines: Punctuating Sound in Time, ca. 1300-1350.\u201d Invited Talk, Stanford University, February.", + "Desmond, Karen. 2016b. \u201cMeter and Rhythm in Digital Encodings of Fourteenth-Century Mensural Polyphony.\u201d Presented at the Music Encoding Conference, McGill University, Montreal, QC, May.", + "Desmond, Karen. 2016c. \u201cRhythmic Organization and the Potential for Flexibility in Digital Encodings of Machaut\u2019s Music.\u201d Presented at the 51st International Congress on Medieval Studies, Western Michigan University, Kalamazoo, MI, May.", + "Desmond, Karen. 2016d. \u201cMeasuring Polyphony: A Project to Encode and Analyse Late Medieval Polyphony.\u201d Presented at the Workshop on SIMSSA XI, AMS/SMT, Vancouver, BC, November 3.", + "Fogarty, Andrew. 2016. \u201cGamera Interactive Classification in Rodan.\u201d Presented at the Workshop on SIMSSA VIII, McGill University, Montreal, QC, May 21.", + "Fujinaga, Ichiro. 2016a. \u201cSingle Interface for Music Score Searching and Analysis.\u201d Invited Talk presented at the 129th Research Center for Knowledge Communities Colloquium, Tsukuba University, Tsukuba, Japan, January 26.", + "Fujinaga, Ichiro. 2016b. \u201cThe Research Program of the Distributed Digital Music Archives and Libraries Laboratory.\u201d Invited Talk, University of Kyoto, Kyoto, Japan, January 28.", + "Fujinaga, Ichiro. 2016c. \u201cSingle Interface for Music Score Searching and Analysis.\u201d Invited Talk, Hakodate Future University, Hakodate, Japan, March 7.", + "Fujinaga, Ichiro. 2016d. \u201cIntroduction to SIMSSA VIII.\u201d Presented at the Workshop on SIMSSA VIII, McGill University, Montreal, QC, May 21.", + "Hankinson, Andrew, Laurent Pugin, and Ichiro Fujinaga. 2016. \u201cWeb-Based Optical Music Recognition for Renaissance Printed Music with Aruspix and Rodan.\u201d Presented at the Renaissance Society of America, Boston, MA, April 1.", + "Hankinson, Andrew, Reiner Kr\u00e4mer, Julie Cumming, and Ichiro Fujinaga. 2016. \u201cCross-Institutional Music Document Search.\u201d Presented at the Conference Abstracts of Digital Humanities, Krak\u00f3w, PL.", + "Hankinson, Andrew, and Ichiro Fujinaga. 2016. \u201cCross-Institutional Music Document Search.\u201d Presented at the International Association of Music Libraries Conference, Rome, Italy, July.", + "Hankinson, Andrew. 2016a. \u201cMaking Music Notation Searchable: Large-Scale Optical Music Recognition, Search, and Retrieval across Institutions.\u201d Presented at the Research Uncovered Series, Centre for Digital Scholarship, University of Oxford, January 26.", + "Hankinson, Andrew. 2016b. \u201cEmerging Standards for Image-Based Digital Collections: Integrating Digital Images with High-Quality Description Projects.\u201d Invited Talk presented at the Working with ISMI, Max Planck Institute for the History of Science, Berlin, DE, February 29.", + "Hankinson, Andrew. 2016c. \u201cCross-Institutional Music Document Search.\u201d Presented at the Workshop on SIMSSA VIII, McGill University, Montreal, QC, May 21.", + "Hankinson, Andrew. 2016d. \u201cWhat Do You Do with a Million Scores?\u201d Invited Talk presented at the Winterschool, University of T\u00fcbingen, November 17.", + "Hankinson, Andrew. 2016e. \u201cThe SIMSSA Project.\u201d Invited Talk presented at the IIIF: Access to the World\u2019s Images, Ghent, Belgium, December 9.", + "Helsen, Kate, Jennifer Bain, Andrew Hankinson, Inga Behrendt, and Ichiro Fujinaga. 2016. \u201cHartker\u2019s XML: The Optical Neume Recognition Project and MEI.\u201d Presented at the Music Encoding Conference, McGill University, Montreal, QC, May 18.", + "Helsen, Kate, Jennifer Bain, Inga Behrendt, and Andrew Hankinson. 2016. \u201cHartker and the Musical Encoding Initiative (MEI).\u201d Presented at the IMS Study Group Meeting for Cantus Planus, Dublin, Ireland, August.", + "Horwitz, Andrew, Andrew Hankinson, and Ichiro Fujinaga. 2016. \u201cAn MEI Score Alignment Application.\u201d Presented at the Music Encoding Conference, McGill University, Montreal, QC, May 18.", + "Howes, Samuel, Marina Borsodi-Benson, and Julie Cumming. 2016. \u201cFrom Module to Schema in Corelli\u2019s Trio Sonatas.\u201d Presented at the SMT Early Music Analysis Interest Group, Jacobs School of Music, IU Bloomington, May 21.", + "Kr\u00e4mer, Reiner, and Alexander Morgan. 2016. \u201cIntro to the VIS-Framework.\u201d Presented at the AMS/SMT Conference: Pre-Conference Corpus Studies and Computational Workshop, Green College, University of British Columbia, Vancouver, BC, November 2.", + "Kr\u00e4mer, Reiner, and Julie Cumming. 2016a. \u201cThe Fugal Style of Astor Piazzolla.\u201d Presented at the Canadian University Music Society Annual Conference, University of Calgary, Calgary, June 1.", + "Kr\u00e4mer, Reiner, and Julie Cumming. 2016b. \u201cVIS-for-Pd Demonstration.\u201d Presented at the Canadian Society for Digital Humanities Congress, University of Calgary, Calgary, June 30.", + "Kr\u00e4mer, Reiner, and Julie Cumming. 2016c. \u201cThe Supplementum: Structure\u00a0and Evolution.\u201d Presented at the Medieval-Renaissance Music Conference, University of Sheffield, Sheffield, England, UK, July 5.", + "Kr\u00e4mer, Reiner, and Julie Cumming. 2016d. \u201cThe Fugal Style of Astor Piazzolla.\u201d Presented at the College Music Society Fifty-Ninth National Conference, Santa Fe, New Mexico, USA, October 27.", + "Kr\u00e4mer, Reiner, and Julie Cumming. 2016e. \u201cThe Supplementum: Structure and Evolution.\u201d Presented at the Jahreskongress der Gesellschaft f\u00fcr Musiktheorie (GMTH), Hochschule f\u00fcr Musik, Theater und Medien, Hannover, Germany, October 30.", + "Kr\u00e4mer, Reiner. 2016a. \u201cPrototyping\u00a0DataFlow\u00a0Programming for\u00a0Music Analysis.\u201d Presented at the INERTIA: MOMENTUM,\u00a0A Conference on Sound, Media, and the Digital\u00a0Humanities, UCLA, Los Angeles, California, April 28.", + "Kr\u00e4mer, Reiner. 2016b. \u201cExamining Glarean\u2019s Ground Truth of the Aeolian Mode.\u201d Presented at the Workshop on SIMSSA VIII, McGill University, Montreal, QC, May 21.", + "Kr\u00e4mer, Reiner. 2016c. \u201cVIS-for-Pd: A Computational Music Analysis Instrument.\u201d Presented at the 5th International Pure Data Convention, New York University, New York City, New York, USA, November 16.", + "Lacoste, Debra, Jennifer Bain, and Kate Helsen. 2016. \u201cWorking \u2018Live\u2019 with Cantus Ultimus.\u201d Presented at the IMS Study Group Meeting for Cantus Planus, Dublin, Ireland, August.", + "Laplante, Audrey, and Ariane Legault-Venne. 2016. \u201cSearching for Music Materials in Libraries: Discovery Tools as Seen through the Eyes of the Users.\u201d Presented at the 65th Congress of the International Association of Music Libraries, Archives and Documentation Centres, Rome, Italy, July 7.", + "Laplante, Audrey, and Ichiro Fujinaga. 2016a. \u201cLe Projet SIMSSA\u202f: Une Interface Unique Pour La Recherche et l\u2019analyse de Partitions Musicales Num\u00e9ris\u00e9es.\u201d Presented at the 2016 Annual Meeting of the Qu\u00e9bec Chapter of CAML, Library and Archives Canada, Gatineau, QC, November 4.", + "Laplante, Audrey, and Ichiro Fujinaga. 2016b. \u201cLe Projet SIMSSA\u202f: D\u00e9velopper Une Interface Interinstitutionnelle Pour La Recherche et l\u2019analyse de Partitions Musicales.\u201d Presented at the Les humanit\u00e9s num\u00e9riques et les sciences de l\u2019information, a conference series of the Section \u00e9tudiante ebsienne de l\u2019Association canadienne des biblioth\u00e9caires acad\u00e9miques professionnels (CAPAL/ACBAP), Universit\u00e9 de Montr\u00e9al, Montr\u00e9al, QC, November 29.", + "Laplante, Audrey. 2016. \u201cDigitizing Music Scores and Manuscripts in Libraries: Issues and Challenges.\u201d Presented at the 65th Congress of the International Association of Music Libraries, Archives and Documentation Centres, Rome, Italy, July 8.", + "Lorenz, Ian. 2016. \u201cDeconstructing Glarean\u2019s Modal Theory from the Dodecachordon.\u201d Presented at the Workshop on SIMSSA VIII, McGill University, Montreal, QC, May 21.", + "McKay, Cory, Tristano Tenaglia, and Ichiro Fujinaga. 2016. \u201cJSymbolic2: Extracting Features from Symbolic Music Representations.\u201d Presented at the Extended Abstracts for the Late-Breaking Demo Session of the 17th International Society for Music Information Retrieval Conference., New York, USA.", + "Morgan, Alexander. 2016a. \u201cDevelopments in Interval-Succession Theory in the Renaissance.\u201d Presented at the Renaissance Society of America, Boston, MA, April 2.", + "Morgan, Alexander. 2016b. \u201cPietro Pontio the Radical?\u201d Presented at the Graduate Students in Music Conference: Music and Radicalism, and Radicalism in Music, CUNY, New York, NY, April 22.", + "Morgan, Alexander. 2016c. \u201cDetection of Intervallic Rhythm in Renaissance Music: A Systematic and Dynamic Tool for Fundamental Counterpoint Analysis.\u201d Presented at the Medieval-Renaissance Music Conference, Sheffield, England, UK, July 7.", + "Morgan, Alexander. 2016d. \u201cWhat\u2019s New in VIS 3.\u201d Presented at the Workshop on SIMSSA XI, AMS/SMT, Vancouver, BC, November 3.", + "Motuz, Catherine. 2016. \u201cUsing VIS to Find Improvisational Models in Polyphonic Music.\u201d Presented at the Renaissance Society of America, Boston, MA, April 2.", + "Parmentier, Alex. 2016. \u201cChallenges in Designing Learnable UI for Crowd-Sourced Content.\u201d Presented at the Workshop on SIMSSA VIII, McGill University, Montreal, QC, May 21.", + "Pugin, Laurent. 2016. \u201cUpdate on Verovio.\u201d Presented at the Workshop on SIMSSA XI, AMS/SMT, Vancouver, BC, November 3.", + "Thomae, Martha E. 2016. \u201cDigital Encoding of Mensural Music.\u201d Presented at the Workshop on SIMSSA X, McGill University, Montreal, QC, September 24.", + "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2016. \u201cAutomatic Music Recommendation Systems: Do Demographic, Profiling, and Contextual Features Improve Their Performance?\u201d Poster presented at the 17th International Society for Music Information Retrieval Conference, New York, August 7." + ], + "2015": [ + "Bain, Jennifer, Julie Cumming, Andrew Hankinson, Kate Helsen, Debra Lacoste, Barbara Swanson, and Ichiro Fujinaga. 2015. \u201cThe Making of the Digital Salzinnes.\u201d Presented at the Annual Medieval and Renaissance Music Conference, Brussels, Belgium, July 7.", + "Bain, Jennifer, and Inga Behrendt. 2015. \u201cThe Optical Neume Recognition Project (ONRP) \u2014 the Development of a Search Tool for Neume Notation in Digital Images.\u201d Poster presented at the 2nd International Workshop on Opportunities for the Automatic Pattern Recognition and Analysis of Historical Documents, \u201cMachines and Manuscripts 2015,\u201d Karlsruher Institut f\u00fcr Technologie, Institute for Data Processing and Electronics, Karlsruhe, Germany, February 19.", + "Bain, William. 2015. \u201cDesigning for Usability in the Cantus Ultimus Project.\u201d Presented at the CIRMMT Workshop on usability and user experience for music information systems, McGill University, Montreal, QC, September 25.", + "Cumming, Julie. 2015a. \u201cHow Has Technology Changed Musicological Research?\u201d Presented at the IMS Study Group on Digital Musicology, International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d New York, June 21.", + "Cumming, Julie. 2015b. \u201cSIMSSA, Search and Analysis Axis, Report on Our First Year.\u201d Presented at the International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d SIMSSA Worksop VI, New York, June 27.", + "Cumming, Julie. 2015c. \u201cAnalysing Renaissance Polyphony: Taxonomy and Terminology, 1 and 2.\u201d Presented at the Annual Medieval and Renaissance Music Conference, Brussels, Belgium, July 9.", + "Cumming, Julie. 2015d. \u201cSIMSSA, Search and Analysis Axis, Report on Our First Year.\u201d Presented at the Annual Medieval and Renaissance Music Conference, Workshop on SIMSSA VII, Brussels, Belgium, July 9.", + "Cumming, Julie. 2015e. \u201c\u2018Google Scores\u2019 without Google.\u201d Invited Talk presented at the Digital Humanities Group, University of Florida, Gainesville, November 16.", + "Fogarty, Andrew, Andrew Hankinson, and Ichiro Fujinaga. 2015. \u201cA Browser-Based Neume Metadata Editor.\u201d Poster presented at the Music Encoding Conference, Florence, Italy, May 18.", + "Fujinaga, Ichiro. 2015a. \u201cThe Single Interface for Music Score Searching and Analysis Project.\u201d Presented at the Edirom-Workshop on Editing MEI, Detmold, Germany, March 23.", + "Fujinaga, Ichiro. 2015b. \u201cA Report on Digital Prosopography of Renaissance Musicians Project.\u201d Presented at the Annual Meeting of Renaissance Society of America, Berlin, Germany, March 26.", + "Fujinaga, Ichiro. 2015c. \u201cSIMSSA: Single Interface for Music Score Searching and Analysis.\u201d Poster presented at the Digital Humanities at Oxford Summer School 2015, Oxford, July 20.", + "Fujinaga, Ichiro. 2015d. \u201cSIMSSA: Single Interface for Music Score Searching and Analysis.\u201d Presented at the Transforming Musicology Event at Oxford eResearch Centre, Oxford, July 27.", + "Fujinaga, Ichiro. 2015e. \u201cResearch Program of the Distributed Digital Music Archives and Libraries Laboratory.\u201d Presented at the Oxford eResearch Centre Seminar, Oxford, July 28.", + "Fujinaga, Ichiro. 2015f. \u201cMusic Information Retrieval.\u201d Invited Talk presented at the SSHRC Digital Workshop, Ottawa, ON, September 30.", + "Fujinaga, Ichiro. 2015g. \u201c10 Years of Innovation in Music Digitization & Dissemination.\u201d Invited Talk presented at the CCS Colloquium, University of Virginia, Charlottesville, VA, October 2.", + "Fujinaga, Ichiro. 2015h. \u201cSingle Interface for Music Score Searching and Analysis Project.\u201d Invited Talk, University of Alicante, Alicante, Spain, November 2.", + "Fujinaga, Ichiro. 2015i. \u201cSingle Interface for Music Score Searching and Analysis Project.\u201d Invited Talk, Universitat Pompeu Fabra, Barcelona, Spain, November 5.", + "Fujinaga, Ichiro. 2015j. \u201cSIMSSA: Single Interface for Music Score Searching and Analysis.\u201d Presented at the Works in Progress: Reanimating Corpora: The Single Interface for Music Score Searching and Analysis (SIMSSA) and Distant Reading Early Modernity (DREaM), McGill University, Montreal, QC, November 12.", + "Fujinaga, Ichiro. 2015k. \u201cThe Research Program of the Distributed Digital Music Archives and Libraries Laboratory.\u201d Invited Talk presented at the School of Information Studies Research Seminar, McGill University, Montreal, QC, November 13.", + "Hankinson, Andrew, Andrew Horwitz, and Laurent Pugin. 2015. \u201cCross-Platform Music Notation with SMuFL and MEI.\u201d Presented at the Music Encoding Conference, Florence, Italy, May 18.", + "Hankinson, Andrew, Evan Magoni, and Ichiro Fujinaga. 2015. \u201cDecentralized Music Document Image Searching with Optical Music Recognition and the International Image Interoperability Framework.\u201d Presented at the Digital Library Federation Forum, Vancouver, BC, October 26.", + "Hankinson, Andrew, and Ichiro Fujinaga. 2015a. \u201cThe SIMSSA Project.\u201d Presented at the North East Music Information Special Interest Group Workshop, Ithaca College, New York, January 31.", + "Hankinson, Andrew, and Ichiro Fujinaga. 2015b. \u201cAn Introduction to Tools and Practises for the Music Encoding Initiative.\u201d Presented at the International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d New York, June 21.", + "Hankinson, Andrew. 2015a. \u201cOptical Music Recognition Infrastructure in the Single Interface for Music Score Searching and Analysis Project.\u201d Presented at the Edirom-Workshop on Editing MEI, Detmold, Germany, March 23.", + "Hankinson, Andrew. 2015b. \u201cThe SIMSSA Project.\u201d Presented at the Around the World Digital Humanities Conference, Online, April 30.", + "Helsen, Kate, Inga Behrendt, Jennifer Bain, and Anton Stingl. 2015. \u201cThe Optical Neume Recognition Project.\u201d Presented at the Annual Medieval and Renaissance Music Conference, Brussels, Belgium, July 7.", + "Helsen, Kate, Inga Behrendt, and Jennifer Bain. 2015. \u201cNeume Search.\u201d Presented at the Annual Medieval and Renaissance Music Conference, Brussels, Belgium, July 8.", + "Horwitz, Andrew. 2015. \u201cTools for Web-Based Editing and Display in the Music Encoding Initiative.\u201d Presented at the Edirom-Workshop on Editing MEI, Detmold, Germany, March 23.", + "Kepper, Johannes, and Richard S\u00e4nger. 2015. \u201cScholarly Editions 2.0: How Digital Media Promote New Editorial Concepts.\u201d Presented at the International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d New York, June 21.", + "Kr\u00e4mer, Reiner. 2015a. \u201cMapping Melodic Successions: Josquin\u2019s Four-Voice Motets.\u201d Presented at the CIRMMT Workshop on usability and user experience for music information systems, McGill University, Montreal, QC, September 25.", + "Kr\u00e4mer, Reiner. 2015b. \u201cMarkov Models and Renaissance Music: Re-Examining Four-Voice Motets by Josquin.\u201d Presented at the Works in Progress: Reanimating Corpora: The Single Interface for Music Score Searching and Analysis (SIMSSA) and Distant Reading Early Modernity (DREaM), McGill University, Montreal, QC, November 12.", + "Lacoste, Debra, Kate Helsen, and a panel of experts. 2015. \u201cCANTUS Antique Fragments Roadshow, or, \u2018What\u2019s My Fragment?\u2019\u201d Workshop and panel discussion presented at the International Congress on Medieval Studies, Kalamazoo, MI, May 14.", + "Laplante, Audrey, Andrew Hankinson, Julie E. Cumming, and Ichiro Fujinaga. 2015. \u201cSIMSSA\u202f: Une interface unique pour la recherche et l\u2019analyse de millions de partitions musicales num\u00e9riques.\u201d Presented at the Journ\u00e9es d\u2019Informatique Musicale, Montreal, QC, May 8.", + "Laplante, Audrey, and Ariane Legault-Venne. 2015. \u201cLa Recherche de Documents Musicaux Dans Les Outils de D\u00e9couverte.\u201d Presented at the 2015 Annual Meeting of the Qu\u00e9bec Chapter of CAML, Grande biblioth\u00e8que, BAnQ, Montr\u00e9al, QC, November 27.", + "Laplante, Audrey, and Ichiro Fujinaga. 2015. \u201cIntroduction to SIMSSA.\u201d Presented at the VitrineHN / DHShowcase 2015, Concordia University, Montreal, QC, January 23.", + "Laplante, Audrey. 2015. \u201cVers Une Biblioth\u00e8que Num\u00e9rique Collective de Partitions Musicales.\u201d Presented at the Journ\u00e9e d\u2019\u00e9tude sur les biblioth\u00e8ques num\u00e9riques, Universit\u00e9 de Montr\u00e9al, Montr\u00e9al, QC, February 26.", + "Magoni, Evan. 2015. \u201cFitting Manuscripts into the Browser with Diva.Js: Building an Intuitive Interface for Exploring Virtual Documents.\u201d Presented at the CIRMMT Workshop on usability and user experience for music information systems, McGill University, Montreal, QC, September 25.", + "Martin de Guise, Sylvaine, Andrew Hankinson, and Jos\u00e9e April. 2015. \u201cMEI and the Maghreb Oral Music Tradition.\u201d Presented at the Music Encoding Conference, Florence, Italy, May 18.", + "McKay, Cory, and Ichiro Fujinaga. 2015. \u201cBuilding an Infrastructure for a 21st-Century Global Music Library.\u201d Poster (refereed) presented at the 16th International Society for Music Information Retrieval Conference (Late-breaking), Malaga, Spain, October 30.", + "Morgan, Alexander. 2015. \u201cIntegral Analysis in VIS.\u201d Presented at the Works in Progress: Reanimating Corpora: The Single Interface for Music Score Searching and Analysis (SIMSSA) and Distant Reading Early Modernity (DREaM), McGill University, Montreal, QC, November 12.", + "Motuz, Catherine. 2015. \u201cContrepoint et humanit\u00e9s num\u00e9riques: L\u2019analyse des models improvisatoires en utilisant ELVIS.\u201d Presented at the Centre d\u2019\u00c9tudes Sup\u00e9rieures de la Renaissance, Tours, France, March 15.", + "Parmentier, Alex. 2015. \u201cELVIS Database: Challenges in Designing Intuitive UI for Crowd-Sourced Content.\u201d Presented at the CIRMMT Workshop on usability and user experience for music information systems, McGill University, Montreal, QC, September 25.", + "Penner, Nina, and Emily Hopkins. 2015. \u201cMusicologists on GitHub: User Experience and the ELVIS Database.\u201d Presented at the CIRMMT Workshop on usability and user experience for music information systems, McGill University, Montreal, QC, September 25.", + "Pugin, Laurent. 2015a. \u201cItalian Madrigals on Tablet: The Marenzio Online Digital Edition (MODE).\u201d Presented at the Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania, Philadelphia, PA, February.", + "Pugin, Laurent. 2015b. \u201cEncoding and Visualization of Digital Music Editions.\u201d Presented at the International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d New York, June 21.", + "Risk, Laura, and Lillio Mok. 2015. \u201cThe Fingerprint Algorithm: Detecting and Quantifying Similarity in Fiddle Tunes.\u201d Presented at the Workshop on Digital Musicology: Revisiting the Collaborative Process Between Music Researchers and Computer Programmers, McGill University, Montreal, QC, March 20.", + "Risk, Laura. 2015. \u201cA Visual Mapping of Musical Variation in Early Commercial Recordings of Instrumental Dance Music in Quebec.\u201d Presented at the 32nd Annual Conference of the International Association for the Study of Popular Music Canada, Ottawa, ON, May.", + "Roland, Perry. 2015. \u201cMEI at 15: Reflections, Challenges, and Opportunities.\u201d Presented at the International Association of Music Libraries, Archives and Documentation Centres/International Musicological Society Congress \u201cMusic Research in the Digital Age,\u201d New York, June 21.", + "Rusch, Ren\u00e9, and Ryan Bannon. 2015. \u201cMusic Analysis as a Workflow? An Automated Approach to Studying Voice Leading in the Bach Chorales.\u201d Presented at the Workshop on digital musicology: Revisiting the collaborative process between music researchers and computer programmers, CIRMMT, McGill University, Montreal, March 20.", + "Swanson, Barbara. 2015. \u201cWorking with Technologies in Development: Mediating Sources, Research Needs, and Technological Capacity in Cantus Ultimus.\u201d Presented at the Digital Humanities Forum, Dalhousie University, Halifax, NS, October 22." + ], + "2014": [ + "Bain, Jennifer. 2014. \u201cMedieval Musicology in a Digital World: The Optical Neume Recognition Project.\u201d Presented at the SSHRC-sponsored Connecting Cultures: Imagining Canada\u2019s Future, Dalhousie University, Halifax, NS, March.", + "Behrendt, Inga. 2014. \u201cThe Optical Neume Recognition Project.\u201d Poster presented at the Mitgliedertreffen der deutschsprachigen Sektion der Internationalen Gesellschaft f\u00fcr Studien des Gregorianischen Chorals (AISCGre), Tettenweis, Germany, October.", + "Fujinaga, Ichiro, and David Bainbridge. 2014. \u201cFinding Music Scores in Books.\u201d Invited Talk, HathiTrust Research Centre, Chicago, IL, February 20.", + "Fujinaga, Ichiro. 2014. \u201cSIMSSA: Single Interface for Music Score Searching and Analysis.\u201d Invited Talk, Japan Society for Sonic Arts, Tokyo, November 2.", + "Hankinson, Andrew, and Ichiro Fujinaga. 2014. \u201cOptical Music Recognition for Navigating and Retrieving Music Manuscript Images.\u201d Presented at the Annual Medieval and Renaissance Music Conference, Birmingham, UK.", + "Helsen, Kate. 2014a. \u201cThe Optical Neume Recognition Project.\u201d Poster presented at the Big Data Days @ Western Conference, University of Western Ontario, London, ON, March.", + "Helsen, Kate. 2014b. \u201cA New Way to See Neumes: The Optical Neume Recognition Project in Action.\u201d Presented at the IMS Study Group Meeting for Cantus Planus, Venice, Italy, July.", + "Helsen, Kate. 2014c. \u201cThe Optical Neume Recognition Project.\u201d Poster presented at the Don Wright Faculty of Music Research Showcase, University of Western Ontario, London, ON, September.", + "Helsen, Kate. 2014d. \u201cOptical Neume Recognition Project.\u201d TED-Style Talk, Medieval Day at Western, London, ON, November.", + "Lacoste, Debra, and Alison Altstatt. 2014. \u201cAn EnCHANTed Evening: Singing Vespers with CANTUS (A Workshop).\u201d Presented at the International Congress on Medieval Studies, Kalamazoo, MI, May 8.", + "Lacoste, Debra, and a panel of experts. 2014. \u201cSo You Think You Can Chant: Gregorian or Old-Roman?\u201d Demonstration and panel discussion presented at the International Congress on Medieval Studies, Kalamazoo, MI, May 10.", + "Lacoste, Debra. 2014. \u201cOld, New, and Newer Chant Databases: The CANTUS Database and CANTUS Index.\u201d Presented at the Annual Meeting of the Canadian Society of Medievalists (part of the 2014 Congress of the Humanities and Social Sciences), St. Catharines, ON, May 24.", + "Morgan, Alexander. 2014a. \u201cTesting Tinctoris: Contrapuntal Corpus Studies on the Liber de Arte Contrapuncti.\u201d Presented at the Johannes Tinctoris and Music Theory in the Late Middle Ages and Early Renaissance Conference, London, England, October 9.", + "Morgan, Alexander. 2014b. \u201cTesting Tinctoris: Data-Mining a Renaissance Treatise.\u201d Poster presented at the Empirical Approaches to Music Theory and Musicology session at the AMS/SMT Annual Meeting, Milwaukee, WI, November.", + "Pugin, Laurent, Mauro Calcagno, and Giuseppe Gerbino. 2014. \u201cThe Marenzio Project.\u201d Presented at the Early Music in the Digital Domain at Columbia University and Beyond, Columbia University, New York, October.", + "Pugin, Laurent. 2014a. \u201cThe Music Encoding Initiative.\u201d Presented at the Digitale Musikedition Symposium, Bern University, Bern, Switzerland, June.", + "Pugin, Laurent. 2014b. \u201cMusic Notation in Web-Browsers for Computational Musicological Applications.\u201d Presented at the Empirical Approaches to Music Theory and Musicology session at the AMS/SMT Annual Meeting, Milwaukee, WI, November.", + "Rodin, Jesse, and Craig Sapp. 2014. \u201cBeyond the Thematic Index: Repertory-Wide Search and Analysis.\u201d Poster presented at the Empirical Approaches to Music Theory and Musicology session at the AMS/SMT Annual Meeting, Milwaukee, WI, November.", + "Rusch, Ren\u00e9. 2014. \u201cFigured-Bass Patterns and Their Voice-Leading Tendencies in Bach\u2019s Four-Part Chorales.\u201d Presented at the An afternoon of seminars, CIRMMT, McGill University, Montreal, January 21.", + "Schubert, Peter, and Julie Cumming. 2014. \u201cAnother Lesson from Lassus.\u201d Presented at the Annual Joint meeting of the AMS/SMT, Milwaukee, WI, November 9.", + "Sexton, Alan. 2014. \u201cThe Optical Neume Recognition Project.\u201d Presented at the The Institute for Computing and Information Sciences (iCIS), Radboud University, Nijmegen, Netherlands, April.", + "Swanson, Barbara. 2014. \u201cOptical Neume Recognition: Teaching Computers to Think Like Medieval Singers.\u201d Presented at the Dalhousie Postdoctoral Research Day, Dalhousie University, Halifax, NS, October.", + "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2014. \u201cIdentifying Time Zones in a Large Dataset of Music Listening Logs.\u201d Poster presented at the 1st International Workshop on Social Media Retrieval and Analysis, Gold Coast, Australia, July 11.", + "Weiss, Susan Forscher, and Ichiro Fujinaga. 2014. \u201cDigital Prosopography of Renaissance Musicians: A Progress Report.\u201d Poster presented at the Empirical Approaches to Music Theory and Musicology session at the AMS/SMT Annual Meeting, Milwaukee, WI, November." + ], + "2013": [ + "Behrendt, Inga. 2013. \u201cNeumen und Neumentrennung \u2013 Herausforderungen in der Arbeit im Optical Neume Recognition Project (ONRP).\u201d Presented at the Digitale Rekonstruktionen mittelalterlicher Bibliotheken Universit\u00e4t, Trier, Germany, January.", + "Fujinaga, Ichiro. 2013a. \u201cMachine Learning in Digital Humanities and the Importance of Ground-Truth Data.\u201d Invited Talk, School of Information Studies, McGill University, Montreal, QC, February 22.", + "Fujinaga, Ichiro. 2013b. \u201cCurrent Research at the Distributed Digital Music Archives and Libraries Laboratory.\u201d Invited Talk, Computer Science Department, Dalhousie University, Halifax, NS, March 20.", + "Fujinaga, Ichiro. 2013c. \u201cThe Research Program at the Distributed Digital Music Archives and Libraries Laboratory.\u201d Invited Talk, Colloquium at The Catapult Center for Digital Humanities and Computational Analysis of Texts, Indiana University, Bloomington, IN, March 22.", + "Fujinaga, Ichiro. 2013d. \u201cOptical Music Recognition of Medieval Music.\u201d Invited Talk, McGill Medievalists \u201cWorks-in-Progress Series,\u201d McGill University, Montreal, QC, October 23.", + "Fujinaga, Ichiro. 2013e. \u201cInterfaz \u00danica para la B\u00fasqueda y An\u00e1lisis de Partituras (SIMSSA).\u201d Invited Talk, Escuela Universitaria de M\u00fasica, Montevideo, Uruguay, November 11.", + "Hankinson, Andrew, and Ichiro Fujinaga. 2013. \u201cUsing Optical Music Recognition to Navigate and Retrieve Music Documents.\u201d Invited Talk, International Association of Music Librarians Conference, Vienna, August 2.", + "Hankinson, Andrew. 2013. \u201cOptical Music Recognition of the Salzinnes Antiphonal.\u201d Poster presented at the Medieval and Renaissance Music Conference, Certaldo, Italy, July.", + "Kol\u00e1\u010dek, Jan. 2013. \u201cCANTUS Index: Building an Online Network of Chant Databases for Mass and Office.\u201d Poster presented at the Medieval and Renaissance International Music Conference, Certaldo, Italy, July.", + "Morgan, Alexander. 2013a. \u201cThe Multiple Roles of the Phrygian Cadence in Victoria.\u201d Presented at the Victoria Symposium at the College-Conservatory of Music, Cincinnati, OH, March.", + "Morgan, Alexander. 2013b. \u201cTesting Tinctoris: Contrapuntal Corpus Studies on the Liber de Arte Contrapuncti.\u201d Presented at the Medieval and Renaissance Music Conference, Certaldo, Italy, July.", + "Vigliensoni, Gabriel, Gregory Burlet, and Ichiro Fujinaga. 2013. \u201cOptical Measure Recognition in Common Music Notation.\u201d Poster presented at the 14th International Society for Music Information Retrieval Conference, Curitiba, Brazil, November 4.", + "Vigliensoni, Gabriel, John Ashley Burgoyne, and Ichiro Fujinaga. 2013. \u201cMusicbrainz for the World: The Chilean Experience.\u201d Poster presented at the 14th International Society for Music Information Retrieval Conference, Curitiba, Brazil, November 4. https://zenodo.org/record/1417951#.X-rvJtgzYdU." + ], + "2012": [ + "Behrendt, Inga. 2012. \u201cThe Optical Neume Recognition Project.\u201d Presented at the Digital Humanities Workshop, Katholieke Universiteit, Leuven, Belgium, September.", + "Hankinson, Andrew. 2012. \u201cNew Tools for Optical Chant Recognition.\u201d Poster presented at the Music Libraries Association Conference, Dallas, TX, February.", + "Lacoste, Debra. 2012. \u201cTracking the Chants of the Laurier Manuscript in the Cantus Database.\u201d Presented at the Meeting of the Canadian Society of Medievalists, Waterloo, ON, May 27." + ], + "2011": [ + "Behrendt, Inga. 2011a. \u201cDie \u00e4lteste Notenschrift trifft auf modernste Technik: Vorstellung des \u201eAutomatic Neume Recognition Program\u201d zur computergest\u00fctzten Analyse der St. Galler Neumenotation.\u201d Presented at the Music Room at the Abby of St. Gall, St. Gall, Switzerland, May.", + "Behrendt, Inga. 2011b. \u201cAutomatic Neume Recognition Program \u2014 Computergest\u00fctzte Analyse der St. Galler Neumenotation.\u201d Presented at the Internationaler Sommerkurs Gregorianik 2011, Folkwang Universit\u00e4t der K\u00fcnste, Essen, Germany, July.", + "Hankinson, Andrew, and Daniel Donnelly. 2011. \u201cAn Annotated Dataset for Optical Music Recognition Systems Development.\u201d Presented at the Renaissance Society of America Conference, Montreal, QC, March.", + "Hankinson, Andrew. 2011a. \u201cApplications of the Music Encoding Initiative in Optical Music Recognition.\u201d Presented at the University of Virginia Scholars\u2019 Lab, Charlottesville, VA, June 27.", + "Hankinson, Andrew. 2011b. \u201cNew Tools for Optical Chant Recognition.\u201d Poster presented at the International Association of Music Libraries Conference, Dublin, Ireland, July.", + "Helsen, Kate. 2011a. \u201cThe Optical Neume Recognition Project.\u201d Poster presented at the Digital Medievalist Poster Session at the 46th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, MI, May.", + "Helsen, Kate. 2011b. \u201cVenite et Videte: The Optical Neume Recognition Project.\u201d Presented at the 46th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, MI, May.", + "Helsen, Kate. 2011c. \u201cThe Optical Neume Recognition Project: First Steps.\u201d Presented at the IMS Study Group Meeting for Cantus Planus, Vienna, August.", + "Kol\u00e1\u010dek, Jan, and Debra Lacoste. 2011. \u201cA New Research Interface for the Cantus Database.\u201d Presented at the International Congress on Medieval Studies, Kalamazoo, MI, May 12.", + "Lacoste, Debra. 2011a. \u201cThe Reinvention of the Cantus Database: New Location, Platform and Features for Old Chants.\u201d Presented at the Sixth Annual Colloquium of the Gregorian Institute of Cnada, Halifax, NS, Canada, August 6.", + "Lacoste, Debra. 2011b. \u201cElastic Melodies: Variants in Responsory Verses.\u201d Presented at the IMS Study Group Meeting for Cantus Planus, Vienna, August 26.", + "Lacoste, Debra. 2011c. \u201cTracking Hymns Through the Cantus Database.\u201d Presented at the Medieval Day, Wilfrid Laurier University, October 26.", + "Thompson, Jessica, Andrew Hankinson, and Ichiro Fujinaga. 2011. \u201cSearching the Liber Usualis: Using CouchDB and ElasticSearch to Query Graphical Music Documents.\u201d Late-breaking/demo session presented at the International Society for Music Information Retrieval Conference, Miami, FL, October.", + "Vigliensoni, Gabriel, John Ashley Burgoyne, Andrew Hankinson, and Ichiro Fujinaga. 2011. \u201cAutomatic Pitch Recognition in Printed Sqaure-Note Notation.\u201d Poster presented at the 12th International Society for Music Information Retrieval Conference, Miami, USA, October 24." + ] +} \ No newline at end of file diff --git a/activities/presentations/index.html b/activities/presentations/index.html index ece3cc7..dda1258 100644 --- a/activities/presentations/index.html +++ b/activities/presentations/index.html @@ -82,7 +82,7 @@

Presentations


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+ +
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diff --git a/activities/publications/content.json b/activities/publications/content.json new file mode 100644 index 0000000..407daea --- /dev/null +++ b/activities/publications/content.json @@ -0,0 +1,172 @@ +{ + "2021": [ + "Arthur, Claire, Julie Cumming, and Peter Schubert. 2021. \u201cThe Role of Structural Tones in Establishing Mode in Renaissance Counterpoint.\u201d In Oxford Companion to Corpus Studies, edited by Daniel Shanahan, Ashley Burgoyne, and Ian Quinn. Oxford, UK: Oxford University Press.", + "Cumming, Julie, Cory McKay, Peter Schubert, N\u00e9stor N\u00e1poles L\u00f3pez, and Sylvain Margot. 2021. \u201cContrapuntal Style: Pierre de La Rue vs. Josquin Des Prez.\u201d In Pierre de La Rue Studies, edited by David Burn and Honey Meconi.", + "Cumming, Julie, and Cory McKay. 2021. \u201cUsing Corpus Studies to Find the Origins of the Madrigal.\u201d In Proceedings of the Conference Future Directions of Music Cognition. The Ohio State University, Columbus, US (virtual).", + "Thomae, Martha E. 2021. \u201cThe Guatemalan Choirbooks: Facilitating Preservation, Performance, and Study of the Colonial Repertoire.\u201d In Christian Music Traditions in the Americas, edited by Andrew Shenton and Joanna Smolko. New York: Rowman & Littlefield." + ], + "2020": [ + "Daigle, Alexandre. 2020. \u201cEvaluation of Optical Music Recognition Software.\u201d Master\u2019s Thesis, Montreal, QC: McGill University.", + "Desmond, Karen, Andrew Hankinson, Laurent Pugin, Juliette Regimbal, Craig Sapp, and Martha E. Thomae. 2020. \u201cNext Steps for Measuring Polyphony\u2013A Prototype Editor for Encoding Mensural Music.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 121\u201324. Tufts University, Boston. http://dx.doi.org/10.17613/5k88-9z02.", + "Desmond, Karen, Emily Hopkins, Samuel Howes, and Julie E. Cumming. 2020. \u201cComputer-Aided Analysis of Sonority in the French Motet Repertory, c. 1300-1350.\u201d Music Theory Online 26 (4):26.4.2.", + "Ju, Yaolong, Sylvain Margot, Cory McKay, Luke Dahn, and Ichiro Fujinaga. 2020. \u201cAutomatic Figured Bass Annotation Using the New Bach Chorales Figured Bass Dataset.\u201d In Proceedings of the International Society for Music Information Retrieval Conference, 640\u201346.", + "Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020a. \u201cAutomatic Chord Labelling: A Figured Bass Approach.\u201d In 7th International Conference on Digital Libraries for Musicology, 27\u201331. DLfM 2020. New York, NY: Association for Computing Machinery. https://doi.org/10.1145/3424911.3425513.", + "Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020b. \u201cFigured Bass Encodings for Bach Chorales in Various Symbolic Formats: A Case Study.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 71\u201373. Tufts University, Boston. https://hcommons.org/deposits/item/hc:31943.", + "N\u00e1poles L\u00f3pez, N\u00e9stor, Laurent Feisthauer, Florence Lev\u00e9, and Ichiro Fujinaga. 2020. \u201cOn Local Keys, Modulations, and Tonicizations: A Dataset and Methodology for Evaluating Changes of Key.\u201d In International Conference on Digital Libraries for Musicology, 18\u201326. Montr\u00e9al, QC: Association for Computing Machinery. https://doi.org/10.1145/3424911.3425515.", + "N\u00e1poles L\u00f3pez, N\u00e9stor, and Ichiro Fujinaga. 2020. \u201cHarmalysis: A Language for the Annotation of Roman Numerals in Symbolic Music Representations.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 83\u201385. Tufts University, Boston. https://hcommons.org/deposits/item/hc:31951.", + "Regimbal, Juliette, Gabriel Vigliensoni, Caitlin Hutnyk, and Ichiro Fujinaga. 2020. \u201cIIIF-Based Lyric and Neume Editor for Square-Notation Manuscripts.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 15\u201318. Tufts University, Boston. http://dx.doi.org/10.17613/d41w-n008.", + "Tard\u00f3n, Lorenzo J., Isabel Barbancho, Ana M. Barbancho, and Ichiro Fujinaga. 2020. \u201cAutomatic Staff Reconstruction within SIMSSA Project.\u201d Applied Sciences 10:2468.", + "Thomae, Martha E., Antonio R\u00edos-Vila, Jorge Calvo-Zaragoza, David Rizo, and Jose M. I\u00f1esta. 2020. \u201cRetrieving Music Semantics from Optical Music Recognition by Machine Translation.\u201d In Music Encoding Conference Proceedings 26-29 May, 2020, 19\u201324. Tufts University, Boston. http://dx.doi.org/10.17613/605z-nt78.", + "Upham, Finn, and Julie Cumming. 2020. \u201cAuditory Streaming Complexity and Renaissance Mass Ordinary Cycles.\u201d Empirical Musicology Review 15 (3\u20134):202\u201322." + ], + "2019": [ + "Alfaro-Contreras, Mar\u00eda, Jorge Calvo-Zaragoza, and Jos\u00e9 M. I\u00f1esta. 2019. \u201cApproaching End-to-End Optical Music Recognition for Homophonic Scores.\u201d In Pattern Recognition and Image Analysis, edited by Aythami Morales, Julian Fierrez, Jos\u00e9 Salvador S\u00e1nchez, and Bernardete Ribeiro, 147\u201358. Lecture Notes in Computer Science. Springer International Publishing.", + "Bar\u00f3, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Forn\u00e9s. 2019. \u201cFrom Optical Music Recognition to Handwritten Music Recognition: A Baseline.\u201d Pattern Recognition Letters 123 (May):1\u20138. https://doi.org/10.1016/j.patrec.2019.02.029.", + "Calvo-Zaragoza, Jorge, Jose Javier Valero-Mas, and Juan R. Rico-Juan. 2019. \u201cRecognition of Handwritten Music Symbols Using Meta-Features Obtained from Weak Classifiers Based on Nearest Neighbor.\u201d In Proceedings of the 6th International Conference on Pattern Recognition Applications and Methods, 96\u2013104. http://www.scitepress.org/DigitalLibrary/Link.aspx?doi=10.5220/0006120200960104.", + "Calvo-Zaragoza, Jorge, and Antonio-Javier Gallego. 2019. \u201cA Selectional Auto-Encoder Approach for Document Image Binarization.\u201d Pattern Recognition 86 (February):37\u201347. https://doi.org/10.1016/j.patcog.2018.08.011.", + "Cumming, Julie, and Evelyn Tribble. 2019. \u201cDistributed Cognition, Improvisation and the Performing Arts in Early Modern Europe.\u201d In History of Distributed Cognition 2: From Medieval to Renaissance Culture. Vol. 2. Edinburgh, Scotland: University of Edinburgh Press.", + "Cumming, Julie, and Zoey Cochran. 2019. \u201cThe Questione Della Musica: Revisiting the Origins of the Italian Madrigal.\u201d Presented at the Medieval and Renaissance Music Conference, Basel, Switzerland, July 4.", + "De Luca, Elsa, Inga Behrendt, Ichiro Fujinaga, Kate Helsen, Alessandra Ignesti, Debra Lacoste, and Sarah Ann Long. 2019. \u201cCapturing Early Notations in MEI: The Case of Old Hispanic Neumes.\u201d Musiktheorie-Zeitschrift F\u00fcr Musikwissenschaft 2:229\u201349.", + "De Luca, Elsa. 2019. \u201cReview of: La Transici\u00f3n al Rito Romano En Arag\u00f3n y Navarra: Fuentes, Escenarios, Tradiciones by Juan Pablo Rubio Sadia, Napoli, Editrice Domenicana Italiana, 2018.\u201d Revista Portuguesa de Musicologia | Portuguese Journal of Musicology 6 (1):237\u201342.", + "Fujinaga, Ichiro, and Gabriel Vigliensoni. 2019. \u201cThe Art of Teaching Computers: The SIMSSA Optical Music Recognition Workflow System.\u201d In Proceedings of the 27th European Signal Processing Conference, 330\u201334. A Coru\u00f1a, Spain. https://doi.org/10.23919/EUSIPCO.2019.8902658.", + "Fujinaga, Ichiro. 2019. \u201cSingle Interface for Music Score Searching and Analysis (SIMSSA) Project: Optical Music Recognition Workflow for Neume Notation.\u201d In Proceedings of the Computers and the Humanities Symposium (JinMonCom), Vol. 2019 (1):281\u201386. Osaka, Japan: Information Processing Society of Japan.", + "Gover, Matan, and Ichiro Fujinaga. 2019. \u201cA Notation-Based Query Language for Searching in Symbolic Music.\u201d In Proceedings of the 6th International Workshop on Digital Libraries for Musicology, 79\u201383. The Hague, Netherlands: ACM.", + "Ju, Yaolong, Samuel Howes, Cory McKay, Nathaniel Condit-Schultz, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2019. \u201cAn Interactive Workflow for Generating Chord Labels for Homorhythmic Music in Symbolic Formats.\u201d In Proceedings of the 20th International Society for Music Information Retrieval Conference, 862\u201369. Delft, Netherlands.", + "Mateiu, Tudor N., Antonio-Javier Gallego, and Jorge Calvo-Zaragoza. 2019. \u201cDomain Adaptation for Handwritten Symbol Recognition: A Case of Study in Old Music Manuscripts.\u201d In Pattern Recognition and Image Analysis, edited by Aythami Morales, Julian Fierrez, Jos\u00e9 Salvador S\u00e1nchez, and Bernardete Ribeiro, 135\u201346. Lecture Notes in Computer Science. Springer International Publishing.", + "Nu\u00f1ez-Alcover, Alicia, Pedro J. Ponce de Le\u00f3n, and Jorge Calvo-Zaragoza. 2019. \u201cGlyph and Position Classification of Music Symbols in Early Music Manuscripts.\u201d In Pattern Recognition and Image Analysis, edited by Aythami Morales, Julian Fierrez, Jos\u00e9 Salvador S\u00e1nchez, and Bernardete Ribeiro, 159\u201368. Lecture Notes in Computer Science. Springer International Publishing.", + "N\u00e1poles L\u00f3pez, N\u00e9stor, Claire Arthur, and Ichiro Fujinaga. 2019. \u201cKey-Finding Based on a Hidden Markov Model and Key Profiles.\u201d In Proceedings of the 6th International Workshop on Digital Libraries for Musicology, 33\u201337. DLfM \u201919. The Hague, Netherlands: ACM. https://doi.org/10.1145/3358664.3358675.", + "Pacha, Alexander, Jorge Calvo-Zaragoza, and Jan Haji\u010d Jr. 2019. \u201cLearning Notation Graph Construction for Full-Pipeline Optical Music Recognition.\u201d In Proceedings of the 20th International Society for Music Information Retrieval Conference.", + "Reuse, Timothy de, and Ichiro Fujinaga. 2019a. \u201cPattern Clustering in Monophonic Music by Learning a Non-Linear Embedding from Human Annotations.\u201d In Proceedings of the 20th International Society for Music Information Retrieval Conference, 761\u201368. Delft, Netherlands.", + "Reuse, Timothy de, and Ichiro Fujinaga. 2019b. \u201cRobust Transcript Alignment on Medieval Chant Manuscripts.\u201d In Proceedings of the 2nd International Workshop on Reading Music Systems. Delft, Netherlands.", + "Reuse, Timothy de. 2019. \u201cA Machine Learning Approach to Pattern Discovery in Symbolic Music.\u201d Master\u2019s Thesis, Montreal, Canada: McGill University.", + "Thomae, Martha E., Julie E. Cumming, and Ichiro Fujinaga. 2019. \u201cThe Mensural Scoring-Up Tool.\u201d In Proceedings of the 6th International Workshop on Digital Libraries for Musicology, 9\u201319. The Hague, Netherlands: ACM. https://doi.org/10.1145/3358664.3358668.", + "Upham, Finn. 2019. \u201cHUMAN SUBTRACTED: SOCIAL DISTORTION OF MUSICTECHNOLOGY.\u201d In Proceedings of the\u00a0 1 St Workshop on Designing Human-Centric Music\u00a0 Information Research Systems, 23\u201325. Delft, Netherlands. https://sites.google.com/view/designinghuman-centricmir/proceedings." + ], + "2018": [ + "Arthur, Claire, Julie Cumming, and Peter Schubert. 2018. \u201cThe Role of Structural Tones in Establishing Mode in Renaissance Two-Part Counterpoint.\u201d In Proceedings of the 15th International Conference on Music Perception and Cognition. Montreal, QC.", + "Bar\u00f3, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Forn\u00e9s. 2018. \u201cOptical Music Recognition by Long Short-Term Memory Networks.\u201d In GREC 2017: Graphics Recognition. Current Trends and Evolutions, edited by Alicia Forn\u00e9s and Bart Lamiroy, 81\u201395. Lecture Notes in Computer Science. Springer International Publishing.", + "Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2018. \u201cProbabilistic Music-Symbol Spotting in Handwritten Scores.\u201d In 2018 16th International Conference on Frontiers in Handwriting Recognition (ICFHR), 558\u201363. https://doi.org/10.1109/ICFHR-2018.2018.00103.", + "Calvo-Zaragoza, Jorge, Francisco J. Castellanos, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cDeep Neural Networks for Document Processing of Music Score Images.\u201d Applied Sciences 8 (5):654. https://doi.org/10.3390/app8050654.", + "Calvo-Zaragoza, Jorge, Jan Haji\u010d, and Alexander Pacha. 2018. \u201cDiscussion Group Summary: Optical Music Recognition.\u201d In GREC 2017: Graphics Recognition. Current Trends and Evolutions, edited by Alicia Forn\u00e9s and Bart Lamiroy, 152\u201357. Lecture Notes in Computer Science. Springer International Publishing.", + "Calvo-Zaragoza, Jorge, and David Rizo. 2018. \u201cCamera-PrIMus: Neural End-to-End Optical Music Recognition on Realistic Monophonic Scores.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 8. Paris, France.", + "Castellanos, Francisco, Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cDocument Analysis of Music Score Images with Selectional Auto Encoders.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 256\u201363. Paris, France. http://cloud.simssa.ca/index.php/s/FjJGQ6josKEIWNn.", + "Condit-Schultz, Nat, Yaolong Ju, and Ichiro Fujinaga. 2018. \u201cA Flexible Approach to Automated Harmonic Analysis: Multiple Annotations of Chorales by Bach and Pr\u00e6torius.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 66\u201373. Paris, France: ISMIR.", + "Cumming, Julie E., Cory McKay, Jonathan Stuchbery, and Ichiro Fujinaga. 2018. \u201cMethodologies for Creating Symbolic Corpora of Western Music before 1600.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 491\u201398. Paris, France: ISMIR.", + "Cumming, Julie. 2018. \u201cWhy Should Musicologists Do Digital Humanities?\u201d Troja: Jahrbuch F\u00fcr Renaissancemusik, (Re)-Constructing Renaissance Music: Perspectives from the Digital Humanities and Music Theory, 35\u201346.", + "Desmond, Karen. 2018. Music and the Moderni, 1300-1500: The Ars Nova in Theory and Practice. Cambridge University Press.", + "Fujinaga, Ichiro, Andrew Hankinson, and Laurent Pugin. 2018. \u201cAutomatic Score Extraction with Optical Music Recognition.\u201d In Current Research in Systematic Musicology, R. Bader, M. Leman, R. Godoy, Eds., 299\u2013311. Heidelberg, Germany: Springer.", + "Haji\u010d Jr., Jan, Marta Kol\u00e1rov\u00e1, Alexander Pacha, and Jorge Calvo-Zaragoza. 2018. \u201cHow Current Optical Music Recognition Systems Are Becoming Useful for Digital Libraries.\u201d In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 57\u201361. DLfM \u201918. New York, USA: ACM. https://doi.org/10.1145/3273024.3273034.", + "Long, Sarah Ann. 2018. \u201cInternational Image Interoperability Framework; Gallica; e-Codices: Virtual Manuscript Library of Switzerland.\u201d Journal of the American Musicological Society 71 (2):561\u201371.", + "McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2018. \u201cJSymbolic 2.2: Extracting Features from Symbolic Music for Use in Musicological and MIR Research.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 348\u201354. Paris, France: ISMIR.", + "Morgan, Alexander. 2018. \u201cThe Tacit Principles of Tinctoris\u2019s Interval Successions.\u201d In Johannes Tinctoris and Music Theory, edited by Ronald Woodley. Brepols.", + "N\u00e1poles L\u00f3pez, N\u00e9stor, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. \u201cEncoding Matters.\u201d In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 69\u201373. DLfM \u201918. Paris, France: Association for Computing Machinery. https://doi.org/10.1145/3273024.3273027.", + "Pacha, Alexander, and Jorge Calvo-Zaragoza. 2018. \u201cOptical Music Recognition in Mensural Notation with Region-Based Convolutional Neural Networks.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference, 240\u201347. Paris, France.", + "Rizo, David, Jorge Calvo-Zaragoza, and Jos\u00e9 M. I\u00f1esta. 2018. \u201cMuRET: A Music Recognition, Encoding, and Transcription Tool.\u201d In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 52\u201356. DLfM \u201918. New York, NY, USA: ACM. https://doi.org/10.1145/3273024.3273029.", + "Rom\u00e1n, Miguel A., Antonio Pertusa, and Jorge Calvo-Zaragoza. 2018. \u201cAn End-to-End Framework for Audio-to-Score Music Transcription on Monophonic Excerpts.\u201d In Proceedings of the 19th International Society for Music Information Retrieval Conference. Paris, France.", + "Shaw, Rebecca. 2018. \u201cDifferentiae in the Cantus Manuscript Database.\u201d In Proceedings of the 6th International Conference on Digital Libraries for Musicology (DLfM19).", + "Sober-Mira, Javier, Jorge Calvo-Zaragoza, David Rizo, and Jos\u00e9 M. I\u00f1esta. 2018. \u201cPen-Based Music Document Transcription with Convolutional Neural Networks.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), edited by Alicia Forn\u00e9s and Bart Lamiroy, 71\u201380. Lecture Notes in Computer Science. Springer International Publishing.", + "Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018a. \u201cAn Environment for Machine Pedagogy: Learning How to Teach Computers to Read Music.\u201d In Joint Proceedings of the ACM Intelligent User Interface Workshops: Intelligent Music Interfaces for Listening and Creation (MILC). Tokyo, Japan. http://cloud.simssa.ca/index.php/s/bBK9N6gQTpPaKkl.", + "Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018b. \u201cDeveloping an Environment for Teaching Computers to Read Music.\u201d In Proceedings of 1st International Workshop on Reading Music Systems. Paris, France. http://cloud.simssa.ca/index.php/s/ImKlwsuLoI099uI." + ], + "2017": [ + "Barone, Michael D., Kurt Dacosta, Gabriel Vigliensoni, and Matthew H. Woolhouse. 2017. \u201cGRAIL: Database Linking Music Metadata Across Artist, Release,and Track.\u201d In Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 49\u201354. Association for Computing Machinery. https://dl.acm.org/doi/10.1145/3144749.3144760.", + "Bar\u00f3, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Forn\u00e9s. 2017. \u201cOptical Music Recognition by Recurrent Neural Networks.\u201d In Proceedings of the Twelfth IAPR International Workshop on Graphics Recognition. Kyoto, Japan: Springer LNCS.", + "Behrendt, Inga, Jennifer Bain, and Kate Helsen. 2017. \u201cMEI Kodierung Der Fr\u00fchesten Notation in Linienlosen Neumen.\u201d Edited by Hannah Busch, Franz Fischer, and Patrick Sahle. Kodikologie Und Pal\u00e4ographie Im Digitalen Zeitalter / Codicology and Paleography in the Digital Age 4:281\u201396.", + "Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2017. \u201cHandwritten Music Recognition for Mensural Notation: Formulation, Data and Baseline Results.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 01:1081\u201386. https://doi.org/10.1109/ICDAR.2017.179.", + "Calvo-Zaragoza, Jorge, Antonio Pertusa, and Jose Oncina. 2017. \u201cStaff-Line Detection and Removal Using a Convolutional Neural Network.\u201d Machine Vision and Applications 28 (5):665\u201374. https://doi.org/10.1007/s00138-017-0844-4.", + "Calvo-Zaragoza, Jorge, Antonio-Javier Gallego, and Antonio Pertusa. 2017. \u201cRecognition of Handwritten Music Symbols with Convolutional Neural Codes.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 01:691\u201396. https://doi.org/10.1109/ICDAR.2017.118.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017a. \u201cA Machine Learning Framework for the Categorization of Elements in Images of Musical Documents.\u201d In Proceedings of the Third International on Technologies for Music Notation and Representation (TENOR 2017). La Coru\u00f1a, Spain. http://cloud.simssa.ca/index.php/s/NExq8IWkue2IjCH.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017b. \u201cOne-Step Detection of Background, Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural Networks.\u201d In Proceedings of the International Society for Music Information Retrieval, 724\u201330. Suzhou, China. http://cloud.simssa.ca/index.php/s/JuPGmwlvAP9ckkR.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017c. \u201cPixel-Wise Binarization of Musical Document with Convolutional Neural Networks.\u201d In Proceedings of the 15th IAPR International Conference on Machine Vision Applications, 362\u201365. Nagoya, Japan. http://cloud.simssa.ca/index.php/s/17ZXOEHz87iIzHM.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017d. \u201cStaff-Line Detection on Grayscale Images with Pixel Classification.\u201d In Pattern Recognition and Image Analysis, edited by Lu\u00eds A. Alexandre, Jos\u00e9 Salvador S\u00e1nchez, and Jo\u00e3o M. F. Rodrigues, 279\u201386. Lecture Notes in Computer Science. Faro, Portugalpixel: Springer International Publishing. http://cloud.simssa.ca/index.php/s/tZswNa5gjwkoatf.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017e. \u201cPixelwise Classification for Music Document Analysis.\u201d In 2017 Seventh International Conference on Image Processing Theory, Tools and Applications (IPTA), 1\u20136. Montreal, Canada. https://doi.org/10.1109/IPTA.2017.8310134.", + "Calvo-Zaragoza, Jorge, Jose Javier Valero-Mas, and Antonio Pertusa. 2017. \u201cEnd-to-End Optical Music Recognition Using Neural Networks.\u201d In Proceedings of the 18th International Society for Music Information Retrieval Conference (ISMIR). Suzhou, China.", + "Calvo-Zaragoza, Jorge, K\u00e9 Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. \u201cMusic Document Layout Analysis through Machine Learning and Human Feedback.\u201d In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 02:23\u201324. Tokyo, Japan. https://doi.org/10.1109/ICDAR.2017.259.", + "Calvo-Zaragoza, Jorge, and Jose Oncina. 2017. \u201cRecognition of Pen-Based Music Notation with Finite-State Machines.\u201d Expert Systems with Applications 72 (April):395\u2013406. https://doi.org/10.1016/j.eswa.2016.10.041.", + "Cumming, Julie. 2017a. \u201cDu Fay\u2019s Use of Improvisatory Techniques in Resvellies Vous et Faites Chiere Lye.\u201d Edited by Julie Cumming, Jesse Rodin, and Massimiliano Locanto. Composition and Improvisation in Fifteenth-Century Music, a Special Issue of the RATM (Rivista Di Analisi e Teoria Musicale) 17 (2):3\u201323.", + "Cumming, Julie. 2017b. \u201cSources and Identity: Composers and Singers in Darnton\u2019s Communications Circuit.\u201d In Sources of Identity: Makers, Owners and Users of Music Sources Before 1600. Turnhout, Belgium: Brepols.", + "Gallego, Antonio-Javier, and Jorge Calvo-Zaragoza. 2017. \u201cStaff-Line Removal with Selectional Auto-Encoders.\u201d Expert Systems with Applications 89 (December):138\u201348. https://doi.org/10.1016/j.eswa.2017.07.002.", + "Garfinkle, David, Peter Schubert, Claire Arthur, Julie Cumming, and Ichiro Fujinaga. 2017. \u201cPatternFinder: Content-Based Music Retrieval with Music21.\u201d In Proceedings of the 4th International Workshop on Digital Libraries for Musicology. Shanghai, China.", + "Hankinson, Andrew, and Julia Craig-McFeely. 2017. \u201cBuilding the New DIAMM: Linking and Sharing Data for Medieval Musicology.\u201d In Conference Abstracts of Digital Humanities, 69\u201373. Montreal, QC: Alliance of Digital Humanities Organizations.", + "Ju, Yaolong, Nathaniel Condit-Schultz, Claire Arthur, and Ichiro Fujinaga. 2017. \u201cNon-Chord Tone Identification Using Deep Neural Networks.\u201d In Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 13\u201316. Shanghai, China. https://cloud.simssa.ca/index.php/s/wFYvlAIdUQ4gzua.", + "Lewis, David, Kevin Page, and Andrew Hankinson. 2017. \u201cCapturing Context and Provenance of Musicology Research.\u201d In Proceedings of the Music Encoding Conference (2015-2017), 113\u201318. Tours, France: Music Encoding Initiative.", + "McKay, Cory, Tristano Tenaglia, Julie Cumming, and Ichiro Fujinaga. 2017. \u201cUsing Statistical Feature Extraction to Distinguish the Styles of Different Composers.\u201d In Abstracts of the Annual International Medieval and Renaissance Music Conference, 111. Prague, Czech Republic: MedRen.", + "Morgan, Alexander. 2017. \u201cRenaissance Interval-Succession Theory: Treatises and Analysis.\u201d PhD diss., Montreal: McGill University.", + "N\u00e1poles L\u00f3pez, N\u00e9stor. 2017. \u201cAutomatic Harmonic Analysis of Classicalstring Quartets from Symbolic Score.\u201d Master\u2019s Thesis, Barcelona, Spain: Universitat Pompeu Fabra.", + "Parada-Cabaleiro, Emilia, Anton Batliner, Alice Baird, and Bj\u00f6rn W Schuller. 2017. \u201cThe SEILS Dataset: Symbolically Encoded Scores in Modern-Early Notation for Computational Musicology.\u201d In Proceedings of the 18th International Society for Music Information Retrieval Conference, 575\u201381. Suzhou, China: ISMIR.", + "Risk, Laura. 2017. \u201cVeill\u00e9es, Variants, and Violoneux: Generic Boundaries and Transnational Trajectories in the Traditional Instrumental Music of Quebec.\u201d PhD diss., Montreal: McGill University.", + "Saleh, Zeyad, K\u00e9 Zhang, Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. \u201cPixel.Js: Web-Based Pixel Classification Correction Platform for Ground Truth Creation.\u201d In Proceedings of the 14th IAPR International Conference on Document Analysis and Recognition, 39\u201340. Kyoto, Japan: Springer LNCS. http://cloud.simssa.ca/index.php/s/7rWLN8VW6lXL8i7.", + "Thomae, Martha E. 2017. \u201cAutomatic Scoring up of Mensural Music Using Perfect Mensurations, 1300-1550.\u201d Master\u2019s Thesis, Montreal, Canada: McGill University.", + "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2017. \u201cThe Music Listening Histories Dataset.\u201d In Proceedings of the 18th International Society for Music Information Retrieval Conference, 96\u2013102. Suzhou, China. https://doi.org/10.5281/zenodo.1417499.", + "Vigliensoni, Gabriel. 2017. \u201cEvaluating the Performance Improvement of a Music Recommendation Model by Using User-Centric Features.\u201d PhD diss., Montreal, QC: McGill University. http://cloud.simssa.ca/index.php/s/QHcj2J9rQfM9fm8." + ], + "2016": [ + "Bell, Eamonn, and Laurent Pugin. 2016. \u201cApproaches to Handwritten Conductor Annotation Extraction in Musical Scores.\u201d In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 33\u201336. DLfM 2016. New York, NY, USA: ACM. https://doi.org/10.1145/2970044.2970053.", + "Brinkman, Andrew W., Daniel Shanahan, and Craig Stuart Sapp. 2016. \u201cMusical Stylometry, Machine Learning, and Attribution Studies\u202f: A Semi-Supervised Approach to the Works of Josquin.\u201d In Proceedings\u00a0 of\u00a0 the\u00a0 14th\u00a0 International\u00a0 Conference\u00a0 on\u00a0 Music\u00a0 Perception\u00a0 and\u00a0 Cognition, 91\u201397. San Francisco, CA, United States: ICMPC.", + "Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2016. \u201cDocument Analysis for Music Scores via Machine Learning.\u201d In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 37\u201340. DLfM 2016. New York, NY, USA: ACM. https://doi.org/10.1145/2970044.2970047.", + "Calvo-Zaragoza, Jorge, Luisa Mic\u00f3, and Jose Oncina. 2016. \u201cMusic Staff Removal with Supervised Pixel Classification.\u201d International Journal on Document Analysis and Recognition (IJDAR) 19 (3):211\u201319. https://doi.org/10.1007/s10032-016-0266-2.", + "Kr\u00e4mer, Reiner. 2016. \u201cOn Intermediate Formats.\u201d In Proceedings of the Music Encoding Conference (2015-2017), 53\u201362. McGill University, Montreal, QC.", + "Lacoste, Debra, and Barbara Swanson. 2016. \u201cChants That Defy Classification: The Implications of Categorization in the Cantus Database.\u201d In Proceedings of the Music Encoding Conference (2015-2017), 73\u201378. Montreal, QC: Music Encoding Initiative.", + "Laplante, Audrey, and Ichiro Fujinaga. 2016. \u201cDigitizing Musical Scores: Challenges and Opportunities for Libraries.\u201d In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology. http://dx.doi.org/10.1145/2970044.2970055.", + "Pedersoli, Fabrizio, and George Tzanetakis. 2016. \u201cDocument Segmentation and Classification into Musical Scores and Text.\u201d International Journal on Document Analysis and Recognition (IJDAR) 19 (4):289\u2013304.", + "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2016. \u201cAutomatic Music Recommendation Systems: Do Demographic, Profiling, and Contextual Features Improve Their Performance?\u201d In Proceedings of the 17th International Society for Music Information Retrieval Conference, 94\u2013100. New York City, USA.", + "Yang, Ling-Xiao. 2016. \u201cSinging Transcription Using Machine Learning with Feature Selection.\u201d Master\u2019s Thesis, Montreal, QC: McGill University." + ], + "2015": [ + "Cumming, Julie, and Peter Schubert. 2015. \u201cThe Origins of Pervasive Imitation.\u201d In The Cambridge History of Fifteenth-Century Music, edited by Anna Maria Busse Berger and Jesse Rodin. Cambridge, UK: Cambridge University Press.", + "Di Bacco, Giuliano, and Perry Roland. 2015. \u201cMEI for Mensural Notation in the Thesaurus Musicarum Latinarum.\u201d In Proceedings of the Music Encoding Conference (2015-2017), 25\u201336. Florence, Italy: Music Encoding Initiative.", + "Fujinaga, Ichiro, and Andrew Hankinson. 2015. \u201cSingle Interface for Music Score Searching and Analysis (SIMSSA).\u201d In Proceedings of the First International Conference on Technologies for Music Notation and Representation. Paris, France.", + "Hankinson, Andrew, Evan Magoni, and Ichiro Fujinaga. 2015. \u201cDecentralized Music Document Image Searching with Optical Music Recognition and the International Image Operability Framework.\u201d In Proceedings of the Digital Library Federation Forum. Vancouver, BC.", + "Horwitz, Andrew, Andrew Hankinson, and Ichiro Fujinaga. 2015. \u201cA Browser-Based MEI Editor.\u201d In Proceedings of the Music Encoding Conference (2015-2017), 45\u201346. Florence, Italy: Music Encoding Initiative.", + "Risk, Laura, Lillio Mok, Andrew Hankinson, and Julie Cumming. 2015. \u201cComputational Ranking of Melodic Similarity in French-Canadian Instrumental Dance Tunes.\u201d In Proceedings of the 16th International Society for Music Information Retrieval (ISMIR).", + "Schubert, Peter, and Julie Cumming. 2015. \u201cAnother Lesson from Lassus: Using Computers to Analyse Counterpoint.\u201d Early Music 43 (4):577\u201386.", + "Sigler, Andie, Jon Wild, and Eliot Handelman. 2015. \u201cSchematizing the Treatment of Dissonance in 16th-Century Counterpoint.\u201d In Proceedings of the 16th International Society for Music Information Retrieval Conference (ISMIR)." + ], + "2014": [ + "Antila, Christopher, and Julie Cumming. 2014. \u201cThe VIS Framework: Analyzing Counterpoint in Large Datasets.\u201d In Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR). Taipei, Taiwan.", + "Bain, Jennifer, Inga Behrendt, and Katherine Helsen. 2014. \u201cLinienlose Neumen, Neumentrennung und Repr\u00e4sentation von Neumen mit MEI Schema\u2013Herausforderungen in der Arbeit im Optical Neume Recognition Project (ONRP).\u201d In Digitale Rekonstruktionen mittelalterlicher Bibliotheken, edited by Sabine Philippi and Philipp Vanscheidt, 119\u201332. Trierer Beitr\u00e4ge zu den historischen Kulturwissenschaften 12. Wiesbaden: Ludwig Reichert.", + "Charalampos, Saitis, Andrew Hankinson, and Ichiro Fujinaga. 2014. \u201cCorrecting Large\u00ad-Scale OMR Data with Crowdsourcing.\u201d In Proceedings of the International Workshop on Digital Libraries for Musicology, 88\u201390. London, UK.", + "Cumming, Julie. 2014. \u201cThe Past Is Not Over: Special Collections in the Digital Age.\u201d In Meetings with Books: Symposium on Special Collections in the 21st Century. With a Tribute to Raymond Klibansky and an Illustrated Survey of McGill Library Special Collections, edited by Jillian Tomm and Richard Virr, 109\u201314. Montreal: McGill University Library.", + "Fujinaga, Ichiro, Andrew Hankinson, and Julie Cumming. 2014. \u201cIntroduction to SIMSSA (Single Interface for Music Score Searching and Analysis).\u201d In Proceedings of the International Workshop on Digital Libraries for Musicology, 100\u2013102. London, UK.", + "Fujinaga, Ichiro, David Sears, and Andrew Hankinson. 2014. \u201cBig Data for the Music Perception and Cognition Community.\u201d In Book of Abstracts of International Conference on Music Perception and Cognition - Asia-Pacific Society for the Cognitive Sciences of Music Joint Conference, 78. Seoul, South Korea.", + "Hankinson, Andrew, and Ichiro Fujinaga. 2014. \u201cAccessing, Navigating, and Engaging with High-Resolution Document Image Collections Using Diva.Js.\u201d In Conference Abstracts of Digital Humanities, 186\u201388. Lausanne, Switzerland.", + "Hankinson, Andrew. 2014. \u201cOptical music recognition infrastructure for large-scale music document analysis.\u201d PhD diss., Montreal, Canada: Schulich School of Music, McGill University.", + "Helsen, Kate, Jennifer Bain, Ichiro Fujinaga, Andrew Hankinson, and Debra Lacoste. 2014. \u201cOptical Music Recognition and Manuscript Chant Sources.\u201d Early Music 42:555\u201358.", + "Lacoste, Debra, and Jan Kol\u00e1\u010dek. 2014. \u201cCANTUS for Office and Mass: Building an Online Network of Chant Databases.\u201d In Cantus Planus: Study Group of the International Musicological Society -- Papers Read at the 18th Meeting, Venice, Italy, 2014. Venice, Italy.", + "Pugin, Laurent, Rodolfo Zitellini, and Perry Roland. 2014. \u201cVerovio: A Library for Engraving MEI Music Notation into SVG.\u201d In Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR), 107\u201312. Taipei, Taiwan.", + "Pugin, Laurent, and Rodolfo Zitellini. 2014. \u201cVerovio: A Library for Typesetting MEI.\u201d In Proceedings of the Music Encoding Conference (2013-2014). University of Virginia, Charlottesville, VA: Music Encoding Initiative.", + "Roland, Perry, Andrew Hankinson, and Laurent Pugin. 2014. \u201cEarly Music and the Music Encoding Initiative.\u201d Early Music 42:605\u201311.", + "Vigliensoni, Gabriel, and Ichiro Fujinaga. 2014. \u201cIdentifying Time Zones in a Large Dataset of Music Listening Logs.\u201d In Proceedings of the International Workshop on Social Media Retrieval and Analysis, 27\u201332. Gold Coast, Australia. http://cloud.simssa.ca/index.php/s/XHUtAQXBI8zEOyx.", + "Winters, R. Michael, and Julie E. Cumming. 2014. \u201cSonification of Symbolic Music in the Elvis Project.\u201d In Proceedings of the 20th International Conference on Auditory Display (ICAD\u20132014). New York, USA." + ], + "2013": [ + "Burgoyne, John Ashley, Jon Wild, and Ichiro Fujinaga. 2013. \u201cCompositional Data Analysis of Harmonic Structures in Popular Music.\u201d In Proceedings of the International Conference on Mathematics and Computation in Music, 52\u201363. Lecture Notes in Artificial Intelligence 7937. Montreal, QC.", + "Fujinaga, Ichiro, and Andrew Hankinson. 2013. \u201cSIMSSA: Towards Full-Music Search Over a Large Collection of Musical Scores.\u201d In Conference Abstracts of Digital Humanities, 187\u201389. Lincoln, NE.", + "Lacoste, Debra. 2013. \u201cCANTUS: A Database for Latin Ecclesiastical Chant - Progress Report (2009).\u201d In Papers Read at the 15th Meeting of the IMS Study Group \u201cCantus Planus\u201d, Dobog\u00f3k\u00c5/Hungary, 2009. Aug. 23-29, 939\u201343. Lions Bay, BC, Canada: The Institute of Medieval Music.", + "Vigliensoni, Gabriel, Gregory Burlet, and Ichiro Fujinaga. 2013. \u201cOptical Measure Recognition in Common Music Notation.\u201d In Proceedings of the 14th International Society for Music Information Retrieval Conference (ISMIR), 125\u201330. Curitiba, Brazil. http://cloud.simssa.ca/index.php/s/e91SMTDZgP7XtNd.", + "Vigliensoni, Gabriel, John Ashley Burgoyne, and Ichiro Fujinaga. 2013. \u201cMusicbrainz for the World: The Chilean Experience.\u201d In Proceedings of the 14th International Society for Music Information Retrieval Conference, 131\u201336. Curitiba, Brazil. https://zenodo.org/record/1417951#.X-rvJtgzYdU." + ], + "2012": [ + "Burlet, Gregory, Alastair Porter, Andrew Hankinson, and Ichiro Fujinaga. 2012. \u201cNeon.Js: Neume Editor Online.\u201d In Proceedings of the 13th International Society for Music Information Retrieval Conference (ISMIR), 121\u201326. Porto, Portugal.", + "Hankinson, Andrew, John Ashley Burgoyne, Gabriel Vigliensoni, Alastair Porter, Jessica Thompson, Wendy Liu, Remi Chiu, and Ichiro Fujinaga. 2012. \u201cDigital Document Image Retrieval Using Optical Music Recognition.\u201d In Proceedings of 13th International Society for Music Information Retrieval Conference (ISMIR), 577\u201382. Porto, Portugal. http://cloud.simssa.ca/index.php/s/YN1gYHw0mRor9rE.", + "Hankinson, Andrew, John Ashley Burgoyne, Gabriel Vigliensoni, and Ichiro Fujinaga. 2012. \u201cCreating a Large-Scale Searchable Digital Collection from Printed Music Materials.\u201d In Proceedings of the 21st International Conference on World Wide Web, 903\u20138. Lyon, FR. http://cloud.simssa.ca/index.php/s/g4kY4j3CzEa6vT6.", + "Hankinson, Andrew, Wendy Liu, Laurent Pugin, and Ichiro Fujinaga. 2012. \u201cDiva: A Web-Based Document Image Viewer.\u201d In Proceedings of the Conference on Theory and Practice in Digital Libraries. Heidelberg: Springer.", + "Lacoste, Debra, and Jan Kol\u00e1\u010dek. 2012. \u201cRenewal, Revival, Rejuvenation: A New Vision for the Cantus Database.\u201d In Cantus Planus: Study Group of the International Musicological Society - Papers Read at the 16th Meeting, Vienna, Austria, 2011, 202\u20139. Vienna: Verlag Br\u00fcder Hollinek." + ], + "2011": [ + "Hankinson, Andrew, Perry Roland, and Ichiro Fujinaga. 2011. \u201cThe Music Encoding Initiative as a Document-Encoding Framework.\u201d In Proceedings of the 12th International Society for Music Information Retrieval Conference (ISMIR), 293\u201398. Miami, FL.", + "Helsen, Kate, and Debra Lacoste. 2011. \u201cA Report on the Encoding of Melodic Incipits in the Cantus Database with the Music Font \u2018'Volpiano.\u2019\u201d Plainsong & Medieval Music 20 (1):51\u201365.", + "Lacoste, Debra. 2011. \u201cThe Cantus Database: Mining for Medieval Chant Traditions.\u201d In Digital Medievalist. Vol. 7. Barnard College.", + "Vigliensoni, Gabriel, John Ashley Burgoyne, Andrew Hankinson, and Ichiro Fujinaga. 2011. \u201cAutomatic Pitch Recognition in Printed Square-Note Notation.\u201d In Proceedings of the 12th International Society for Music Information Retrieval Conference (ISMIR), 423\u201328. Miami, Florida. http://cloud.simssa.ca/index.php/s/yxAuJOiZau6LMOL.", + "Vigliensoni, Gabriel. 2011. \u201cTouchless Gestural Control of Concatenative Sound Synthesis.\u201d Master\u2019s Thesis, Montreal, Canada: McGill University." + ], + "2010": [ + "Hankinson, Andrew, Laurent Pugin, and Ichiro Fujinaga. 2010. \u201cAn Interchange Format for Optical Music Recognition Applications.\u201d In Proceedings of the 11th International Society for Music Information Retrieval Conference (ISMIR). Utrecht, NL." + ], + "2009": [ + "Hankinson, Andrew, Laurent Pugin, and Ichiro Fujinaga. 2009. \u201cInterfaces for Document Representation in Digital Music Libraries.\u201d In Proceedings of the 10th International Society for Music Information Retrieval Conference (ISMIR). Kobe, Japan." + ], + "2005": [ + "Sapp, Craig Stuart. 2005. \u201cOnline Database of Scores in the Humdrum File Format.\u201d In Proceedings of the 6th International Society for Music Information Retrieval Conference, 664\u201365. London, UK: ISMIR." + ] +} \ No newline at end of file diff --git a/activities/publications/index.html b/activities/publications/index.html index 4c1c888..1787ff9 100644 --- a/activities/publications/index.html +++ b/activities/publications/index.html @@ -668,5 +668,6 @@

+ \ No newline at end of file diff --git a/activities/script.js b/activities/script.js new file mode 100644 index 0000000..5e8eb86 --- /dev/null +++ b/activities/script.js @@ -0,0 +1,50 @@ +document.addEventListener('DOMContentLoaded', function() { + // Function to load and display JSON content + function loadJSON() { + let xhr = new XMLHttpRequest(); + + xhr.onreadystatechange = function() { + if (xhr.readyState === 4 && xhr.status === 200) { + let jsonData = JSON.parse(xhr.responseText); + displayContent(jsonData); + } + }; + + xhr.open('GET', 'content.json', true); + xhr.send(); + } + + // Function to display JSON content in the HTML + function displayContent(data) { + let container = document.getElementById('json-content'); + let html = ''; + let years = Object.keys(data).reverse(); + for (let key of years) { + if (data.hasOwnProperty(key)) { + let year = key; + html += `

${year}



`; + } + } + container.innerHTML = html; + + $(document).ready(function(){ + $('.icon_rotation').on({ + 'click': function () { + console.log('click'); + var origsrc = $(this).attr('src'); + var src = ''; + if (origsrc == '../../assets/0-expand_off.png') src = '../../assets/0-expand_on.png'; + if (origsrc == '../../assets/0-expand_on.png') src = '../../assets/0-expand_off.png'; + $(this).attr('src', src); + } + }); + }); + } + + // Load JSON content on page load + loadJSON(); +}); \ No newline at end of file diff --git a/html_parser.py b/html_parser.py index a2f53d8..1d22276 100644 --- a/html_parser.py +++ b/html_parser.py @@ -1,11 +1,12 @@ +'''Emily Hopkins adapted to DDMAL needs from the parser Evan Savage +wrote for the SIMSSA site''' +# Later adapted by Taz Scott-Talib to work with static website (July 2023) + from bs4 import BeautifulSoup from urllib.parse import unquote -import re -import os -import markdown -import shutil +import json -print('Media (m,M), presentations (pr, PR), publications (pu, PU), or all (a,A)?\n') +print('Media (m,M), presentations (pr, PR), publications (pu, PU) or all (a,A)?\n') choice = str(input()).lower() input_list = ['m', 'pr', 'pu', 'a'] @@ -20,66 +21,57 @@ else: parse_list = [full_list[input_list.index(choice)]] -simssa_root_folder = './' +ddmal_root_folder = './' export_folder = 'zotero_export/' -# if os.path.exists(): -# shutil.rmtree(simssa_root_folder + citation_folder + '/' + year) - for type in parse_list: html_file_name = f'SIMSSA_{type}.html' - citation_folder = f'_{type}' + path = f'activities/{type}/content.json' + + # Dictionaries for each of the different sources. Keys are the years, values are the html contents. + # These will be stored in JSON files in the corresponding folders. + content = {} - with open(export_folder + html_file_name) as f: + with open(export_folder + html_file_name, encoding='utf-8') as f: html_soup = BeautifulSoup(f, 'html.parser') - shutil.rmtree(citation_folder) - os.makedirs(citation_folder) - # Save html (div) and ascii title [ [
, "Example Title"]] html_array = [] for html_tag in html_soup.findAll('div', {'class': 'csl-entry'}): - # print(tag.find_next('span')) - # if html_tag.find('a'): - # continue parse_attr = html_tag.find_next('span')['title'] year = 'n.d.' author = 'no_author' title = ')no_title' a_title = ')no_a_title' b_title = ')no_b_title' + if 'rft.date' in parse_attr: year = parse_attr.split('rft.date=')[1].split('-')[0].split('&')[0] - if 'rft.aulast' in parse_attr: - author = unquote(parse_attr.split('rft.aulast=')[1].split('&')[0]) - if 'rft.title' in parse_attr: - title = unquote(parse_attr.split('rft.title=')[1].split('&')[0]) - if 'rft.atitle' in parse_attr: - a_title = unquote(parse_attr.split('rft.atitle=')[1].split('&')[0]) - if 'rft.btitle' in parse_attr: - b_title = unquote(parse_attr.split('rft.btitle=')[1].split('&')[0]) - - final_title = '' - for t in [title, a_title, b_title]: - if t.split('_')[0] != ')no': - final_title = t - break - final_title = final_title.replace('/', ' ') - file_name = author + '_' + final_title.replace(' ', '_') + '_' + year + '.md' - - if not os.path.exists(simssa_root_folder + citation_folder + '/' + year): - os.makedirs(simssa_root_folder + citation_folder + '/' + year) - with open(simssa_root_folder + citation_folder + '/' + year + '/' + file_name, 'w') as f: - f.write(f'---\npresentation_year: {year}\nyear: {year}\n---\n\n{html_tag.decode_contents()}') - - print(html_tag.decode_contents(), '\n') - print(parse_attr, '\n') - print('T', final_title, '\n\n') - - # print("unsorted") - # for x in html_array: print(x[0], x[1]) - html_array = sorted(html_array, key = lambda x: (x[0], x[1])) - # print("\nsorted") - # for x in html_array: print(x[0], x[1], x[2], "\n") + + # might need later + # if 'rft.aulast' in parse_attr: + # author = unquote(parse_attr.split('rft.aulast=')[1].split('&')[0]) + # if 'rft.title' in parse_attr: + # title = unquote(parse_attr.split('rft.title=')[1].split('&')[0]) + # if 'rft.atitle' in parse_attr: + # a_title = unquote(parse_attr.split('rft.atitle=')[1].split('&')[0]) + # if 'rft.btitle' in parse_attr: + # b_title = unquote(parse_attr.split('rft.btitle=')[1].split('&')[0]) + + + if year in content: + content[year].append(html_tag.decode_contents()) + else: + content[year] = [html_tag.decode_contents()] + + # sort by year, descending + content = {y: content[y] for y in sorted(content, reverse=True)} + + # sort alphabetically in each year + for y in content: + content[y].sort() + + with open(path, 'w') as f: + json.dump(content, f, indent=4) From df589958f841a8e530f63bb9b55f1479411260bd Mon Sep 17 00:00:00 2001 From: pythonsemicolon Date: Tue, 8 Aug 2023 09:20:08 -0400 Subject: [PATCH 2/3] Remove static content from publications page Content is now dynamically generated, forgot to remove previously --- activities/presentations/index.html | 24 -- activities/publications/index.html | 579 +--------------------------- 2 files changed, 1 insertion(+), 602 deletions(-) diff --git a/activities/presentations/index.html b/activities/presentations/index.html index dda1258..6595cae 100644 --- a/activities/presentations/index.html +++ b/activities/presentations/index.html @@ -82,30 +82,6 @@

Presentations


-
diff --git a/activities/publications/index.html b/activities/publications/index.html index 1787ff9..cca816f 100644 --- a/activities/publications/index.html +++ b/activities/publications/index.html @@ -82,587 +82,10 @@

Publications


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- 2021 - -

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    Arthur, Claire, Julie Cumming, and Peter Schubert. 2021. “The Role of Structural Tones in Establishing Mode in Renaissance Counterpoint.” In Oxford Companion to Corpus Studies, edited by Daniel Shanahan, Ashley Burgoyne, and Ian Quinn. Oxford, UK: Oxford University Press.

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    Cumming, Julie, Cory McKay, Peter Schubert, Néstor Nápoles López, and Sylvain Margot. 2021. “Contrapuntal Style: Pierre de La Rue vs. Josquin Des Prez.” In Pierre de La Rue Studies, edited by David Burn and Honey Meconi.

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    Cumming, Julie, and Cory McKay. 2021. “Using Corpus Studies to Find the Origins of the Madrigal.” In Proceedings of the Conference Future Directions of Music Cognition. The Ohio State University, Columbus, US (virtual).

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    Thomae, Martha E. 2021. “The Guatemalan Choirbooks: Facilitating Preservation, Performance, and Study of the Colonial Repertoire.” In Christian Music Traditions in the Americas, edited by Andrew Shenton and Joanna Smolko. New York: Rowman & Littlefield.

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- 2020 - -

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    Daigle, Alexandre. 2020. “Evaluation of Optical Music Recognition Software.” Master’s Thesis, Montreal, QC: McGill University.

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    Desmond, Karen, Andrew Hankinson, Laurent Pugin, Juliette Regimbal, Craig Sapp, and Martha E. Thomae. 2020. “Next Steps for Measuring Polyphony–A Prototype Editor for Encoding Mensural Music.” In Music Encoding Conference Proceedings 26-29 May, 2020, 121–24. Tufts University, Boston. http://dx.doi.org/10.17613/5k88-9z02.

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    Desmond, Karen, Emily Hopkins, Samuel Howes, and Julie E. Cumming. 2020. “Computer-Aided Analysis of Sonority in the French Motet Repertory, c. 1300-1350.” Music Theory Online 26 (4):26.4.2.

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    Ju, Yaolong, Sylvain Margot, Cory McKay, Luke Dahn, and Ichiro Fujinaga. 2020. “Automatic Figured Bass Annotation Using the New Bach Chorales Figured Bass Dataset.” In Proceedings of the International Society for Music Information Retrieval Conference, 640–46.

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    Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020a. “Automatic Chord Labelling: A Figured Bass Approach.” In 7th International Conference on Digital Libraries for Musicology, 27–31. DLfM 2020. New York, NY: Association for Computing Machinery. https://doi.org/10.1145/3424911.3425513.

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    Ju, Yaolong, Sylvain Margot, Cory McKay, and Ichiro Fujinaga. 2020b. “Figured Bass Encodings for Bach Chorales in Various Symbolic Formats: A Case Study.” In Music Encoding Conference Proceedings 26-29 May, 2020, 71–73. Tufts University, Boston. https://hcommons.org/deposits/item/hc:31943.

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    Nápoles López, Néstor, Laurent Feisthauer, Florence Levé, and Ichiro Fujinaga. 2020. “On Local Keys, Modulations, and Tonicizations: A Dataset and Methodology for Evaluating Changes of Key.” In International Conference on Digital Libraries for Musicology, 18–26. Montréal, QC: Association for Computing Machinery. https://doi.org/10.1145/3424911.3425515.

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    Nápoles López, Néstor, and Ichiro Fujinaga. 2020. “Harmalysis: A Language for the Annotation of Roman Numerals in Symbolic Music Representations.” In Music Encoding Conference Proceedings 26-29 May, 2020, 83–85. Tufts University, Boston. https://hcommons.org/deposits/item/hc:31951.

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    Regimbal, Juliette, Gabriel Vigliensoni, Caitlin Hutnyk, and Ichiro Fujinaga. 2020. “IIIF-Based Lyric and Neume Editor for Square-Notation Manuscripts.” In Music Encoding Conference Proceedings 26-29 May, 2020, 15–18. Tufts University, Boston. http://dx.doi.org/10.17613/d41w-n008.

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    Tardón, Lorenzo J., Isabel Barbancho, Ana M. Barbancho, and Ichiro Fujinaga. 2020. “Automatic Staff Reconstruction within SIMSSA Project.” Applied Sciences 10:2468.

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    Thomae, Martha E., Antonio Ríos-Vila, Jorge Calvo-Zaragoza, David Rizo, and Jose M. Iñesta. 2020. “Retrieving Music Semantics from Optical Music Recognition by Machine Translation.” In Music Encoding Conference Proceedings 26-29 May, 2020, 19–24. Tufts University, Boston. http://dx.doi.org/10.17613/605z-nt78.

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    Upham, Finn, and Julie Cumming. 2020. “Auditory Streaming Complexity and Renaissance Mass Ordinary Cycles.” Empirical Musicology Review 15 (3–4):202–22.

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- 2019 - -

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    Alfaro-Contreras, María, Jorge Calvo-Zaragoza, and José M. Iñesta. 2019. “Approaching End-to-End Optical Music Recognition for Homophonic Scores.” In Pattern Recognition and Image Analysis, edited by Aythami Morales, Julian Fierrez, José Salvador Sánchez, and Bernardete Ribeiro, 147–58. Lecture Notes in Computer Science. Springer International Publishing.

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    Baró, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Fornés. 2019. “From Optical Music Recognition to Handwritten Music Recognition: A Baseline.” Pattern Recognition Letters 123 (May):1–8. https://doi.org/10.1016/j.patrec.2019.02.029.

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    Calvo-Zaragoza, Jorge, Jose Javier Valero-Mas, and Juan R. Rico-Juan. 2019. “Recognition of Handwritten Music Symbols Using Meta-Features Obtained from Weak Classifiers Based on Nearest Neighbor.” In Proceedings of the 6th International Conference on Pattern Recognition Applications and Methods, 96–104. http://www.scitepress.org/DigitalLibrary/Link.aspx?doi=10.5220/0006120200960104.

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    Calvo-Zaragoza, Jorge, and Antonio-Javier Gallego. 2019. “A Selectional Auto-Encoder Approach for Document Image Binarization.” Pattern Recognition 86 (February):37–47. https://doi.org/10.1016/j.patcog.2018.08.011.

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    Cumming, Julie, and Evelyn Tribble. 2019. “Distributed Cognition, Improvisation and the Performing Arts in Early Modern Europe.” In History of Distributed Cognition 2: From Medieval to Renaissance Culture. Vol. 2. Edinburgh, Scotland: University of Edinburgh Press.

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    Cumming, Julie, and Zoey Cochran. 2019. “The Questione Della Musica: Revisiting the Origins of the Italian Madrigal.” Presented at the Medieval and Renaissance Music Conference, Basel, Switzerland, July 4.

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    De Luca, Elsa, Inga Behrendt, Ichiro Fujinaga, Kate Helsen, Alessandra Ignesti, Debra Lacoste, and Sarah Ann Long. 2019. “Capturing Early Notations in MEI: The Case of Old Hispanic Neumes.” Musiktheorie-Zeitschrift Für Musikwissenschaft 2:229–49.

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    De Luca, Elsa. 2019. “Review of: La Transición al Rito Romano En Aragón y Navarra: Fuentes, Escenarios, Tradiciones by Juan Pablo Rubio Sadia, Napoli, Editrice Domenicana Italiana, 2018.” Revista Portuguesa de Musicologia | Portuguese Journal of Musicology 6 (1):237–42.

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    Fujinaga, Ichiro, and Gabriel Vigliensoni. 2019. “The Art of Teaching Computers: The SIMSSA Optical Music Recognition Workflow System.” In Proceedings of the 27th European Signal Processing Conference, 330–34. A Coruña, Spain. https://doi.org/10.23919/EUSIPCO.2019.8902658.

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    Fujinaga, Ichiro. 2019. “Single Interface for Music Score Searching and Analysis (SIMSSA) Project: Optical Music Recognition Workflow for Neume Notation.” In Proceedings of the Computers and the Humanities Symposium (JinMonCom), Vol. 2019 (1):281–86. Osaka, Japan: Information Processing Society of Japan.

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    Gover, Matan, and Ichiro Fujinaga. 2019. “A Notation-Based Query Language for Searching in Symbolic Music.” In Proceedings of the 6th International Workshop on Digital Libraries for Musicology, 79–83. The Hague, Netherlands: ACM.

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    Ju, Yaolong, Samuel Howes, Cory McKay, Nathaniel Condit-Schultz, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2019. “An Interactive Workflow for Generating Chord Labels for Homorhythmic Music in Symbolic Formats.” In Proceedings of the 20th International Society for Music Information Retrieval Conference, 862–69. Delft, Netherlands.

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    Mateiu, Tudor N., Antonio-Javier Gallego, and Jorge Calvo-Zaragoza. 2019. “Domain Adaptation for Handwritten Symbol Recognition: A Case of Study in Old Music Manuscripts.” In Pattern Recognition and Image Analysis, edited by Aythami Morales, Julian Fierrez, José Salvador Sánchez, and Bernardete Ribeiro, 135–46. Lecture Notes in Computer Science. Springer International Publishing.

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    Nuñez-Alcover, Alicia, Pedro J. Ponce de León, and Jorge Calvo-Zaragoza. 2019. “Glyph and Position Classification of Music Symbols in Early Music Manuscripts.” In Pattern Recognition and Image Analysis, edited by Aythami Morales, Julian Fierrez, José Salvador Sánchez, and Bernardete Ribeiro, 159–68. Lecture Notes in Computer Science. Springer International Publishing.

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    Nápoles López, Néstor, Claire Arthur, and Ichiro Fujinaga. 2019. “Key-Finding Based on a Hidden Markov Model and Key Profiles.” In Proceedings of the 6th International Workshop on Digital Libraries for Musicology, 33–37. DLfM ’19. The Hague, Netherlands: ACM. https://doi.org/10.1145/3358664.3358675.

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    Pacha, Alexander, Jorge Calvo-Zaragoza, and Jan Hajič Jr. 2019. “Learning Notation Graph Construction for Full-Pipeline Optical Music Recognition.” In Proceedings of the 20th International Society for Music Information Retrieval Conference.

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    Reuse, Timothy de, and Ichiro Fujinaga. 2019a. “Pattern Clustering in Monophonic Music by Learning a Non-Linear Embedding from Human Annotations.” In Proceedings of the 20th International Society for Music Information Retrieval Conference, 761–68. Delft, Netherlands.

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    Reuse, Timothy de, and Ichiro Fujinaga. 2019b. “Robust Transcript Alignment on Medieval Chant Manuscripts.” In Proceedings of the 2nd International Workshop on Reading Music Systems. Delft, Netherlands.

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    Reuse, Timothy de. 2019. “A Machine Learning Approach to Pattern Discovery in Symbolic Music.” Master’s Thesis, Montreal, Canada: McGill University.

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    Thomae, Martha E., Julie E. Cumming, and Ichiro Fujinaga. 2019. “The Mensural Scoring-Up Tool.” In Proceedings of the 6th International Workshop on Digital Libraries for Musicology, 9–19. The Hague, Netherlands: ACM. https://doi.org/10.1145/3358664.3358668.

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    Upham, Finn. 2019. “HUMAN SUBTRACTED: SOCIAL DISTORTION OF MUSICTECHNOLOGY.” In Proceedings of the 1 St Workshop on Designing Human-Centric Music Information Research Systems, 23–25. Delft, Netherlands. https://sites.google.com/view/designinghuman-centricmir/proceedings.

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- 2018 - -

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    Arthur, Claire, Julie Cumming, and Peter Schubert. 2018. “The Role of Structural Tones in Establishing Mode in Renaissance Two-Part Counterpoint.” In Proceedings of the 15th International Conference on Music Perception and Cognition. Montreal, QC.

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    Baró, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Fornés. 2018. “Optical Music Recognition by Long Short-Term Memory Networks.” In GREC 2017: Graphics Recognition. Current Trends and Evolutions, edited by Alicia Fornés and Bart Lamiroy, 81–95. Lecture Notes in Computer Science. Springer International Publishing.

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    Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2018. “Probabilistic Music-Symbol Spotting in Handwritten Scores.” In 2018 16th International Conference on Frontiers in Handwriting Recognition (ICFHR), 558–63. https://doi.org/10.1109/ICFHR-2018.2018.00103.

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    Calvo-Zaragoza, Jorge, Francisco J. Castellanos, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. “Deep Neural Networks for Document Processing of Music Score Images.” Applied Sciences 8 (5):654. https://doi.org/10.3390/app8050654.

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    Calvo-Zaragoza, Jorge, Jan Hajič, and Alexander Pacha. 2018. “Discussion Group Summary: Optical Music Recognition.” In GREC 2017: Graphics Recognition. Current Trends and Evolutions, edited by Alicia Fornés and Bart Lamiroy, 152–57. Lecture Notes in Computer Science. Springer International Publishing.

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    Calvo-Zaragoza, Jorge, and David Rizo. 2018. “Camera-PrIMus: Neural End-to-End Optical Music Recognition on Realistic Monophonic Scores.” In Proceedings of the 19th International Society for Music Information Retrieval Conference, 8. Paris, France.

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    Castellanos, Francisco, Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. “Document Analysis of Music Score Images with Selectional Auto Encoders.” In Proceedings of the 19th International Society for Music Information Retrieval Conference, 256–63. Paris, France. http://cloud.simssa.ca/index.php/s/FjJGQ6josKEIWNn.

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    Condit-Schultz, Nat, Yaolong Ju, and Ichiro Fujinaga. 2018. “A Flexible Approach to Automated Harmonic Analysis: Multiple Annotations of Chorales by Bach and Prætorius.” In Proceedings of the 19th International Society for Music Information Retrieval Conference, 66–73. Paris, France: ISMIR.

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    Cumming, Julie E., Cory McKay, Jonathan Stuchbery, and Ichiro Fujinaga. 2018. “Methodologies for Creating Symbolic Corpora of Western Music before 1600.” In Proceedings of the 19th International Society for Music Information Retrieval Conference, 491–98. Paris, France: ISMIR.

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    Cumming, Julie. 2018. “Why Should Musicologists Do Digital Humanities?” Troja: Jahrbuch Für Renaissancemusik, (Re)-Constructing Renaissance Music: Perspectives from the Digital Humanities and Music Theory, 35–46.

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    Desmond, Karen. 2018. Music and the Moderni, 1300-1500: The Ars Nova in Theory and Practice. Cambridge University Press.

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    Fujinaga, Ichiro, Andrew Hankinson, and Laurent Pugin. 2018. “Automatic Score Extraction with Optical Music Recognition.” In Current Research in Systematic Musicology, R. Bader, M. Leman, R. Godoy, Eds., 299–311. Heidelberg, Germany: Springer.

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    Hajič Jr., Jan, Marta Kolárová, Alexander Pacha, and Jorge Calvo-Zaragoza. 2018. “How Current Optical Music Recognition Systems Are Becoming Useful for Digital Libraries.” In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 57–61. DLfM ’18. New York, USA: ACM. https://doi.org/10.1145/3273024.3273034.

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    Long, Sarah Ann. 2018. “International Image Interoperability Framework; Gallica; e-Codices: Virtual Manuscript Library of Switzerland.” Journal of the American Musicological Society 71 (2):561–71.

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    McKay, Cory, Julie Cumming, and Ichiro Fujinaga. 2018. “JSymbolic 2.2: Extracting Features from Symbolic Music for Use in Musicological and MIR Research.” In Proceedings of the 19th International Society for Music Information Retrieval Conference, 348–54. Paris, France: ISMIR.

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    Morgan, Alexander. 2018. “The Tacit Principles of Tinctoris’s Interval Successions.” In Johannes Tinctoris and Music Theory, edited by Ronald Woodley. Brepols.

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    Nápoles López, Néstor, Gabriel Vigliensoni, and Ichiro Fujinaga. 2018. “Encoding Matters.” In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 69–73. DLfM ’18. Paris, France: Association for Computing Machinery. https://doi.org/10.1145/3273024.3273027.

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    Pacha, Alexander, and Jorge Calvo-Zaragoza. 2018. “Optical Music Recognition in Mensural Notation with Region-Based Convolutional Neural Networks.” In Proceedings of the 19th International Society for Music Information Retrieval Conference, 240–47. Paris, France.

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    Rizo, David, Jorge Calvo-Zaragoza, and José M. Iñesta. 2018. “MuRET: A Music Recognition, Encoding, and Transcription Tool.” In Proceedings of the 5th International Conference on Digital Libraries for Musicology, 52–56. DLfM ’18. New York, NY, USA: ACM. https://doi.org/10.1145/3273024.3273029.

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    Román, Miguel A., Antonio Pertusa, and Jorge Calvo-Zaragoza. 2018. “An End-to-End Framework for Audio-to-Score Music Transcription on Monophonic Excerpts.” In Proceedings of the 19th International Society for Music Information Retrieval Conference. Paris, France.

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    Shaw, Rebecca. 2018. “Differentiae in the Cantus Manuscript Database.” In Proceedings of the 6th International Conference on Digital Libraries for Musicology (DLfM19).

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    Sober-Mira, Javier, Jorge Calvo-Zaragoza, David Rizo, and José M. Iñesta. 2018. “Pen-Based Music Document Transcription with Convolutional Neural Networks.” In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), edited by Alicia Fornés and Bart Lamiroy, 71–80. Lecture Notes in Computer Science. Springer International Publishing.

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    Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018a. “An Environment for Machine Pedagogy: Learning How to Teach Computers to Read Music.” In Joint Proceedings of the ACM Intelligent User Interface Workshops: Intelligent Music Interfaces for Listening and Creation (MILC). Tokyo, Japan. http://cloud.simssa.ca/index.php/s/bBK9N6gQTpPaKkl.

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    Vigliensoni, Gabriel, Jorge Calvo-Zaragoza, and Ichiro Fujinaga. 2018b. “Developing an Environment for Teaching Computers to Read Music.” In Proceedings of 1st International Workshop on Reading Music Systems. Paris, France. http://cloud.simssa.ca/index.php/s/ImKlwsuLoI099uI.

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- 2017 - -

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    Barone, Michael D., Kurt Dacosta, Gabriel Vigliensoni, and Matthew H. Woolhouse. 2017. “GRAIL: Database Linking Music Metadata Across Artist, Release,and Track.” In Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 49–54. Association for Computing Machinery. https://dl.acm.org/doi/10.1145/3144749.3144760.

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    Baró, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Fornés. 2017. “Optical Music Recognition by Recurrent Neural Networks.” In Proceedings of the Twelfth IAPR International Workshop on Graphics Recognition. Kyoto, Japan: Springer LNCS.

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    Behrendt, Inga, Jennifer Bain, and Kate Helsen. 2017. “MEI Kodierung Der Frühesten Notation in Linienlosen Neumen.” Edited by Hannah Busch, Franz Fischer, and Patrick Sahle. Kodikologie Und Paläographie Im Digitalen Zeitalter / Codicology and Paleography in the Digital Age 4:281–96.

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    Calvo-Zaragoza, J., A. H. Toselli, and E. Vidal. 2017. “Handwritten Music Recognition for Mensural Notation: Formulation, Data and Baseline Results.” In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 01:1081–86. https://doi.org/10.1109/ICDAR.2017.179.

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    Calvo-Zaragoza, Jorge, Antonio Pertusa, and Jose Oncina. 2017. “Staff-Line Detection and Removal Using a Convolutional Neural Network.” Machine Vision and Applications 28 (5):665–74. https://doi.org/10.1007/s00138-017-0844-4.

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    Calvo-Zaragoza, Jorge, Antonio-Javier Gallego, and Antonio Pertusa. 2017. “Recognition of Handwritten Music Symbols with Convolutional Neural Codes.” In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 01:691–96. https://doi.org/10.1109/ICDAR.2017.118.

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    Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017a. “A Machine Learning Framework for the Categorization of Elements in Images of Musical Documents.” In Proceedings of the Third International on Technologies for Music Notation and Representation (TENOR 2017). La Coruña, Spain. http://cloud.simssa.ca/index.php/s/NExq8IWkue2IjCH.

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    Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017b. “One-Step Detection of Background, Staff Lines, and Symbols in Medieval Music Manuscripts with Convolutional Neural Networks.” In Proceedings of the International Society for Music Information Retrieval, 724–30. Suzhou, China. http://cloud.simssa.ca/index.php/s/JuPGmwlvAP9ckkR.

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    Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017c. “Pixel-Wise Binarization of Musical Document with Convolutional Neural Networks.” In Proceedings of the 15th IAPR International Conference on Machine Vision Applications, 362–65. Nagoya, Japan. http://cloud.simssa.ca/index.php/s/17ZXOEHz87iIzHM.

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    Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017d. “Staff-Line Detection on Grayscale Images with Pixel Classification.” In Pattern Recognition and Image Analysis, edited by Luís A. Alexandre, José Salvador Sánchez, and João M. F. Rodrigues, 279–86. Lecture Notes in Computer Science. Faro, Portugalpixel: Springer International Publishing. http://cloud.simssa.ca/index.php/s/tZswNa5gjwkoatf.

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    Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017e. “Pixelwise Classification for Music Document Analysis.” In 2017 Seventh International Conference on Image Processing Theory, Tools and Applications (IPTA), 1–6. Montreal, Canada. https://doi.org/10.1109/IPTA.2017.8310134.

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    Calvo-Zaragoza, Jorge, Jose Javier Valero-Mas, and Antonio Pertusa. 2017. “End-to-End Optical Music Recognition Using Neural Networks.” In Proceedings of the 18th International Society for Music Information Retrieval Conference (ISMIR). Suzhou, China.

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    Calvo-Zaragoza, Jorge, Ké Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “Music Document Layout Analysis through Machine Learning and Human Feedback.” In 2017 14th IAPR International Conference on Document Analysis and Recognition (ICDAR), 02:23–24. Tokyo, Japan. https://doi.org/10.1109/ICDAR.2017.259.

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    Calvo-Zaragoza, Jorge, and Jose Oncina. 2017. “Recognition of Pen-Based Music Notation with Finite-State Machines.” Expert Systems with Applications 72 (April):395–406. https://doi.org/10.1016/j.eswa.2016.10.041.

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    Cumming, Julie. 2017a. “Du Fay’s Use of Improvisatory Techniques in Resvellies Vous et Faites Chiere Lye.” Edited by Julie Cumming, Jesse Rodin, and Massimiliano Locanto. Composition and Improvisation in Fifteenth-Century Music, a Special Issue of the RATM (Rivista Di Analisi e Teoria Musicale) 17 (2):3–23.

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    Cumming, Julie. 2017b. “Sources and Identity: Composers and Singers in Darnton’s Communications Circuit.” In Sources of Identity: Makers, Owners and Users of Music Sources Before 1600. Turnhout, Belgium: Brepols.

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    Gallego, Antonio-Javier, and Jorge Calvo-Zaragoza. 2017. “Staff-Line Removal with Selectional Auto-Encoders.” Expert Systems with Applications 89 (December):138–48. https://doi.org/10.1016/j.eswa.2017.07.002.

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    Garfinkle, David, Peter Schubert, Claire Arthur, Julie Cumming, and Ichiro Fujinaga. 2017. “PatternFinder: Content-Based Music Retrieval with Music21.” In Proceedings of the 4th International Workshop on Digital Libraries for Musicology. Shanghai, China.

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    Hankinson, Andrew, and Julia Craig-McFeely. 2017. “Building the New DIAMM: Linking and Sharing Data for Medieval Musicology.” In Conference Abstracts of Digital Humanities, 69–73. Montreal, QC: Alliance of Digital Humanities Organizations.

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    Ju, Yaolong, Nathaniel Condit-Schultz, Claire Arthur, and Ichiro Fujinaga. 2017. “Non-Chord Tone Identification Using Deep Neural Networks.” In Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 13–16. Shanghai, China. https://cloud.simssa.ca/index.php/s/wFYvlAIdUQ4gzua.

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    Lewis, David, Kevin Page, and Andrew Hankinson. 2017. “Capturing Context and Provenance of Musicology Research.” In Proceedings of the Music Encoding Conference (2015-2017), 113–18. Tours, France: Music Encoding Initiative.

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    McKay, Cory, Tristano Tenaglia, Julie Cumming, and Ichiro Fujinaga. 2017. “Using Statistical Feature Extraction to Distinguish the Styles of Different Composers.” In Abstracts of the Annual International Medieval and Renaissance Music Conference, 111. Prague, Czech Republic: MedRen.

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    Morgan, Alexander. 2017. “Renaissance Interval-Succession Theory: Treatises and Analysis.” PhD diss., Montreal: McGill University.

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    Nápoles López, Néstor. 2017. “Automatic Harmonic Analysis of Classicalstring Quartets from Symbolic Score.” Master’s Thesis, Barcelona, Spain: Universitat Pompeu Fabra.

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    Parada-Cabaleiro, Emilia, Anton Batliner, Alice Baird, and Björn W Schuller. 2017. “The SEILS Dataset: Symbolically Encoded Scores in Modern-Early Notation for Computational Musicology.” In Proceedings of the 18th International Society for Music Information Retrieval Conference, 575–81. Suzhou, China: ISMIR.

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    Risk, Laura. 2017. “Veillées, Variants, and Violoneux: Generic Boundaries and Transnational Trajectories in the Traditional Instrumental Music of Quebec.” PhD diss., Montreal: McGill University.

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    Saleh, Zeyad, Ké Zhang, Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. 2017. “Pixel.Js: Web-Based Pixel Classification Correction Platform for Ground Truth Creation.” In Proceedings of the 14th IAPR International Conference on Document Analysis and Recognition, 39–40. Kyoto, Japan: Springer LNCS. http://cloud.simssa.ca/index.php/s/7rWLN8VW6lXL8i7.

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    Thomae, Martha E. 2017. “Automatic Scoring up of Mensural Music Using Perfect Mensurations, 1300-1550.” Master’s Thesis, Montreal, Canada: McGill University.

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    Vigliensoni, Gabriel, and Ichiro Fujinaga. 2017. “The Music Listening Histories Dataset.” In Proceedings of the 18th International Society for Music Information Retrieval Conference, 96–102. Suzhou, China. https://doi.org/10.5281/zenodo.1417499.

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    Vigliensoni, Gabriel. 2017. “Evaluating the Performance Improvement of a Music Recommendation Model by Using User-Centric Features.” PhD diss., Montreal, QC: McGill University. http://cloud.simssa.ca/index.php/s/QHcj2J9rQfM9fm8.

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- 2016 - -

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    Bell, Eamonn, and Laurent Pugin. 2016. “Approaches to Handwritten Conductor Annotation Extraction in Musical Scores.” In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 33–36. DLfM 2016. New York, NY, USA: ACM. https://doi.org/10.1145/2970044.2970053.

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    Brinkman, Andrew W., Daniel Shanahan, and Craig Stuart Sapp. 2016. “Musical Stylometry, Machine Learning, and Attribution Studies : A Semi-Supervised Approach to the Works of Josquin.” In Proceedings of the 14th International Conference on Music Perception and Cognition, 91–97. San Francisco, CA, United States: ICMPC.

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    Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. 2016. “Document Analysis for Music Scores via Machine Learning.” In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 37–40. DLfM 2016. New York, NY, USA: ACM. https://doi.org/10.1145/2970044.2970047.

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    Calvo-Zaragoza, Jorge, Luisa Micó, and Jose Oncina. 2016. “Music Staff Removal with Supervised Pixel Classification.” International Journal on Document Analysis and Recognition (IJDAR) 19 (3):211–19. https://doi.org/10.1007/s10032-016-0266-2.

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    Krämer, Reiner. 2016. “On Intermediate Formats.” In Proceedings of the Music Encoding Conference (2015-2017), 53–62. McGill University, Montreal, QC.

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    Lacoste, Debra, and Barbara Swanson. 2016. “Chants That Defy Classification: The Implications of Categorization in the Cantus Database.” In Proceedings of the Music Encoding Conference (2015-2017), 73–78. Montreal, QC: Music Encoding Initiative.

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    Laplante, Audrey, and Ichiro Fujinaga. 2016. “Digitizing Musical Scores: Challenges and Opportunities for Libraries.” In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology. http://dx.doi.org/10.1145/2970044.2970055.

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    Pedersoli, Fabrizio, and George Tzanetakis. 2016. “Document Segmentation and Classification into Musical Scores and Text.” International Journal on Document Analysis and Recognition (IJDAR) 19 (4):289–304.

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    Vigliensoni, Gabriel, and Ichiro Fujinaga. 2016. “Automatic Music Recommendation Systems: Do Demographic, Profiling, and Contextual Features Improve Their Performance?” In Proceedings of the 17th International Society for Music Information Retrieval Conference, 94–100. New York City, USA.

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    Yang, Ling-Xiao. 2016. “Singing Transcription Using Machine Learning with Feature Selection.” Master’s Thesis, Montreal, QC: McGill University.

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    Cumming, Julie, and Peter Schubert. 2015. “The Origins of Pervasive Imitation.” In The Cambridge History of Fifteenth-Century Music, edited by Anna Maria Busse Berger and Jesse Rodin. Cambridge, UK: Cambridge University Press.

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    Di Bacco, Giuliano, and Perry Roland. 2015. “MEI for Mensural Notation in the Thesaurus Musicarum Latinarum.” In Proceedings of the Music Encoding Conference (2015-2017), 25–36. Florence, Italy: Music Encoding Initiative.

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    Fujinaga, Ichiro, and Andrew Hankinson. 2015. “Single Interface for Music Score Searching and Analysis (SIMSSA).” In Proceedings of the First International Conference on Technologies for Music Notation and Representation. Paris, France.

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    Hankinson, Andrew, Evan Magoni, and Ichiro Fujinaga. 2015. “Decentralized Music Document Image Searching with Optical Music Recognition and the International Image Operability Framework.” In Proceedings of the Digital Library Federation Forum. Vancouver, BC.

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    Horwitz, Andrew, Andrew Hankinson, and Ichiro Fujinaga. 2015. “A Browser-Based MEI Editor.” In Proceedings of the Music Encoding Conference (2015-2017), 45–46. Florence, Italy: Music Encoding Initiative.

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    Risk, Laura, Lillio Mok, Andrew Hankinson, and Julie Cumming. 2015. “Computational Ranking of Melodic Similarity in French-Canadian Instrumental Dance Tunes.” In Proceedings of the 16th International Society for Music Information Retrieval (ISMIR).

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    Schubert, Peter, and Julie Cumming. 2015. “Another Lesson from Lassus: Using Computers to Analyse Counterpoint.” Early Music 43 (4):577–86.

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    Sigler, Andie, Jon Wild, and Eliot Handelman. 2015. “Schematizing the Treatment of Dissonance in 16th-Century Counterpoint.” In Proceedings of the 16th International Society for Music Information Retrieval Conference (ISMIR).

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    Antila, Christopher, and Julie Cumming. 2014. “The VIS Framework: Analyzing Counterpoint in Large Datasets.” In Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR). Taipei, Taiwan.

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    Bain, Jennifer, Inga Behrendt, and Katherine Helsen. 2014. “Linienlose Neumen, Neumentrennung und Repräsentation von Neumen mit MEI Schema–Herausforderungen in der Arbeit im Optical Neume Recognition Project (ONRP).” In Digitale Rekonstruktionen mittelalterlicher Bibliotheken, edited by Sabine Philippi and Philipp Vanscheidt, 119–32. Trierer Beiträge zu den historischen Kulturwissenschaften 12. Wiesbaden: Ludwig Reichert.

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    Charalampos, Saitis, Andrew Hankinson, and Ichiro Fujinaga. 2014. “Correcting Large­-Scale OMR Data with Crowdsourcing.” In Proceedings of the International Workshop on Digital Libraries for Musicology, 88–90. London, UK.

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    Cumming, Julie. 2014. “The Past Is Not Over: Special Collections in the Digital Age.” In Meetings with Books: Symposium on Special Collections in the 21st Century. With a Tribute to Raymond Klibansky and an Illustrated Survey of McGill Library Special Collections, edited by Jillian Tomm and Richard Virr, 109–14. Montreal: McGill University Library.

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    Fujinaga, Ichiro, Andrew Hankinson, and Julie Cumming. 2014. “Introduction to SIMSSA (Single Interface for Music Score Searching and Analysis).” In Proceedings of the International Workshop on Digital Libraries for Musicology, 100–102. London, UK.

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    Fujinaga, Ichiro, David Sears, and Andrew Hankinson. 2014. “Big Data for the Music Perception and Cognition Community.” In Book of Abstracts of International Conference on Music Perception and Cognition - Asia-Pacific Society for the Cognitive Sciences of Music Joint Conference, 78. Seoul, South Korea.

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    Hankinson, Andrew, and Ichiro Fujinaga. 2014. “Accessing, Navigating, and Engaging with High-Resolution Document Image Collections Using Diva.Js.” In Conference Abstracts of Digital Humanities, 186–88. Lausanne, Switzerland.

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    Hankinson, Andrew. 2014. “Optical music recognition infrastructure for large-scale music document analysis.” PhD diss., Montreal, Canada: Schulich School of Music, McGill University.

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    Helsen, Kate, Jennifer Bain, Ichiro Fujinaga, Andrew Hankinson, and Debra Lacoste. 2014. “Optical Music Recognition and Manuscript Chant Sources.” Early Music 42:555–58.

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    Lacoste, Debra, and Jan Koláček. 2014. “CANTUS for Office and Mass: Building an Online Network of Chant Databases.” In Cantus Planus: Study Group of the International Musicological Society – Papers Read at the 18th Meeting, Venice, Italy, 2014. Venice, Italy.

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    Pugin, Laurent, Rodolfo Zitellini, and Perry Roland. 2014. “Verovio: A Library for Engraving MEI Music Notation into SVG.” In Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR), 107–12. Taipei, Taiwan.

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    Pugin, Laurent, and Rodolfo Zitellini. 2014. “Verovio: A Library for Typesetting MEI.” In Proceedings of the Music Encoding Conference (2013-2014). University of Virginia, Charlottesville, VA: Music Encoding Initiative.

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    Roland, Perry, Andrew Hankinson, and Laurent Pugin. 2014. “Early Music and the Music Encoding Initiative.” Early Music 42:605–11.

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    Vigliensoni, Gabriel, and Ichiro Fujinaga. 2014. “Identifying Time Zones in a Large Dataset of Music Listening Logs.” In Proceedings of the International Workshop on Social Media Retrieval and Analysis, 27–32. Gold Coast, Australia. http://cloud.simssa.ca/index.php/s/XHUtAQXBI8zEOyx.

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    Winters, R. Michael, and Julie E. Cumming. 2014. “Sonification of Symbolic Music in the Elvis Project.” In Proceedings of the 20th International Conference on Auditory Display (ICAD–2014). New York, USA.

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- 2013 - -

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    Burgoyne, John Ashley, Jon Wild, and Ichiro Fujinaga. 2013. “Compositional Data Analysis of Harmonic Structures in Popular Music.” In Proceedings of the International Conference on Mathematics and Computation in Music, 52–63. Lecture Notes in Artificial Intelligence 7937. Montreal, QC.

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    Fujinaga, Ichiro, and Andrew Hankinson. 2013. “SIMSSA: Towards Full-Music Search Over a Large Collection of Musical Scores.” In Conference Abstracts of Digital Humanities, 187–89. Lincoln, NE.

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    Lacoste, Debra. 2013. “CANTUS: A Database for Latin Ecclesiastical Chant - Progress Report (2009).” In Papers Read at the 15th Meeting of the IMS Study Group “Cantus Planus”, DobogókÅ/Hungary, 2009. Aug. 23-29, 939–43. Lions Bay, BC, Canada: The Institute of Medieval Music.

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    Vigliensoni, Gabriel, Gregory Burlet, and Ichiro Fujinaga. 2013. “Optical Measure Recognition in Common Music Notation.” In Proceedings of the 14th International Society for Music Information Retrieval Conference (ISMIR), 125–30. Curitiba, Brazil. http://cloud.simssa.ca/index.php/s/e91SMTDZgP7XtNd.

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    Vigliensoni, Gabriel, John Ashley Burgoyne, and Ichiro Fujinaga. 2013. “Musicbrainz for the World: The Chilean Experience.” In Proceedings of the 14th International Society for Music Information Retrieval Conference, 131–36. Curitiba, Brazil. https://zenodo.org/record/1417951#.X-rvJtgzYdU.

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- 2012 - -

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    Burlet, Gregory, Alastair Porter, Andrew Hankinson, and Ichiro Fujinaga. 2012. “Neon.Js: Neume Editor Online.” In Proceedings of the 13th International Society for Music Information Retrieval Conference (ISMIR), 121–26. Porto, Portugal.

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    Hankinson, Andrew, John Ashley Burgoyne, Gabriel Vigliensoni, Alastair Porter, Jessica Thompson, Wendy Liu, Remi Chiu, and Ichiro Fujinaga. 2012. “Digital Document Image Retrieval Using Optical Music Recognition.” In Proceedings of 13th International Society for Music Information Retrieval Conference (ISMIR), 577–82. Porto, Portugal. http://cloud.simssa.ca/index.php/s/YN1gYHw0mRor9rE.

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    Hankinson, Andrew, John Ashley Burgoyne, Gabriel Vigliensoni, and Ichiro Fujinaga. 2012. “Creating a Large-Scale Searchable Digital Collection from Printed Music Materials.” In Proceedings of the 21st International Conference on World Wide Web, 903–8. Lyon, FR. http://cloud.simssa.ca/index.php/s/g4kY4j3CzEa6vT6.

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    Hankinson, Andrew, Wendy Liu, Laurent Pugin, and Ichiro Fujinaga. 2012. “Diva: A Web-Based Document Image Viewer.” In Proceedings of the Conference on Theory and Practice in Digital Libraries. Heidelberg: Springer.

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    Lacoste, Debra, and Jan Koláček. 2012. “Renewal, Revival, Rejuvenation: A New Vision for the Cantus Database.” In Cantus Planus: Study Group of the International Musicological Society - Papers Read at the 16th Meeting, Vienna, Austria, 2011, 202–9. Vienna: Verlag Brüder Hollinek.

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- 2011 - -

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    Hankinson, Andrew, Perry Roland, and Ichiro Fujinaga. 2011. “The Music Encoding Initiative as a Document-Encoding Framework.” In Proceedings of the 12th International Society for Music Information Retrieval Conference (ISMIR), 293–98. Miami, FL.

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    Helsen, Kate, and Debra Lacoste. 2011. “A Report on the Encoding of Melodic Incipits in the Cantus Database with the Music Font ‘’Volpiano.’” Plainsong & Medieval Music 20 (1):51–65.

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    Lacoste, Debra. 2011. “The Cantus Database: Mining for Medieval Chant Traditions.” In Digital Medievalist. Vol. 7. Barnard College.

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    Vigliensoni, Gabriel, John Ashley Burgoyne, Andrew Hankinson, and Ichiro Fujinaga. 2011. “Automatic Pitch Recognition in Printed Square-Note Notation.” In Proceedings of the 12th International Society for Music Information Retrieval Conference (ISMIR), 423–28. Miami, Florida. http://cloud.simssa.ca/index.php/s/yxAuJOiZau6LMOL.

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    Vigliensoni, Gabriel. 2011. “Touchless Gestural Control of Concatenative Sound Synthesis.” Master’s Thesis, Montreal, Canada: McGill University.

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- 2010 - -

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    Hankinson, Andrew, Laurent Pugin, and Ichiro Fujinaga. 2010. “An Interchange Format for Optical Music Recognition Applications.” In Proceedings of the 11th International Society for Music Information Retrieval Conference (ISMIR). Utrecht, NL.

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- 2009 - -

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    Hankinson, Andrew, Laurent Pugin, and Ichiro Fujinaga. 2009. “Interfaces for Document Representation in Digital Music Libraries.” In Proceedings of the 10th International Society for Music Information Retrieval Conference (ISMIR). Kobe, Japan.

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- 2005 - -

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    Sapp, Craig Stuart. 2005. “Online Database of Scores in the Humdrum File Format.” In Proceedings of the 6th International Society for Music Information Retrieval Conference, 664–65. London, UK: ISMIR.

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From 0907db8fe6a519bdd8a36ce6e0ac28bb3001af92 Mon Sep 17 00:00:00 2001 From: pythonsemicolon Date: Tue, 8 Aug 2023 13:38:08 -0400 Subject: [PATCH 3/3] Update README for new Zotero scripts --- README.md | 4 +++- 1 file changed, 3 insertions(+), 1 deletion(-) diff --git a/README.md b/README.md index fa30180..284f1f0 100644 --- a/README.md +++ b/README.md @@ -39,7 +39,9 @@ To create an export, right click on any of those subfolders and select the optio ``` depending on which folder you are exporting. Then, save it inside the `zotero_export/` folder within this directory. -Next, run the `html_parser.py` script at the top level of this directory (works on Python 3.7, have not checked others). You will be prompted to input text based on which type of citations you would like to update, one of the three or all. The markdown files representing the updated citations in Zotero should now be updated in the folder, and the changes can be pushed to this repo. +_NOTE: make sure your generated HTML file contains all of the content you want displayed for the given page, old and new. Once the script is run, the existing page content will be **replaced** with the contents of your generated file, so include previous content you want to keep as well as any new modifications._ + +Next, run the `html_parser.py` script at the top level of this directory (works on Python 3.7, have not checked others). You will be prompted to input text based on which type of citations you would like to update, one of the three or all. The changes will be reflected in the `content.json` files in each of the specified folders, which are dynamically displayed in the static pages. Open any modified pages locally to ensure they display correctly before pushing to this repository. _There is another GitHub Actions script called github_html_parser.py that was used in an attempt to automatically update the citation markdown files when zotero_export/ files are updated and pushed to the repo. It is currently deprecated._