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MIT License | ||
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Copyright (c) 2018 carterenyi | ||
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Permission is hereby granted, free of charge, to any person obtaining a copy | ||
of this software and associated documentation files (the "Software"), to deal | ||
in the Software without restriction, including without limitation the rights | ||
to use, copy, modify, merge, publish, distribute, sublicense, and/or sell | ||
copies of the Software, and to permit persons to whom the Software is | ||
furnished to do so, subject to the following conditions: | ||
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The above copyright notice and this permission notice shall be included in all | ||
copies or substantial portions of the Software. | ||
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THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR | ||
IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, | ||
FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE | ||
AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER | ||
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, | ||
OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE | ||
SOFTWARE. |
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# emviz | ||
![Example EMVizLogo.png](EMVizLogo.png) | ||
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EMViz (Early Music Visualization) provides built-in pattern recognition for symbolic music based on a contour recursion algorithm by Carter-Enyi (2016) producing visualizations of musical form using arc diagrams, as proposed by Wattenberg (2002). The algorithm brings together contour theory (Morris 1987, Quinn 1996, Schultz 2013) with studies of melodic | ||
accent (Thomassen 1982, Huron 2006). Symbolic music data (.midi, .xml) from various sources (including ELVIS at McGill and the Yale Classical Archives Corpus) may be imported, analyzed and visualized in a matter of minutes. Arc diagram visualizations in the supplemental materials include music from the Liber Usualis, Josquin des Prez and J. S. Bach. | ||
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## Getting Started | ||
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Mac OSX version: | ||
https://morehousecollege.box.com/s/3ziy19h8n36l54oza5fcesx2f9z7y2yg | ||
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Windows version: | ||
https://morehousecollege.box.com/s/cd2t5kb5xt4e3f7zsd0zcnbat2e9b1vw | ||
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Or github repository: | ||
https://github.com/carterenyi/emviz | ||
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### Prerequisites | ||
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If you have MATLAB 2017b, you will not need to install MATLAB Runtime and may also run individual scripts (source code) from the github repository. | ||
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### Installing | ||
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Detailed instructions for installation: | ||
1. You will need a web connection for the entire installation because MATLAB Runtime | ||
(also free) will also be downloaded and installed when you run the application installer | ||
2. Download the entire folder at the appropriate link above | ||
3. Find the “AppInstaller” folder or zip file and double-click it, then double-click | ||
“MyApplicationInstall_web” (.exe for Windows and .app for Mac); Mac will unzip | ||
revealing a “test” folder (which has the MyApplicationInstall_web.app inside); Windows | ||
may also ask you to expand the files before installing (if so, you will need to double-click | ||
the installer again after this unpacking) | ||
4. Because this software is not from an “App Store”, you will likely need to override | ||
some security preferences after expanding/unzipping and clicking on the .app or .exe, to | ||
do this right-click or control-click and select “Open” on Mac or “Run as administrator” | ||
on Windows | ||
5. The actual installation process (which requires an internet connection) may take 5 – 20 | ||
minutes depending on the download speed of your internet connection (it is downloading | ||
MATLAB Runtime so your computer can interpret the code for the algorithm and GUI) | ||
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## Running the tests | ||
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MIDI files for testing are included at the link above. You should be able to produce the images in | ||
[paper.md](https://github.com/carterenyi/emviz/blob/master/paper.md) | ||
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## Deployment | ||
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Details for installation on a live system are above. | ||
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## Built With | ||
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MATLAB 2017b | ||
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## Contributing | ||
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Please read [contributing.md](https://github.com/carterenyi/emviz/blob/master/contributing.md) for details on our code of conduct, and the process for submitting pull requests to us. | ||
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## Authors | ||
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* **Aaron Carter-Enyi** <carterenyi@gmail.com> | ||
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## License | ||
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This project is licensed under the MIT License - see the [LICENSE](https://github.com/carterenyi/emviz/blob/master/LICENSE) file for details | ||
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## Acknowledgments | ||
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* Inspired by Martin Wattenberg's Shape of Song and the phonology of Niger-Congo (African) tone languages. |
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# Contributor Covenant Code of Conduct | ||
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## Our Pledge | ||
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In the interest of fostering an open and welcoming environment, we as | ||
contributors and maintainers pledge to making participation in our project and | ||
our community a harassment-free experience for everyone, regardless of age, body | ||
size, disability, ethnicity, sex characteristics, gender identity and expression, | ||
level of experience, education, socio-economic status, nationality, personal | ||
appearance, race, religion, or sexual identity and orientation. | ||
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## Our Standards | ||
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Examples of behavior that contributes to creating a positive environment | ||
include: | ||
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* Using welcoming and inclusive language | ||
* Being respectful of differing viewpoints and experiences | ||
* Gracefully accepting constructive criticism | ||
* Focusing on what is best for the community | ||
* Showing empathy towards other community members | ||
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Examples of unacceptable behavior by participants include: | ||
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* The use of sexualized language or imagery and unwelcome sexual attention or | ||
advances | ||
* Trolling, insulting/derogatory comments, and personal or political attacks | ||
* Public or private harassment | ||
* Publishing others' private information, such as a physical or electronic | ||
address, without explicit permission | ||
* Other conduct which could reasonably be considered inappropriate in a | ||
professional setting | ||
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## Our Responsibilities | ||
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Project maintainers are responsible for clarifying the standards of acceptable | ||
behavior and are expected to take appropriate and fair corrective action in | ||
response to any instances of unacceptable behavior. | ||
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Project maintainers have the right and responsibility to remove, edit, or | ||
reject comments, commits, code, wiki edits, issues, and other contributions | ||
that are not aligned to this Code of Conduct, or to ban temporarily or | ||
permanently any contributor for other behaviors that they deem inappropriate, | ||
threatening, offensive, or harmful. | ||
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## Scope | ||
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This Code of Conduct applies both within project spaces and in public spaces | ||
when an individual is representing the project or its community. Examples of | ||
representing a project or community include using an official project e-mail | ||
address, posting via an official social media account, or acting as an appointed | ||
representative at an online or offline event. Representation of a project may be | ||
further defined and clarified by project maintainers. | ||
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## Enforcement | ||
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Instances of abusive, harassing, or otherwise unacceptable behavior may be | ||
reported by contacting the project team at carterenyi@gmail.com. All | ||
complaints will be reviewed and investigated and will result in a response that | ||
is deemed necessary and appropriate to the circumstances. The project team is | ||
obligated to maintain confidentiality with regard to the reporter of an incident. | ||
Further details of specific enforcement policies may be posted separately. | ||
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Project maintainers who do not follow or enforce the Code of Conduct in good | ||
faith may face temporary or permanent repercussions as determined by other | ||
members of the project's leadership. | ||
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## Attribution | ||
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This Code of Conduct is adapted from the [Contributor Covenant][homepage], version 1.4, | ||
available at https://www.contributor-covenant.org/version/1/4/code-of-conduct.html | ||
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[homepage]: https://www.contributor-covenant.org | ||
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For answers to common questions about this code of conduct, see | ||
https://www.contributor-covenant.org/faq |
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## How to contribute to emviz: Early Music Visualization | ||
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#### **Did you find a bug?** | ||
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Please email <carterenyi@gmail.com> | ||
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#### **Did you write a patch that fixes a bug?** | ||
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* Open a new GitHub pull request with the patch. | ||
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* Ensure the PR description clearly describes the problem and solution. | ||
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#### **Do you intend to add a new feature or change an existing one?** | ||
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Please email <carterenyi@gmail.com> | ||
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#### **Do you have questions about the source code?** | ||
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Please email <carterenyi@gmail.com> | ||
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#### **Do you want to contribute to the emviz documentation?** | ||
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Please email <carterenyi@gmail.com> |
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@article{Carter-Enyi:2016a, | ||
author = {{Carter-Enyi}, Aaron}, | ||
title = {{Contour Recursion and Auto-Segmentation}}, | ||
journal = {Music Theory Online}, | ||
volume = {22}, | ||
number = {1}, | ||
type = {Journal Article}, | ||
year = 2016, | ||
url = {http://www.mtosmt.org/issues/mto.16.22.1/mto.16.22.1.carter-enyi.pdf} | ||
} | ||
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@phdthesis{Carter-Enyi:2016b, | ||
author = {Carter-Enyi, Aaron}, | ||
title = {{Contour Levels: An Abstraction of Pitch Space based on African Tone Systems}}, | ||
university = {Ohio State University}, | ||
type = {Thesis}, | ||
year = 2016, | ||
adsurl = {http://adsabs.harvard.edu/abs/2016PhDT.......160C}, | ||
url = {http://rave.ohiolink.edu/etdc/view?acc_num=osu1461029477} | ||
} | ||
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@book{Huron:2006, | ||
author = {Huron, David}, | ||
title = {{Sweet Anticipation: Music and the Psychology of Expectation}}, | ||
publisher = {MIT Press}, | ||
address = {Cambridge}, | ||
ISBN = {9780262275965}, | ||
type = {Book}, | ||
year = 2006 | ||
} | ||
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@book{Morris:1987, | ||
author = {Morris, Robert D}, | ||
title = {{Composition with pitch-classes: a theory of compositional design}}, | ||
publisher = {Yale University Press}, | ||
ISBN = {0300036841}, | ||
type = {Book}, | ||
year = 1987 | ||
} | ||
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@article{Quinn:1997, | ||
author = {Quinn, Ian}, | ||
title = {{Fuzzy Extensions to the Theory of Contour}}, | ||
journal = {Music Theory Spectrum}, | ||
volume = {19}, | ||
number = {2}, | ||
pages = {232-263}, | ||
ISSN = {01956167}, | ||
DOI = {10.2307/745755}, | ||
url = {http://www.jstor.org.proxy.lib.ohio-state.edu/stable/745755}, | ||
type = {Journal Article}, | ||
year = 1997 | ||
} | ||
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@article{Thomassen:1982, | ||
author = {Thomassen, Joseph M}, | ||
title = {{Melodic accent: Experiments and a tentative model}}, | ||
journal = {The Journal of the Acoustical Society of America}, | ||
volume = {71}, | ||
number = {6}, | ||
pages = {1596-1605}, | ||
ISSN = {0001-4966}, | ||
DOI = {10.1121/1.387814} | ||
type = {Journal Article}, | ||
year = 1982 | ||
} | ||
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@inproceedings{Wattenberg:2002, | ||
author = {Wattenberg, Martin}, | ||
title = {{Arc diagrams: Visualizing structure in strings}}, | ||
booktitle = {Information Visualization, 2002. INFOVIS 2002. IEEE Symposium on}, | ||
publisher = {IEEE}, | ||
pages = {110-116}, | ||
ISBN = {076951751X}, | ||
DOI = {10.1109/INFVIS.2002.1173155}, | ||
type = {Conference Proceedings}, | ||
year = 2002 | ||
} |
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