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efrbroo.rdf
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<?xml version="1.0"?>
<rdf:RDF
xmlns:xsp="http://www.owl-ontologies.com/2005/08/07/xsp.owl#"
xmlns:swrlb="http://www.w3.org/2003/11/swrlb#"
xmlns:efrbroo="http://erlangen-crm.org/efrbroo/"
xmlns:swrl="http://www.w3.org/2003/11/swrl#"
xmlns:ecrm="http://erlangen-crm.org/current/"
xmlns:protege="http://protege.stanford.edu/plugins/owl/protege#"
xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
xmlns:xsd="http://www.w3.org/2001/XMLSchema#"
xmlns:rdfs="http://www.w3.org/2000/01/rdf-schema#"
xmlns:owl="http://www.w3.org/2002/07/owl#"
xml:base="http://erlangen-crm.org/efrbroo/">
<owl:Ontology rdf:about="">
<rdfs:comment xml:lang="en">Changelog:
121016 (Justyna Walkowska)
- R4 has been disconnected from P128
- R11 has been disconnected from R16 and P33
- R26 has been disconnected from both P2 and P108
120219 (Judith Merges)
- Initial version</rdfs:comment>
<rdfs:comment xml:lang="en">Erlangen FRBRoo - An OWL DL 0.1 implementation of the FRBRoo originally created by Judith Merges at the Friedrich-Alexander-University of Erlangen-Nuremberg, Department of Computer Science, Chair of Computer Science 8 (Artificial Intelligence). It is based on the official definition of the FRBRoo (http://www.cidoc-crm.org/docs/frbr_oo/frbr_docs/FRBRoo_V1.0.2.pdf). This implementation is currently under development by the Erlangen CRM community (http://groups.google.com/group/erlangen-crm).The Erlangen FRBRoo implementation is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.</rdfs:comment>
<owl:versionInfo rdf:datatype="http://www.w3.org/2001/XMLSchema#string"
>EFRBRoo 121016 / FRBRoo 1.0.2 / ECRM current / CIDOC-CRM 5.0.4</owl:versionInfo>
<rdfs:label xml:lang="en">Erlangen FRBRoo</rdfs:label>
<owl:imports rdf:resource="http://erlangen-crm.org/current/"/>
</owl:Ontology>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F1_Work">
<rdfs:comment xml:lang="en">Scope note:
This class comprises the sums of concepts which appear in the course of the coherent evolution of an original idea into one or more expressions that are dominated by the original idea. The substance of Work is concepts. A Work may be elaborated by one or more Actors simultaneously or over time. A Work may have members that constitute components of the overall concept or that are alternatives to other members of the work. Members of a work may or may not represent the concept of the Work as a whole; for instance a translation reinterprets the whole, a volume of a trilogy represents a part of the concept.
A Work can be either individual or complex. If it is individual its concept is completely realised in a single F22 Self-Contained Expression. If it is complex its concept is embedded in an F15 Complex Work. An F15 Complex Work consists of members that are either F15 Complex Works themselves or F14 Individual Works. The member relationship of Work is based on the members respecting the same concept, and should not be confused with the structural parts of an expression, that might be taken from other work(s).
A Work is the product of an intellectual process of one or more persons, yet only indirect evidence about it is at our hands. This can be contextual information such as the existence of an order for a work, reflections of the creators themselves that are documented somewhere, and finally the expressions of the work created. As ideas normally take shape during discussion, elaboration and implementation, it is not reasonable to assume that a work starts with a complete concept. Moreover, it can be very difficult or impossible to define the whole of the concept of a work at some given time. The only objective evidence for such a notion can be based on a stage of expressions at a given time. In this sense, self-contained expressions serve as a kind of “snap-shots” of a work.
A Work may aggregate expressions of other works into a new expression. For instance, an anthology of poems is regarded as a work in its own right that makes use of expressions of the individual poems that have been selected and ordered as part of an intellectual process. This does not make the contents of the aggregated expressions part of this work, but only parts of the resulting expression.
Examples:
Abstract content of Giovanni Battista Piranesi’s ‘Carcere XVI: the pier with chains: 1st state’ (F14)
‘La Porte de l’Enfer’ by Auguste Rodin conceived between 1880 and 1917 (F15)
‘Hamlet’ by William Shakespeare (F15)
</rdfs:comment>
<rdfs:label xml:lang="en">work</rdfs:label>
<rdfs:subClassOf>
<owl:Restriction>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R19i_was_realised_through"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R16i_was_initiated_by"/>
</owl:onProperty>
<owl:someValuesFrom>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F27_Work_Conception"/>
</owl:someValuesFrom>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/current/E89_Propositional_Object"/>
</rdfs:subClassOf>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F15_Complex_Work">
<rdfs:label xml:lang="en">complex work</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises works that have more than one work as members.
The members of a Complex Work may constitute components of the overall concept or be alternatives to other members of the work. In practice, no clear line can be drawn between parallel and subsequent processes in the evolution of a work. One part may not be finished when another is already revised. An initially monolithic work may be taken up and evolve in pieces. The member relationship of Work is based on the conceptual relationship, and should not be confused with the internal structural parts of an individual expression. The fact that an expression may contain parts from other work(s) does not make the expressed work complex. For instance, an anthology for which only one version exists is not a complex work.
The boundaries of a Complex Work have nothing to do with the value of the intellectual achievement but only with the dominance of a concept. Thus, derivations such as translations are regarded as belonging to the same Complex Work, even though in addition they constitute an Individual Work themselves. In contrast, a Work that significantly takes up and merges concepts of other works so that it is no longer dominated by the initial concept is regarded as a new work. In cataloguing practice, detailed rules are established prescribing which kinds of derivation should be regarded as crossing the boundaries of a complex work. Adaptation and derivation graphs allow the recognition of distinct sub-units, i.e. a complex work contained in a larger complex work.
As a Complex Work can be taken up by any creator who acquires the spirit of its concept, it is never finished in an absolute sense.
Examples:
Work entitled ‘La Porte de l’Enfer’ by Auguste Rodin
Work entitled ‘Hamlet’ by William Shakespeare
Work entitled ‘Der Ring der Nibelungen’ by Richard Wagner
Work entitled ‘Carceri d’invenzione’ by Giovanni Battista Piranesi
Work entitled ‘Mass in B minor BWV 232’ by Johann Sebastian Bach
</rdfs:comment>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R10_has_member"/>
</owl:onProperty>
<owl:minCardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>2</owl:minCardinality>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F1_Work"/>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/current/E29_Design_or_Procedure"/>
<owl:Class rdf:about="http://erlangen-crm.org/current/E72_Legal_Object"/>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F4_Manifestation_Singleton">
<rdfs:comment xml:lang="en">Scope note:
This class comprises physical objects that each carry an instance of F2 Expression, and that were produced as unique objects, with no siblings intended in the course of their production. It should be noted that if all but one copy of a given publication are destroyed, then that copy does not become an instance of F4 Manifestation Singleton, because it was produced together with sibling copies, even though it now happens to be unique. Examples of instances of F4 Manifestation Singleton include manuscripts, preparatory sketches and the final clean draft sent by an author or a composer to a publisher.
Examples:
The manuscript known as ‘The Book of Kells’
The manuscript score of Charles Racquet’s ‘Organ fantasy’, included in Marin Mersenne’s personal copy of his own ‘Harmonie universelle’ [Marin Mersenne planned a second edition of his ‘Harmonie universelle’ after it had been first published in 1636, and he asked the composer Charles Racquet to compose his organ fantasy especially for that planned second edition; but Mersenne died before he could finish and publish the second edition and Racquet’s score remained until the 20th century as a manuscript addition to Mersenne’s copy, held in Paris by the Library of the Conservatoire national des arts et métiers]
Marin Mersenne’s personal copy, held in Paris by the Library of the Conservatoire national des arts et métiers, of his own ‘Harmonie universelle’, containing all of his manuscript additions for a planned second edition that never took place before his death, but that served as a basis for the modern reprint published in 1986
</rdfs:comment>
<rdfs:label xml:lang="en">manifestation singleton</rdfs:label>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R18i_was_created_by"/>
</owl:onProperty>
<owl:maxCardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:maxCardinality>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/current/E24_Physical_Man-Made_Thing"/>
</rdfs:subClassOf>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F16_Container_Work">
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F1_Work"/>
<rdfs:label xml:lang="en">container work</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises works whose essence is to enhance or add value to expressions from one or more other works without altering them, by the selection, arrangement and/or addition of features of different form, such as layout to words, recitation and movement to texts, instrumentation to musical scores etc. This does not make the contents of the incorporated expressions part of the Container Work, but only part of the resulting expression. Container Work may include the addition of new, original parts to the incorporated expressions, such as introductions, graphics, etc.
A new version of a container work does not make the resulting complex work a Container Work as well. The inclusion of expressions from a complex work in a Container Work does not make the Container Work itself complex.
Examples:
The aggregation and arrangement concept of the anthology entitled ‘American Women Poets of the Nineteenth Century: An Anthology’, edited by Cheryl Walker and published by Rutgers University Press in July 1992 [an F17 Aggregation Work]
The concept for the layout created by printer Guido Morris for the text of Michael Hamburger’s English translation of 12 poems by Georg Trakl for publication in 1952 [an F19 Publication Work]
The concept by the publisher named ‘Dell’ of issuing together, in 2002, three novels entitled ‘The Partner’, ‘The Street Lawyer’, and ‘A time to kill’, by the author named ‘John Grisham’, with just the statement ‘Three #1 bestsellers by John Grisham’ as a collective title [an F19 Publication Work]
The concept of Sergei Radlov’s mise-en-scène of a Yiddish translation of the textual work entitled ‘King Lear’ in Moscow in 1935 [an F20 Performance Work]
The concept of putting together the English text of ‘King Lear’ and a Spanish translation thereof in a bilingual edition of ‘King Lear’ [an F17 Aggregation Work]
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F17_Aggregation_Work">
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F14_Individual_Work"/>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F16_Container_Work"/>
<rdfs:comment xml:lang="en">Scope note:
This class comprises works whose essence is the selection and/or arrangement of expressions of one or more other works. This does not make the contents of the aggregated expressions part of this work, but only part of the resulting expression. F17 Aggregation Work may include additional original parts.
An expression of a work may include expressions of other works within it. For instance, an anthology of poems is regarded as a work in its own right that makes use of expressions of the individual poems that have been selected and ordered as part of an intellectual process.
A new version of an aggregate work does not make the resulting complex work an aggregate work as well. The inclusion of expressions from a complex work in an aggregation work does not make the aggregation work itself complex.
Examples:
The aggregation and arrangement concept of the anthology entitled ‘American Women Poets of the Nineteenth Century: An Anthology’, edited by Cheryl Walker and published by Rutgers University Press in July 1992
The aggregation and arrangement concept of the Web site named ‘IFLANET’
The aggregation and arrangement concept of the collection of articles entitled ‘Marij Kogoj (1892-1992): zbornik referatov s kolokvija ob stoletnici skladateljevega rojstva 7.10.1992 v Ljubljani = Marij Kogoj (1892-1992): proceedings from the colloquium held in Ljubljana at the centenary of the composer’s birth on October 7th, 1992’ and edited by a person named ‘Ivan Klemenčič’
</rdfs:comment>
<rdfs:label xml:lang="en">aggregation work</rdfs:label>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/current/E55_Type"/>
<owl:Class rdf:about="http://erlangen-crm.org/current/E54_Dimension">
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/CLP43i_should_be_dimension_of"/>
</owl:onProperty>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
</owl:Restriction>
</rdfs:subClassOf>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F19_Publication_Work">
<rdfs:label xml:lang="en">publication work</rdfs:label>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F16_Container_Work"/>
<rdfs:comment xml:lang="en">Scope note:
This class comprises works that have been planned to result in a manifestation product type and that pertain to the rendering of expressions from other works.
Examples:
The concept of publishing Stephen Crane’s complete poems (as edited by Joseph Katz), which includes the idea that every time a stanza jumps over a page change, the statement ‘[NO STANZA BREAK]’ should be printed as a warning for readers that the new page continues the same stanza
The concept, on behalf of publisher named ‘Verlag Neue Kunsthandlung’, of issuing together, around 1925, three formerly independent publications (‘Emil Orlik’ by Max Osborn – vol. 2 within the series named ‘Graphiker der Gegenwart’, published in 1920; ‘Anders Zorn’ by Paul Friedrich – vol. 10 within the series named ‘Graphiker der Gegenwart’, published in 1924; and ‘Max Slevogt’ by Julius Elias – vol. 11 within the series named ‘Graphiker der Gegenwart’, published in 1923) as one, new publication, entitled ‘102 Bilder aus der Sammlung Graphiker der Gegenwart’
The concept, on behalf of publisher named ‘Dell’, of issuing together in 2002 three novels, titled ‘The partner’, ‘The street lawyer’, and ‘A time to kill’, by author named ‘John Grisham’, with just the statement ‘Three #1 bestsellers by John Grisham’ as a collective title
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/current/E73_Information_Object"/>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F41_Representative_Manifestation_Assignment">
<rdfs:label xml:lang="en">Representative Manifestation Assignment</rdfs:label>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/current/E13_Attribute_Assignment"/>
</rdfs:subClassOf>
<rdfs:comment xml:lang="en">Scope note:
This class comprises activities through which an Agency declares (implicitly or explicitly) that a given instance of F3 Manifestation Product Type or F4 Manifestation Singleton is representative for a given F2 Expression, i.e., that some features found on that instance of F3 Manifestation Product Type or F4 Manifestation Singleton (most prominently, information about the title) can be inferred to also apply to that instance of F2 Expression, no matter within which manifestation it is embodied.
The reasoning behind is that the Work title is known through the title of an Expression that is deemed representative of the Work, and the title of the representative Expression is known through the title proper of a Manifestation that is deemed representative of the Expression representative of the Work.
Examples:
By using the title proper ‘Mrs Dalloway’ found on the first edition of a novel by Virginia Woolf as the basis for a uniform title for that novel, rather than the title proper ‘The hours’ found on the manuscripts held by the British Library, an Agency implicitly states that the printed edition (instance of F3 Manifestation Product Type) is representative for the instance of F2 Expression that is representative for the F1 Work, whereas the hand-written instances of F4 Manifestation Singleton are not
By not using the title proper ‘The tragicall historie of HAMLET Prince of Denmarke’ found on an instance of F3 Manifestation Product Type as the basis for a uniform title heading for a work by Shakespeare, an Agency explicitly states that that instance of F3 Manifestation Product Type is not representative (at least, as far as title information is concerned) for an F2 Expression of Shakespeare’s F1 Work ‘Hamlet’
Selecting the manuscript identified by shelfmark ‘MS-8282’ within the collections of the National Library of France, Department for Music, as representative for the musical text of Stanislas Champein’s opera ‘Vichnou’ [explanation: the BnF’s Department for Music holds 3 manuscript scores (identified by shelfmarks ‘MS-8282’, ‘MS-13778’, and ‘MS-17321’) for this opera; the title inscribed on MS-8282 is ‘Vichnou’, while MS-13778 and MS-17321 are entitled ‘Vistnou’; the authorised form chosen by cataloguers and reference tools such as the Grove Dictionary for Opera is ‘Vichnou’, while ‘Vistnou’ is recorded in the BnF’s authority file only as a cross reference]
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F25_Performance_Plan">
<rdfs:label xml:lang="en">performance plan</rdfs:label>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R12i_realises"/>
</owl:onProperty>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E29_Design_or_Procedure"/>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression"/>
</rdfs:subClassOf>
<rdfs:comment xml:lang="en">Scope note:
This class comprises sets of directions to which individual performances of theatrical, choreographic, or musical works and their combinations should conform.
In the case of theatrical performances, such directions incorporate, but are not limited nor reducible to, the text of a given version of the play performed (e.g., a translated text, some passages of which are deliberately omitted, with some rephrased lines, etc.).
In the case of choreographic performances, such directions may incorporate, but are neither limited nor reducible to, the notation of choreographic movements in systems such as labanotation.
In the case of musical performances, such directions may incorporate, but are neither limited nor reducible to, the musical score. In case of electronic music, they may incorporate software instructions.
These directions may or may not completely determine the form of the intended performance. Depending on the nature of the directions, the form of the intended performance, such as the sets of movements or the sound characteristics, may or may not be predictable from the directions.
Note that a performance plan may be more or less elaborate, and may even foresee just improvisation.
Examples:
The set of instructions for the production of a Yiddish translation of the textual work entitled ‘King Lear’, as directed by Sergei Radlov in Moscow in 1935
The set of instructions for the production of the ballet entitled ‘Rite of spring’, as choreographed by Pina Bausch in Wuppertal in 1975
The set of instructions by Bruno Walter for performing Gustav Mahler’s 9th symphony, delivered by him to the Columbia Symphony Orchestra during rehearsals in Hollywood in 1961 (as partially documented in the CD entitled ‘Bruno Walter conducts and talks about Mahler symphony No. 9: rehearsal & performance’)
The set of instructions contained in the “performance handbook” for Luigi Nono’s musical work entitled ‘À Pierre’
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/current/E84_Information_Carrier">
<rdfs:subClassOf>
<owl:Restriction>
<owl:maxCardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:maxCardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R31_is_reproduction_of"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:maxCardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:maxCardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R30i_was_produced_by"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression">
<rdfs:label xml:lang="en">self-contained expression</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises the immaterial realisations of individual works at a particular time that are regarded as a complete whole. The quality of wholeness reflects the intention of its creator that this expression should convey the concept of the work. Such a whole can in turn be part of a larger whole.
Inherent to the notion of work is the completion of recognisable outcomes of the work. These outcomes, i.e. the Self-Contained Expressions, are regarded as the symbolic equivalents of Individual Works, which form the atoms of a complex work. A Self-Contained Expression may contain expressions or parts of expressions from other work, such as citations or items collected in anthologies. Even though they are incorporated in the Self-Contained Expression, they are not regarded as becoming members of the expressed container work by their inclusion in the expression, but are rather regarded as foreign or referred elements.
F22 Self-Contained Expression can be distinguished from F23 Expression Fragment in that an F23 Expression Fragment was not intended by its creator to make sense by itself. Normally creators would characterise an outcome of a work as finished. In other cases, one could recognise an outcome of a work as complete from the elaboration or logical coherence of its content, or if there is any historical knowledge about the creator deliberately or accidentally never finishing (completing) that particular expression. In all those cases, one would regard an expression as self-contained.
Examples:
The Italian text of Dante’s ‘Inferno’ as found in the authoritative critical edition La Commedia secondo l’antica vulgata a cura di Giorgio Petrocchi, Milano: Mondadori, 1966-67 (= Le Opere di Dante Alighieri, Edizione Nazionale a cura della Società Dantesca Italiana, VII, 1-4)
The musical notation of Franz Schubert’s lied known as ‘Ave Maria’
The musical notation of Franz Schubert’s lieder cycle entitled ‘Seven Songs after Walter Scott’s The Lady of the Lake’, of which ‘Ave Maria’ is a distinct part
The musical notation of Franz Liszt’s piano transcription of Franz Schubert’s lied known as ‘Ave Maria’
</rdfs:comment>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R9i_realises"/>
</owl:onProperty>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R3i_realises"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F2_Expression"/>
</rdfs:subClassOf>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/current/E12_Production"/>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F13_Identifier">
<rdfs:comment xml:lang="en">Scope note:
This class comprises strings or codes assigned to instances of E1 CRM Entity in order to identify them uniquely and permanently within the context of one or more organisations. Such codes are often known as inventory numbers, registration codes, etc. and are typically composed of alphanumeric sequences. The class E42 Identifier is not normally used for machine-generated identifiers used for automated processing unless these are also used by human agents. [Adapted from the Scope Note of CIDOC CRM E42 Identifier ver. 5.0.1]
F13 Identifier covers the notion of “controlled access points” in library practice – both preferred forms and cross references. A cross reference may not identify uniquely an entity, but can be shared by two entities; however, as it displays the same structural characteristics as preferred controlled access points, it is still regarded in the model as an instance of F13 Identifier.
Examples:
ISSN ‘0041-5278’ (F13)
ISRC ‘FIFIN8900116’ (F13)
Shelf mark ‘Res 8 P 10’ (E42)
‘Guillaume de Machaut (1300?-1377)’ (F13) [a controlled personal name heading that follows the French rules]
‘Guillaume, de Machaut, ca. 1300-1377’ (F13) [a controlled personal name heading that follows the AACR rules]
‘Rite of spring (Choreographic work: Bausch)’ (F13)
</rdfs:comment>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F12_Name"/>
</rdfs:subClassOf>
<owl:equivalentClass rdf:resource="http://erlangen-crm.org/current/E42_Identifier"/>
<rdfs:label xml:lang="en">identifier</rdfs:label>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F18_Serial_Work">
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F19_Publication_Work"/>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F15_Complex_Work"/>
<rdfs:label xml:lang="en">serial work</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises works that are, or have been, planned to result in sequences of manifestations with common features. Whereas a work can acquire new members over the time it evolves Expressions and Manifestations are identified with a certain state achieved at a particular point in time. Therefore there is in general no single expression or manifestation representing a complete serial work, unless the serial work is ended.
Serial Works may or may not have a plan for an overall expression.
The retrospective reprinting of all issues of a Serial Work at once, in the form of a monograph, is regarded to be another member of a Complex Work, which contains the Serial Work and the Individual Work realised in the monograph. This does not make the monograph part of the Serial Work.
Examples:
The periodical entitled ‘The UNESCO Courier’, ISSN ‘0041-5278’
The periodical entitled ‘Courrier de l’UNESCO’, ISSN ‘0304-3118’ [French edition of the periodical titled ‘The UNESCO Courier’, ISSN ‘0041-5278’]
The series entitled ‘L’évolution de l’humanité’, ISSN ‘0755-1843’ [a monograph series comprising volumes that were published from 1920 on, and some of which were reprinted, with different physical features and rearranged in a different order, from 1968 on, in a distinct series also entitled ‘L’évolution de l’humanité’, ISSN ‘0755-1770’]
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F28_Expression_Creation">
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R19_created_a_realisation_of"/>
</owl:onProperty>
<owl:someValuesFrom rdf:resource="http://erlangen-crm.org/efrbroo/F1_Work"/>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R18_created"/>
</owl:onProperty>
<owl:someValuesFrom rdf:resource="http://erlangen-crm.org/efrbroo/F4_Manifestation_Singleton"/>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R17_created"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/current/E65_Creation"/>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E12_Production"/>
<rdfs:comment xml:lang="en">Scope note:
This class comprises activities that result in instances of F2 Expression coming into existence. This class characterises the externalisation of an Individual Work.
Although F2 Expression is an abstract entity, a conceptual object, the creation of an expression inevitably also affects the physical world: when you scribble the first draft of a poem on a sheet of paper, you produce an F4 Manifestation Singleton; F28 Expression Creation is a subclass of E12 Production because the recording of the expression causes a physical modification of the carrying E18 Physical Thing. The work becomes manifest by being expressed on a physical carrier different from the creator’s mind. The spatio-temporal circumstances under which the expression is created are necessarily the same spatio-temporal circumstances under which the first F4 Manifestation Singleton is produced. The mechanisms through which oral tradition (of myths, tales, music, etc.) operates are not further investigated in this model. As far as bibliographic practice is concerned, only those instances of F2 Expression that are externalised on physical carriers other than both the creator’s mind and the auditor’s mind are taken into account (for a discussion of the modelling of oral traditions, see: Nicolas, Yann. ‘Folklore Requirements for Bibliographic Records: oral traditions and FRBR.’ In: Cataloging & Classification Quarterly (2005). Vol. 39, No. 3-4. P. 179-195).
Examples:
The creation of the original manuscript score of ‘Uwertura tragiczna’ by Andrzej Panufnik in 1942 in Warsaw
The reconstruction from memory of the manuscript score of ‘Uwertura tragiczna’ by Andrzej Panufnik in 1945 after the original score was destroyed during the war
The recording of the third alternate take of ‘Blue Hawaii’ performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961 [each individual take is a distinct instance of F2 Expression]
</rdfs:comment>
<rdfs:label xml:lang="en">expression creation</rdfs:label>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F24_Publication_Expression">
<rdfs:comment xml:lang="en">Scope note:
This class comprises complete sets of signs present in publications, reflecting publishers’ final decisions as to both content and layout of the publications.
Examples:
The text, its layout and the textual and graphic (Saur’s logo on p. [i]) content of front and back cover, spine (spine title), and p. [i-iv] of the publication entitled ‘Functional Requirements for Bibliographic Records: final report’, published by K. G. Saur in 1998, identified by ISBN ‘3-598-11382-X’
The overall content of the book identified by ISBN ‘0-8014-9130-4’: the text of Stephen Crane’s complete poems as edited by Joseph Katz, the numbering system introduced by Joseph Katz in order to identify each individual poem by Stephen Crane, page numbers, the text of Joseph Katz’s dedication, preface, acknowledgements, and introduction, the table of contents, the index of first lines, the statements found on title page, back of title page (including CIP bibliographic record), cover front, back front, and spine, and the layout of the publication; for one of Stephen Crane’s longer poems, printed on p. 142-143, a statement reads at bottom of p. 142: ‘[NO STANZA BREAK]’: obviously, this statement does not belong to the Self-Contained Expression intended by Stephen Crane, and presumably not to the one intended by editor Joseph Katz either, but was more probably added by the publishing team, due to characteristics of the layout of the publication: a cautious reader can easily interpret ‘[NO STANZA BREAK]’ as non-belonging to the poem itself, but an OCR process would not make the distinction between the text of the poem and the statement made by the publisher; ‘[NO STANZA BREAK]’ belongs to the Publication Expression, although it does not belong to the Self-Contained Expression intended by Stephen Crane and Joseph Katz
The overall content of the LP sound recording identified by label and label number ‘CBS 34-61237’: a recorded performance of Terry Riley’s musical work ‘In C’, the text of liner notes by Paul Williams translated into French by Bernard Weinberg, technical statements such as ‘Stereo,’ publisher’s logo, series logo, title and statement of responsibility on front, back, and spine of the cover and on the recording itself, duration statement, cover art by G. Joly, overall layout, etc.; a special, shunting sound was added at the end of side one and beginning of side two, as Terry Riley’s work is in the form of a continuous musical flow without any interruption and the technical possibilities of vinyl LPs did not allow the complete performance to be contained on just one side: that special, shunting sound was not intended in Riley’s score nor in the performance but was added by the publisher (with or without Riley’s consent, this detail is not documented), and as such it is part of the Publication Expression although it is not part of the composer’s and the performers’ Self-Contained Expression (this shunting sound was no longer needed in subsequent releases on CD)
The overall content of the DVD entitled ‘The Aviator (2-Disc Full Screen Edition)’, released in 2004: Martin Scorsese’s movie itself; layout of the box and the two DVDs contained in the box; pictures on the DVDs themselves; English, Spanish, and French subtitles; English and French audio tracks; and bonuses: commentaries by director Martin Scorsese, editor Thelma Schoonmaker, and producer Michael Mann; a deleted scene (‘Howard Tells Ava About His Car Accident’); and featurettes ‘A Life Without Limits: The Making of The Aviator’; ‘The Role of Howard Hughes in Aviation History’; ‘Modern Marvels: Howard Hughes, A Documentary by the History Channel’; ‘The Visual Effects of The Aviator’; ‘The Affliction of Howard Hughes: Obsessive Compulsive Disorder’; ‘The Age of Glamour: The Hair And Makeup of The Aviator’; ‘Costuming The Aviator: The Work of Sandy Powell’; ‘Constructing The Aviator: The Work of Dante Ferretti’; ‘An evening with Leonardo DiCaprio and Alan Alda’; ‘OCD Panel Discussion With Leonardo DiCaprio, Martin Scorsese, and Howard Hughes’ Widow Terry Moore’; ‘Still Gallery’; ‘Scoring The Aviator: The Work Of Howard Shore’; and ‘The Wainwright Family – Loudon, Rufus and Martha’
</rdfs:comment>
<rdfs:label xml:lang="en">publication expression</rdfs:label>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/CLR6i_should_be_carried_by"/>
</owl:onProperty>
<owl:maxCardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:maxCardinality>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:someValuesFrom>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F30_Publication_Event"/>
</owl:someValuesFrom>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R24i_was_created_through"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression"/>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F23_Expression_Fragment">
<rdfs:label xml:lang="en">expression fragment</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises parts of Expressions and these parts are not Self-contained Expressions themselves.
The existence of an instance of F23 Expression Fragment can be due to accident, such as loss of material over time, e.g. the only remaining manuscript of an antique text being partially eaten by worms, or due to deliberate isolation, such as excerpts taken from a text by the compiler of a collection of excerpts.
An F23 Expression Fragment is only identified with respect to its occurrence in a known or assumed whole. The size of an instance of F23 Expression Fragment ranges from more than 99% of an instance of F22 Self-Contained Expression to tiny bits (a few words from a text, one bar from a musical composition, one detail from a still image, a two-second clip from a movie, etc.).
Examples:
The only remnants of Sappho’s poems
The words ‘Beati pauperes spiritu’ (excerpted from Matthew’s Gospel 5,3 in Latin translation)
</rdfs:comment>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F2_Expression"/>
</rdfs:subClassOf>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F2_Expression">
<rdfs:label xml:lang="en">expression</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises the intellectual or artistic realisations of works in the form of identifiable immaterial objects, such as texts, poems, jokes, musical or choreographic notations, movement pattern, sound pattern, images, multimedia objects, or any combination of such forms that have objectively recognisable structures. The substance of F2 Expression is signs.
Expressions cannot exist without a physical carrier, but do not depend on a specific physical carrier and can exist on one or more carriers simultaneously. Carriers may include human memory.
Inasmuch as the form of F2 Expression is an inherent characteristic of the F2 Expression, any change in form (e.g., from alpha-numeric notation to spoken word, a poem created in capitals and rendered in lower case) is a new F2 Expression. Similarly, changes in the intellectual conventions or instruments that are employed to express a work (e.g., translation from one language to another) result in the creation of a new F2 Expression. Thus, if a text is revised or modified, the resulting F2 Expression is considered to be a new F2 Expression. Minor changes, such as corrections of spelling and punctuation, etc., are normally considered variations within the same F2 Expression. On a practical level, the degree to which distinctions are made between variant expressions of a work will depend to some extent on the nature of the F1 Work itself, and on the anticipated needs of users.
The genre of the work may provide an indication of which features are essential to the expression. In some cases, aspects of physical form, such as typeface and page layout, are not integral to the intellectual or artistic realisation of the work as such, and therefore are not distinctive criteria for the respective expressions. For another work features such as layout may be essential. For instance, the author or a graphic designer may wrap a poem around an image.
An expression of a work may include expressions of other works within it. For instance, an anthology of poems is regarded as a work in its own right that makes use of expressions of the individual poems that have been selected and ordered as part of an intellectual process. This does not make the contents of the aggregated expressions part of this work, but only parts of the resulting expression.
If an instance of F2 Expression is of a specific form, such as text, image, etc., it may be simultaneously instantiated in the specific classes representing these forms in CIDOC CRM. Thereby one can make use of the more specific properties of these classes, such as language (which is applicable to linguistic objects only).
Examples:
The Italian text of Dante’s ‘Divina Commedia’ as found in the authoritative critical edition ‘La Commedia secondo l’antica vulgata a cura di Giorgio Petrocchi’, Milano: Mondadori, 1966-67 (= Le Opere di Dante Alighieri, Edizione Nazionale a cura della Società Dantesca Italiana, VII, 1-4) (F22)
The Italian text of Dante’s ‘Inferno’ as found in the same edition (F22)
Nel mezzo del cammin di nostra vita
mi ritrovai per una selva oscura
ché la diritta via era smarrita [the Italian text of the first stanza of Dante’s ‘Inferno’ and ‘Divina Commedia’] (F23)
The signs which make up Christian Morgenstern’s ‘Fisches Nachtgesang’ [a poem consisting simply of “-” and “˘” signs, arranged in a determined combination] (F22)
</rdfs:comment>
<rdfs:subClassOf>
<owl:Restriction>
<owl:someValuesFrom rdf:resource="http://erlangen-crm.org/efrbroo/F28_Expression_Creation"/>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R17i_was_created_by"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E73_Information_Object"/>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F31_Performance">
<rdfs:label xml:lang="en">performance</rdfs:label>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/current/E7_Activity"/>
</rdfs:subClassOf>
<rdfs:comment xml:lang="en">Scope note:
This class comprises activities that follow the directions of a performance plan, such as a theatrical play, an expression of a choreographic work or a musical work; i.e., they are intended to communicate directly or indirectly to an audience.
Such activities can be identified at various levels of granularity, and can be contiguous or not. Any individual performance (with or without intermissions) is a single instance of F31 Performance. In addition, a complete run of performances can also be seen as an instance of F31 Performance, with individual performances as parts. A complete run of performances may comprise an original run plus any of its extensions and tours.
Note that a performance plan may be more or less elaborate, and may even foresee just improvisation.
Examples:
Performing the first performance of a Yiddish translation of the textual work entitled ‘King Lear’, as directed by Sergei Radlov, in Moscow, at the Moscow State Jewish Theatre, on February 10, 1935 [individual performance]
Performing the ballet entitled ‘Rite of spring’, as choreographed by Pina Bausch, in Avignon, at the Popes’ Palace, on July 7, 1995 [individual performance]
Performing the operatic work entitled ‘Dido and Aeneas’, as directed by Edward Gordon Craig and conducted by Martin Shaw, in London, Hampstead Conservatoire, on May 17, 18, and 19, 1900 [run of performances]
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F20_Performance_Work">
<rdfs:label xml:lang="en">performance work</rdfs:label>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F16_Container_Work"/>
<rdfs:comment xml:lang="en">Scope note:
This class comprises the sets of concepts for rendering a particular or a series of like performances.
F20 Performance Work is declared as a subclass of F16 Container Work. This implies that the incorporated expressions (such as the text of the staged play, the text of the argument for the ballet, the recorded music to be used for the ballet, or the content of the musical score to be used for a concert, etc.) are not by themselves a part of the expression of this F1 Work. Rather, an expression (F25 Performance Plan) of the instructions the stage production, choreography or musical performance consists of incorporates (R14) that textual or musical content. In other words, the text of ‘Hamlet’ is not a component of the concepts that underlie a given mise-en-scène of ‘Hamlet’, but any staging directions (F25 Performance Plan) that convey a given director’s vision of ‘Hamlet’ must necessarily incorporate the text of ‘Hamlet’.
Examples:
The conceptual content of Sergei Radlov’s mise-en-scène of a Yiddish translation of the textual work entitled ‘King Lear’ in Moscow in 1935
The conceptual content of Pina Bausch’s choreography of the ballet entitled ‘Rite of spring’ in Wuppertal in 1975
The conceptual content of Bruno Walter’s performance of Gustav Mahler’s 9th symphony in 1961
The conceptual content of the “performance handbook” for Luigi Nono’s musical work entitled ‘À Pierre’
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F43_Identifier_Rule">
<rdfs:comment xml:lang="en">Scope note:
This class comprises sets of instructions relating to the formulation of a unique identifier
Examples:
AACR2R 25.25-25.35F1
RAK-Musik (Revidierte Ausgabe 2003), Chapter 6
AFNOR Z 44-079
</rdfs:comment>
<rdfs:label xml:lang="en">Identifier Rule</rdfs:label>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F2_Expression"/>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E29_Design_or_Procedure"/>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F7_Object">
<rdfs:comment xml:lang="en">Scope note:
This class comprises all persistent physical items with a relatively stable form, man-made or natural.
[This is the beginning of scope note for E18 Physical Object in CIDOC CRM version 5.0.1]
Examples:
Buckingham Palace
The Lusitania
Apollo 11
The Eiffel Tower
</rdfs:comment>
<rdfs:label xml:lang="en">object</rdfs:label>
<owl:equivalentClass rdf:resource="http://erlangen-crm.org/current/E18_Physical_Thing"/>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F3_Manifestation_Product_Type">
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/CLR6_should_carry"/>
</owl:onProperty>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/CLP43_should_have_dimension"/>
</owl:onProperty>
<owl:someValuesFrom rdf:resource="http://erlangen-crm.org/current/E54_Dimension"/>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E72_Legal_Object"/>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E55_Type"/>
<rdfs:label xml:lang="en">manifestation product type</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises the definitions of publication products.
An instance of F3 Manifestation Product Type is the “species”, and all copies of a given object are “specimens” of it. An instance of F3 Manifestation Product Type defines all of the features or traits that instances of F5 Item normally display in order that they may be recognised as copies of a particular publication. However, due to production problems or subsequent events, one or more instances of F5 Item may not exhibit all these features or traits; yet such instances still retain their relationship to the same instance of F3 Manifestation Product Type.
The features that characterise a given instance of F3 Manifestation Product Type include: one instance of F24 Publication Expression, containing one or more than one instance of F2 Expression, reflecting the authors’ content of the manifestation and all additional input by the publisher; and the appropriate types of physical features for that form of the object. For example, hardcover and paperback are two distinct publications (i.e. two distinct instances of F3 Manifestation Product Type) even though authorial and editorial content are otherwise identical in both publications. The activity of cataloguing aims at the most accurate listing of features or traits of an instance of F3 Manifestation Product Type that are sufficient to distinguish it from another instance of F3 Manifestation Product Type. In this sense, it may be said that a typical bibliographic record for a publication (not a manuscript) reflects the notion of F3 Manifestation Product Type.
Examples:
The publication product containing the text entitled ‘Harmonie universelle’ (authored by the person named ‘Marin Mersenne’), issued in 1636 in Paris by the publisher named ‘Sébastien Cramoisy’
The publication product containing a modern reprint of Marin Mersenne’s ‘Harmonie universelle’, issued in 1986 in Paris by the publisher named ‘Les éditions du CNRS’, and identified by ISBN ‘2-222-00835-2’
The publication product containing the third edition of the combination of texts and graphics titled ‘Codex Manesse: die Miniaturen der großen Heidelberger Liederhandschrift, herausgegeben und erläutert von Ingo F. Walther unter Mitarbeit von Gisela Siebert’, issued by the publisher named ‘Insel-Verlag’ in 1988
The publication product containing the cartographic resource titled ‘Ordnance Survey Explorer Map 213, Aberystwyth & Cwm Rheidol’, issued in May 2005 by the publisher named ‘Ordnance Survey’ and identified by ISBN ‘0-319-23640-4’ (folded), 1:25,000 scale
The publication product containing the recordings of musical works performed by the person named ‘Florence Foster Jenkins’ gathered under the title ‘The Glory (????) of the human voice’, identified by label and label number ‘RCA Victor Gold Seal GD61175’ (Note: the four question marks within parentheses belong to the title itself)
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F8_Event">
<owl:equivalentClass rdf:resource="http://erlangen-crm.org/current/E4_Period"/>
<rdfs:label xml:lang="en">event</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises sets of coherent phenomena or cultural manifestations bounded in time and space.
It is the social or physical coherence of these phenomena that identify an E4 Period and not the associated spatio-temporal bounds. These bounds are a mere approximation of the actual process of growth, spread and retreat. Consequently, different periods can overlap and coexist in time and space, such as when a nomadic culture exists in the same area as a sedentary culture.
Typically this class is used to describe prehistoric or historic periods such as the ‘Neolithic Period’, the ‘Ming Dynasty’ or the ‘McCarthy Era’. There are however no assumptions about the scale of the associated phenomena. In particular all events are seen as synthetic processes consisting of coherent phenomena. Therefore E4 Period is a superclass of E5 Event. For example, a modern clinical E67 Birth can be seen as both an atomic E5 Event and as an E4 Period that consists of multiple activities performed by multiple instances of E39 Actor.
There are two different conceptualisations of “artistic style”, defined either by physical features or by historical context. For example, ‘Impressionism’ can be viewed as a period lasting from approximately 1870 to 1905 during which paintings with particular characteristics were produced by a group of artists that included (among others) Monet, Renoir, Pissarro, Sisley and Degas. Alternatively, it can be regarded as a style applicable to all paintings sharing the characteristics of the works produced by the Impressionist painters, regardless of historical context. The first interpretation is an E4 Period, and the second defines morphological object types that fall under E55 Type.
Another specific case of an E4 Period is the set of activities and phenomena associated with a settlement, such as the populated period of Nineveh.
[This is the Scope note for E4 Period in CIDOC CRM version 5.0.1]
[Note that in CIDOC CRM, E12 Production, E13 Attribute Assignment, and E65 Creation are indirect subclasses of E4 Period = F8 Event; as a consequence, F8 Event is an indirect superclass of: F27 Work Conception, F28 Expression Creation, F40 Identifier Assignment, F41 Representative Manifestation Assignment, F42 Representative Expression Assignment, F32 Carrier Production Event, F33 Reproduction Event, and F30 Publication Event]
Examples:
The battle of Trafalgar
Printing for the publisher named ‘Doubleday’ in 2003 all the copies of the first print run of the novel entitled ‘Da Vinci Code’ (F32)
Having the initial idea that eventually resulted in the existence of the opera entitled ‘Der fliegende Holländer’ (F27)
Creating for Mozart’s 41st symphony the uniform title that was thereafter consistently used to refer unambiguously to that symphony everywhere in the Library of Congress’s catalogue (F40)
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F11_Corporate_Body">
<rdfs:label xml:lang="en">corporate body</rdfs:label>
<rdfs:subClassOf>
<owl:Class rdf:about="http://erlangen-crm.org/current/E74_Group"/>
</rdfs:subClassOf>
<rdfs:comment xml:lang="en">Scope note:
This class comprises organisations and groups of two or more people and/or organisations acting as a unit.
To be considered an F11 Corporate Body a gathering of people needs to bear a name and exhibit organisational characteristics sufficient to allow the body as a whole to participate in the creation, modification or production of an E73 Information Object. Groups such as conferences, congresses, expeditions, exhibitions, festivals, fairs, etc. are modelled as F11 Corporate Bodies when they are named and can take collective action, such as approving a report or publishing their proceedings.
Examples:
The International Machaut Society
The British Library
The Jackson Five
The Regional Municipality of Ottawa-Carleton
Symposium on Glaucoma
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F26_Recording">
<rdfs:label xml:lang="en">recording</rdfs:label>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R21i_was_created_through"/>
</owl:onProperty>
<owl:someValuesFrom>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F29_Recording_Event"/>
</owl:someValuesFrom>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:maxCardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:maxCardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R13i_realises"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F22_Self-Contained_Expression"/>
<rdfs:comment xml:lang="en">Scope note:
This class comprises expressions which are created in instances of F29 Recording Event. A recording is intended to convey (and preserve) the content of one or more events.
Examples:
The set of signs that make up the third alternate take of the musical work entitled ‘Blue Hawaii’ as performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/current/E30_Right">
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/CLP104i_applies_to"/>
</owl:onProperty>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
</owl:Restriction>
</rdfs:subClassOf>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F29_Recording_Event">
<rdfs:comment xml:lang="en">Scope note:
This class comprises activities that intend to convey (and preserve) the content of events in a recording, such as a live recording of a performance, a documentary, or other capture of a perdurant. Such activities may follow the directions of a recording plan. They may include postproduction.
Examples:
The making of the recording of the third alternate take of the musical work titled ‘Blue Hawaii’ as performed by Elvis Presley in Hollywood, Calif., Radio Recorders, on March 22nd, 1961
</rdfs:comment>
<rdfs:label xml:lang="en">recording event</rdfs:label>
<rdfs:subClassOf>
<owl:Restriction>
<owl:maxCardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:maxCardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R22_created_a_realisation_of"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:someValuesFrom rdf:resource="http://erlangen-crm.org/efrbroo/F26_Recording"/>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R21_created"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R20_recorded"/>
</owl:onProperty>
<owl:someValuesFrom>
<owl:Class rdf:about="http://erlangen-crm.org/current/E5_Event"/>
</owl:someValuesFrom>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F28_Expression_Creation"/>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/current/E40_Legal_Body"/>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F30_Publication_Event">
<rdfs:comment xml:lang="en">Scope note:
This class comprises the activities of publishing. Such an event includes the creation of an F24 Publication Expression and setting up the means of production. The end of this event is regarded as the date of publication, regardless of whether the carrier production is started. Publishing can be either physical or electronic. Electronic publishing is regarded as making an instance of F24 Publication Expression available in electronic form on a public network. Electronic Publishing does not mean producing a physical F5 Item by partially electronic means. Making an electronic file available on a physical carrier can be regarded as equivalent to setting up the means of production; downloading the file is regarded as the electronic equivalent of F32 Carrier Production Event.
Examples:
Publishing Amerigo Vespucci’s ‘Mundus novus’ in Paris ca. 1503-1504
Establishing in 1972 the layout, features, and prototype for the publication of ‘The complete poems of Stephen Crane, edited with an introduction by Joseph Katz’ (ISBN ‘0-8014-9130-4’), which served for a second print run in 1978
Making available online the article by Allen Renear, Christopher Phillippe, Pat Lawton, and David Dubin, entitled ‘An XML document corresponds to which FRBR Group 1 entity?’ http://conferences.idealliance.org/extreme/html/2003/Lawton01/EML2003Lawton01.html
</rdfs:comment>
<rdfs:label xml:lang="en">publication event</rdfs:label>
<rdfs:subClassOf>
<owl:Restriction>
<owl:someValuesFrom rdf:resource="http://erlangen-crm.org/efrbroo/F24_Publication_Expression"/>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R24_created"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:maxCardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:maxCardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R23_created_a_realisation_of"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F28_Expression_Creation"/>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F6_Concept">
<owl:equivalentClass rdf:resource="http://erlangen-crm.org/current/E28_Conceptual_Object"/>
<rdfs:label xml:lang="en">concept</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
An abstract notion or idea. [FRBRER] Includes fields of knowledge, disciplines, schools of thought, etc. Includes philosophies, religions, political ideologies, etc. Includes theories, processes, techniques, practices, etc. [Definition from the FRAD draft model, unchanged]
This class comprises non-material products of our minds and other human produced data that have become objects of a discourse about their identity, circumstances of creation or historical implication. The production of such information may have been supported by the use of technical devices such as cameras or computers.
Characteristically, instances of this class are created, invented or thought by someone, and then may be documented or communicated between persons. Instances of E28 Conceptual Object have the ability to exist on more than one particular carrier at the same time, such as paper, electronic signals, marks, audio media, paintings, photos, human memories, etc.
They cannot be destroyed. They exist as long as they can be found on at least one carrier or in at least one human memory. Their existence ends when the last carrier and the last memory are lost. [Scope note for E28 Conceptual Object in CIDOC CRM version 5.0.1]
Examples:
Mankind [as a concept]
Natural history of whales
Cultural history of Wales
The appreciation of Victor Hugo’s works in Germany between 1870 and 1914
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F32_Carrier_Production_Event">
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E12_Production"/>
<rdfs:label xml:lang="en">carrier production event</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises activities that result in instances of F5 Item coming into existence. The creation of a new copy of a file on an electronic carrier is also regarded as a Carrier Production Event.
Typically, the production of copies of a publication (no matter whether it is a book, a sound recording, a DVD, a cartographic resource, etc.) strives to produce items all as similar as possible to a prototype that displays all the features that all the copies of the publication should also display, which is reflected in property R27 used as source material F24 Publication Expression.
Examples:
The printing of copies of the 3rd edition of ‘Codex Manesse: die Miniaturen der großen Heidelberger Liederhandschrift, herausgegeben und erläutert von Ingo F. Walther unter Mitarbeit von Gisela Siebert’, Insel-Verlag, 1988 [a fac-simile edition of an illuminated mediaeval manuscript]
The printing of copies of the ‘Ordnance Survey Explorer Map 213, Aberystwyth & Cwm Rheidol’, ISBN 0-319-23640-4 (folded), 1:25,000 scale, released in May 2005 [a cartographic resource]
The production of copies of the sound recording titled ‘The Glory (????) of the human voice’, RCA Victor Gold Seal GD61175, containing recordings of musical works performed by Florence Foster Jenkins [a sound recording; the question marks in parentheses belong to the original title]
My clicking now on the link http://cidoc.ics.forth.gr/docs/cidoc_crm_version_4.0.pdf, and thus downloading on my PC a reproduction of the electronic file titled ‘Definition of the CIDOC Conceptual Reference Model… version 4.0’ that is stored on the ICS FORTH’s servers in Heraklion, Crete
The second print run, in 1978, of ‘The complete poems of Stephen Crane, edited with an introduction by Joseph Katz’ (ISBN ‘0-8014-9130-4’), a publication dated 1972 [publication of a printed text]
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F9_Place">
<rdfs:comment xml:lang="en">Scope note:
This class comprises extents in space, in particular on the surface of the earth, in the pure sense of physics: independent from temporal phenomena and matter. The instances of E53 Place are usually determined by reference to the position of immobile objects such as buildings, cities, mountains, rivers, or dedicated geodetic marks. A Place can be determined by combining a frame of reference and a location with respect to this frame. It may be identified by one or more instances of E44 Place Appellation.
It is sometimes argued that instances of E53 Place are best identified by global coordinates or absolute reference systems. However, relative references are often more relevant in the context of cultural documentation and tend to be more precise. In particular, we are often interested in position in relation to large, mobile objects, such as ships. For example, the Place at which Nelson died is known with reference to a large mobile object – H.M.S Victory. A resolution of this Place in terms of absolute coordinates would require knowledge of the movements of the vessel and the precise time of death, either of which may be revised, and the result would lack historical and cultural relevance.
Any object can serve as a frame of reference for E53 Place determination. The model foresees the notion of a section of an E19 Physical Object as a valid E53 Place determination. [Scope Note for E53 Place in CIDOC CRM version 5.0.1]
Note that Places may be determined by the location of historical or contemporary objects, geographic features, events or geo-political units.
Examples:
The area referred to as ‘Lutèce’
The area referred to as ‘verso of the title page of the Library of Congress’s copy of the 1st edition of the novel entitled ‘Da Vinci Code’
</rdfs:comment>
<owl:equivalentClass rdf:resource="http://erlangen-crm.org/current/E53_Place"/>
<rdfs:label xml:lang="en">place</rdfs:label>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F21_Recording_Work">
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F1_Work"/>
<rdfs:label xml:lang="en">recording work</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises works that conceptualise the capturing of features of perdurants. The characteristics of the manifestation of a recording work are those of the product of the capture process. The characteristics of any other works recorded are distinct from those of the recording work itself. In the case where the recorded perdurant expresses some Work, the respective instance of F21 is also an F16 Container Work
Examples:
The concept of recording the Swedish 17th century warship Vasa in August 1959 to April 1961
The concept of documenting the Live Aid concerts July 13, 1985, London, Philadelphia, Sydney and Moscow
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F33_Reproduction_Event">
<rdfs:comment xml:lang="en">Scope note:
This class comprises activities that consist in making copies, more or less mechanically, of an instance of E84 Information Carrier (such as an F5 Item or an F4 Manifestation Singleton which is also instance of E84 Information Carrier), preserving the expression carried by it. A Reproduction Event results in new instances of E84 Information Carrier coming into existence. In general, the copy will have different attributes from the original and they are therefore not regarded as siblings.
This class makes it possible to account for the legal distinction between private copying for the purpose of “fair use,” and mass production for the purpose of dissemination.
It can prove difficult to determine where to draw the line between F33 Reproduction Event and F32 Carrier Production Event in cases where multiple copies are produced. In this case, the copies, but not the original, may be regarded as instances of F5 Item. It is the existence of an explicit production plan that makes the difference. As a consequence, F33 Reproduction Event and F32 Carrier Production Event are not declared as disjoint, which makes it possible to account for such situations that could be regarded as instances of both Production Event and Reproduction Event.
Examples:
My photocopying now for my own private use an exemplar of the article entitled ‘Federal Court’s Ruling Against Photocopying Chain Will Not Destroy “Fair Use”’ by Kenneth D. Crews, issued in ‘Chronicle of higher education’, 17 April 1991, A48
The BnF’s producing in 1997 the microfilm identified by call number ‘Microfilm M-12169’ of the exemplar identified by shelf mark ‘Res 8 P 10’ of Amerigo Vespucci’s ‘Mundus novus’ published in Paris ca. 1503-1504
The BnF’s reproducing in 2001 the exemplar identified by call number ‘NC His Master’s Voice HC 20’ of a 78 rpm phonogram released by Gramophone in 1932, as part of the CD identified by call number ‘SDCR 2120’
The BnF’s making in 2003 a digitisation, identified by call number ‘IFN 7701015’, of the collection of drawings (held by the BnF) that were made by Étienne-Louis Boullée in 1784 for his project of a ‘Newton Cenotaph’
</rdfs:comment>
<rdfs:label xml:lang="en">reproduction event</rdfs:label>
<rdfs:subClassOf>
<owl:Restriction>
<owl:someValuesFrom rdf:resource="http://erlangen-crm.org/current/E84_Information_Carrier"/>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R30_produced"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:someValuesFrom rdf:resource="http://erlangen-crm.org/current/E84_Information_Carrier"/>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R29_reproduced"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E12_Production"/>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F12_Name">
<rdfs:label xml:lang="en">name</rdfs:label>
<owl:equivalentClass rdf:resource="http://erlangen-crm.org/current/E41_Appellation"/>
<rdfs:comment xml:lang="en">Scope note:
This class comprises all sequences of signs of any nature, either meaningful or not, that are used or can be used to refer to and identify a specific instance of some class within a certain context. Instances of E41 Appellation do not identify things by their meaning even if they happen to have one, but by convention, tradition, or agreement. Instances of E41 Appellation are cultural constructs; as such, they have a context, a history, and a use in time and space by some group of users. [Beginning of Scope Note for E41 Appellation in CIDOC CRM version 5.0.1]
Examples:
‘杜甫’ (E82) [the name of a Chinese poet of the 8th century, in Chinese characters]
‘Du Fu’ (E82) [Pinyin romanised form of the name of a Chinese poet of the 8th century]
‘Tu Fu’ (E82) [another romanised form of the name of a Chinese poet of the 8th century]
‘Thơ Ðô Phủ’ (E82) [Vietnamese form of the name of a Chinese poet of the 8th century]
‘جامعة صفاقس’ (E82) [Arabic name of the Sfax University (Tunisia), in Arabic script]
‘Ğāmi ‘at `Ṣafāqis’ (E82) [Arabic name of the Sfax University (Tunisia), transliterated]
‘Université de Sfax’ (E82) [French name of the Sfax University (Tunisia)]
‘Murders in the rue Morgue’ (E35) [English title of a textual work]
‘Poe, Edgar Allan, 1809-1849. Murders in the rue Morgue’ (F13) [controlled author/title heading for a textual work]
‘modelling’ [not the activity, just the written signs that represent its English name in British spelling]
‘modeling’ [not the activity, just the written signs that represent its English name in American spelling]
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F10_Person">
<rdfs:comment xml:lang="en">Scope note:
This class comprises real persons who live or are assumed to have lived. [Beginning of scope note for E21 Person in CIDOC CRM version 5.0.1] F10 Person covers the notion of persona.
Examples:
Margaret Atwood
Hans Christian Andersen
Queen Victoria
</rdfs:comment>
<owl:equivalentClass rdf:resource="http://erlangen-crm.org/current/E21_Person"/>
<rdfs:label xml:lang="en">person</rdfs:label>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F14_Individual_Work">
<rdfs:comment xml:lang="en">Scope note:
This class comprises works that are realised by one and only one self-contained expression, i.e., works representing the concept as expressed by precisely this expression, and that do not have other works as parts.
Inherent to the notion of work is the completion of recognisable outcomes of the work. These outcomes, i.e. the Self-Contained Expressions, are regarded as the symbolic equivalents of Individual Works, which form the atoms of a complex work. Normally creators would characterise an outcome of a work as finished. In other cases, one could recognise an outcome of a work as complete from the elaboration or logical coherence of its content, or if there is any historical knowledge about the creator deliberately or accidentally never finishing (completing) that particular expression. In all those cases, one would regard the corresponding expression as equivalent to one Individual Work.
Examples:
Abstract content of Giovanni Battista Piranesi’s ‘Carcere XVI: the pier with chains: 1st state’
Abstract content of Giovanni Battista Piranesi’s ‘Carcere XVI: the pier with chains: 2nd state’ [explanation: these are two states of the same etching, but with so many and so significant differences between them that they can scarcely be recognised as conveying the same work; more generally speaking, each individual state of an etching, as a Self-Contained Expression, conveys its own F14 Individual Work (even if the differences are not so blatant as in the case of ‘Carcere XVI’), and is regarded as part of the larger, abstract F15 Complex Work that encompasses all distinct states of the same etching]
Abstract content of the recording made of performances of Johann Sebastian Bach’s ‘Toccata in C minor BWV 911’ by Glenn Gould on May 15 & 16, 1979, in Toronto, Eaton’s Auditorium
</rdfs:comment>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R9_is_realised_in"/>
</owl:onProperty>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/efrbroo/F1_Work"/>
<rdfs:label xml:lang="en">individual work</rdfs:label>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F42_Representative_Expression_Assignment">
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E13_Attribute_Assignment"/>
<rdfs:comment xml:lang="en">Scope note:
This class comprises activities through which an Agency declares (implicitly or explicitly) that a given instance of F2 Expression is representative for a given F15 Complex Work, i.e., that some attributes of that instance of F2 Expression (most prominently, information about the title) can be inferred to also apply to that instance of F15 Complex Work, no matter in which particular expression it is realised.
The reasoning behind this is that the Work title is known through the title of an Expression that is deemed representative of the Work, and the title of the representative Expression is known through the title of a Manifestation that is deemed representative of the Expression that is representative of the Work.
For instance, by using the qualified uniform title ‘Poe, Edgar Allan, 1809-1849. Murders in the rue Morgue (French)’ for the French rendition of Poe’s ‘Murders in the rue Morgue’ by Baudelaire, an Agency implicitly states that the French text does not constitute a representative F2 Expression for Poe’s F1 Work, however the original English text does constitute a representative F2 Expression for Poe’s F1 Work.
Examples:
Choosing the English text entitled ‘Murders in the rue Morgue’, with that particular formulation of its title, as representative for the complex work Edgar Allan Poe’s ‘Murders in the rue Morgue’
</rdfs:comment>
<rdfs:label xml:lang="en">Representative Expression Assignment</rdfs:label>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F5_Item">
<rdfs:subClassOf>
<owl:Restriction>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R7_is_example_of"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf>
<owl:Restriction>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R6_carries"/>
</owl:onProperty>
<owl:cardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:cardinality>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E84_Information_Carrier"/>
<rdfs:label xml:lang="en">item</rdfs:label>
<rdfs:comment xml:lang="en">Scope note:
This class comprises physical objects (printed books, scores, CDs, DVDs, CD-ROMS, etc.) that carry a F24 Publication Expression and were produced by an industrial process involving a F3 Manifestation Product Type.
Examples:
Marin Mersenne’s personal copy of his own ‘Harmonie universelle’ without any manuscript addition and without Charles Racquet’s manuscript score, as a mere witness of the 1st edition of ‘Harmonie universelle’, Paris, 1636 [the same physical object can be regarded at the same time as an instance of F5 Item inasmuch as it is a witness of a publication, and as an instance of F4 Manifestation Singleton inasmuch as it contains manuscript annotations and additions and as it served as the basis for a subsequent production process]
Any other copy of the original edition of Marin Mersenne’s ‘Harmonie universelle’, Paris, 1636
Any copy of the modern reprint publication of Marin Mersenne’s ‘Harmonie universelle’, Paris, 1986, ISBN ‘2-222-00835-2’
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F27_Work_Conception">
<rdfs:label xml:lang="en">work conception</rdfs:label>
<rdfs:subClassOf>
<owl:Restriction>
<owl:maxCardinality rdf:datatype="http://www.w3.org/2001/XMLSchema#nonNegativeInteger"
>1</owl:maxCardinality>
<owl:onProperty>
<owl:ObjectProperty rdf:about="http://erlangen-crm.org/efrbroo/R16_initiated"/>
</owl:onProperty>
</owl:Restriction>
</rdfs:subClassOf>
<rdfs:subClassOf rdf:resource="http://erlangen-crm.org/current/E65_Creation"/>
<rdfs:comment xml:lang="en">Scope note:
This class comprises the births of original ideas. It marks the initiation of the creation of a work. This class should be used where there is historical evidence of the initiation before the appearance of physical evidence for the F1 Work. This does not always correlate with the date assigned in common library practice to the work; which is usually a later event.
Examples:
Richard Wagner’s having the initial idea of composing the opera entitled ‘Der fliegende Holländer’ during a stormy sea crossing in July/August 1839
Oscar Wilde’s having by May 1897 the initial idea of writing his poem entitled ‘The ballad of the Reading gaol’, inspired by his stay in the Reading prison from November 20, 1895 to May 18, 1897, and the execution of Charles Thomas Woolridge on July 7, 1896
</rdfs:comment>
</owl:Class>
<owl:Class rdf:about="http://erlangen-crm.org/efrbroo/F40_Identifier_Assignment">
<rdfs:comment xml:lang="en">Scope note:
This class comprises activities that result in the allocation of an identifier to any E1 CRM Entity. An F40 Identifier Assignment may include the creation of the identifier from multiple constituents. The syntax of the identifier and the kinds of constituents to be used in constructing it may be declared in a rule. The construction of controlled access points for the names of persons, families and corporate bodies following specific cataloguing rules is a typical library application. F40 Identifier Assignment also includes the assignment of uniform titles as controlled access points for works or expressions